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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 38 73 it is the complementary color RGB 156 217 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 38 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 99 38 73: RGB 104 38 68, RGB 121 56 87, RGB 138 74 106, RGB 155 92 125 and RGB 172 110 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 38 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 99 38 73: RGB 99 38 73, RGB 82 20 54, RGB 65 2 35, RGB 48 0 16 and RGB 31 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 26 / 61

HEX #632649

RGB 99 38 73

HSL 325.57, 0.45%, 0.27%

LAB 25.32, 31.89, -8.13

 

Complementary color

CMYK 28 / 0 / 16 / 15

HEX #9CD9B6

RGB 156 217 182

HSL 145.57, 0.45%, 0.73%

LAB 81.88, -26.59, 11.06

 

CMYK 0 / 63 / 35 / 59

HEX #682644

RGB 104 38 68

HSL 332.73, 0.46%, 0.28%

LAB 26, 32.9, -3.66

 

CMYK 0 / 54 / 28 / 53

HEX #793857

RGB 121 56 87

HSL 331.38, 0.37%, 0.35%

LAB 33.1, 32.19, -5.28

 

CMYK 0 / 46 / 23 / 46

HEX #8A4A6A

RGB 138 74 106

HSL 330, 0.3%, 0.42%

LAB 40.15, 31.33, -6.5

 

CMYK 0 / 41 / 19 / 39

HEX #9B5C7D

RGB 155 92 125

HSL 328.57, 0.26%, 0.48%

LAB 47.11, 30.47, -7.47

 

CMYK 0 / 36 / 16 / 33

HEX #AC6E90

RGB 172 110 144

HSL 327.1, 0.27%, 0.55%

LAB 53.96, 29.65, -8.3

 

CMYK 0 / 62 / 26 / 61

HEX #632649

RGB 99 38 73

HSL 325.57, 0.45%, 0.27%

LAB 25.32, 31.89, -8.13

 

CMYK 0 / 76 / 34 / 68

HEX #521436

RGB 82 20 54

HSL 327.1, 0.61%, 0.2%

LAB 18.19, 32.1, -6.14

 

CMYK 0 / 97 / 46 / 75

HEX #410223

RGB 65 2 35

HSL 328.57, 0.94%, 0.13%

LAB 11.2, 31.58, -3.17

 

CMYK 0 / 100 / 67 / 81

HEX #300010

RGB 48 0 16

HSL 340, 1%, 0.09%

LAB 6.01, 25.07, 2.51

 

CMYK 0 / 100 / 100 / 88

HEX #1F0000

RGB 31 0 0

HSL 0, 1%, 0.06%

LAB 2.63, 11.81, 4.16

 

CMYK 0 / 62 / 26 / 61

HEX #632649

RGB 99 38 73

HSL 325.57, 0.45%, 0.27%

LAB 25.32, 31.89, -8.13

 

CMYK 0 / 63 / 36 / 61

HEX #63253F

RGB 99 37 63

HSL 334.84, 0.46%, 0.27%

LAB 24.75, 30.95, -2.24

 

CMYK 0 / 63 / 46 / 61

HEX #632535

RGB 99 37 53

HSL 344.52, 0.46%, 0.27%

LAB 24.43, 29.69, 4.08

 

CMYK 0 / 63 / 57 / 61

HEX #63252B

RGB 99 37 43

HSL 354.19, 0.46%, 0.27%

LAB 24.16, 28.63, 10.51

 

CMYK 0 / 57 / 63 / 61

HEX #632B25

RGB 99 43 37

HSL 5.81, 0.46%, 0.27%

LAB 25.3, 24.79, 16.03

 

CMYK 0 / 62 / 26 / 61

HEX #632649

RGB 99 38 73

HSL 325.57, 0.45%, 0.27%

LAB 25.32, 31.89, -8.13

 

CMYK 0 / 61 / 26 / 41

HEX #963A6F

RGB 150 58 111

HSL 325.43, 0.44%, 0.41%

LAB 39, 44.43, -11.16

 

CMYK 0 / 62 / 26 / 21

HEX #C94D94

RGB 201 77 148

HSL 325.65, 0.53%, 0.55%

LAB 51.68, 56.41, -13.68

 

CMYK 0 / 62 / 26 / 1

HEX #FC61BA

RGB 252 97 186

HSL 325.55, 0.96%, 0.68%

LAB 63.99, 67.49, -16.36

 

CMYK 0 / 63 / 27 / 81

HEX #301223

RGB 48 18 35

HSL 326, 0.45%, 0.13%

LAB 10.43, 17.83, -4.68

 

CMYK 0 / 62 / 26 / 61

HEX #632649

RGB 99 38 73

HSL 325.57, 0.45%, 0.27%

LAB 25.32, 31.89, -8.13

 

CMYK 0 / 23 / 63 / 61

HEX #634C25

RGB 99 76 37

HSL 37.74, 0.46%, 0.27%

LAB 33.89, 4.67, 26.56

 

CMYK 63 / 1 / 0 / 61

HEX #256263

RGB 37 98 99

HSL 180.97, 0.46%, 0.27%

LAB 37.9, -18.97, -6.44

 

CMYK 0 / 62 / 26 / 61

HEX #632649

RGB 99 38 73

HSL 325.57, 0.45%, 0.27%

LAB 25.32, 31.89, -8.13

 

CMYK 25 / 0 / 63 / 61

HEX #4A6325

RGB 74 99 37

HSL 84.19, 0.46%, 0.27%

LAB 38.75, -20.39, 31.55

 

CMYK 63 / 25 / 0 / 61

HEX #254A63

RGB 37 74 99

HSL 204.19, 0.46%, 0.27%

LAB 29.89, -4.84, -18.63

 

CMYK 0 / 62 / 26 / 61

HEX #632649

RGB 99 38 73

HSL 325.57, 0.45%, 0.27%

LAB 25.32, 31.89, -8.13

 

CMYK 0 / 23 / 63 / 61

HEX #634C25

RGB 99 76 37

HSL 37.74, 0.46%, 0.27%

LAB 33.89, 4.67, 26.56

 

CMYK 63 / 0 / 36 / 61

HEX #25633F

RGB 37 99 63

HSL 145.16, 0.46%, 0.27%

LAB 37.25, -29.12, 14.68

 

CMYK 63 / 38 / 0 / 61

HEX #253D63

RGB 37 61 99

HSL 216.77, 0.46%, 0.27%

LAB 25.66, 3.75, -25.25

 

CMYK 0 / 62 / 26 / 61

HEX #632649

RGB 99 38 73

HSL 325.57, 0.45%, 0.27%

LAB 25.32, 31.89, -8.13

 

CMYK 0 / 5 / 63 / 61

HEX #635E25

RGB 99 94 37

HSL 55.16, 0.46%, 0.27%

LAB 39.23, -6.15, 32.65

 

CMYK 63 / 0 / 36 / 61

HEX #25633F

RGB 37 99 63

HSL 145.16, 0.46%, 0.27%

LAB 37.25, -29.12, 14.68

 

CMYK 63 / 57 / 0 / 61

HEX #252B63

RGB 37 43 99

HSL 234.19, 0.46%, 0.27%

LAB 20.13, 16.41, -34.08

 

Description

Color code: RGB 99 38 73 | qconv.com Color code: RGB 99 38 73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 38 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 38 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 26 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 26% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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