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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 186 183 it is the complementary color RGB 156 69 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 186 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 99 186 183: RGB 104 186 178, RGB 121 204 197, RGB 138 222 216, RGB 155 240 235 and RGB 172 255 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 186 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 99 186 183: RGB 99 186 183, RGB 82 168 164, RGB 65 150 145, RGB 48 132 126 and RGB 31 114 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 2 / 27

HEX #63BAB7

RGB 99 186 183

HSL 177.93, 0.39%, 0.56%

LAB 70.31, -26.92, -6.62

 

Complementary color

CMYK 0 / 56 / 54 / 39

HEX #9C4548

RGB 156 69 72

HSL 357.93, 0.39%, 0.44%

LAB 40.88, 36.57, 16.05

 

CMYK 44 / 0 / 4 / 27

HEX #68BAB2

RGB 104 186 178

HSL 174.15, 0.37%, 0.57%

LAB 70.37, -26.98, -3.76

 

CMYK 41 / 0 / 3 / 20

HEX #79CCC5

RGB 121 204 197

HSL 174.94, 0.45%, 0.64%

LAB 76.85, -26.91, -4.46

 

CMYK 38 / 0 / 3 / 13

HEX #8ADED8

RGB 138 222 216

HSL 175.71, 0.56%, 0.71%

LAB 83.23, -26.82, -5.12

 

CMYK 35 / 0 / 2 / 6

HEX #9BF0EB

RGB 155 240 235

HSL 176.47, 0.74%, 0.77%

LAB 89.53, -26.72, -5.74

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFE

RGB 172 255 254

HSL 179.28, 1%, 0.84%

LAB 94.93, -25.18, -7.54

 

CMYK 47 / 0 / 2 / 27

HEX #63BAB7

RGB 99 186 183

HSL 177.93, 0.39%, 0.56%

LAB 70.31, -26.92, -6.62

 

CMYK 51 / 0 / 2 / 34

HEX #52A8A4

RGB 82 168 164

HSL 177.21, 0.34%, 0.49%

LAB 63.74, -26.86, -5.9

 

CMYK 57 / 0 / 3 / 41

HEX #419691

RGB 65 150 145

HSL 176.47, 0.4%, 0.42%

LAB 57.06, -26.72, -5.12

 

CMYK 64 / 0 / 5 / 48

HEX #30847E

RGB 48 132 126

HSL 175.71, 0.47%, 0.35%

LAB 50.26, -26.44, -4.24

 

CMYK 73 / 0 / 6 / 55

HEX #1F726B

RGB 31 114 107

HSL 174.94, 0.57%, 0.28%

LAB 43.34, -25.91, -3.24

 

CMYK 47 / 0 / 2 / 27

HEX #63BAB7

RGB 99 186 183

HSL 177.93, 0.39%, 0.56%

LAB 70.31, -26.92, -6.62

 

CMYK 47 / 5 / 0 / 27

HEX #63B0BA

RGB 99 176 186

HSL 186.9, 0.39%, 0.56%

LAB 67.46, -21.09, -12.52

 

CMYK 47 / 13 / 0 / 27

HEX #63A1BA

RGB 99 161 186

HSL 197.24, 0.39%, 0.56%

LAB 63.08, -13.2, -19.13

 

CMYK 47 / 21 / 0 / 27

HEX #6393BA

RGB 99 147 186

HSL 206.9, 0.39%, 0.56%

LAB 59.03, -5.47, -25.33

 

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

CMYK 47 / 0 / 2 / 27

HEX #63BAB7

RGB 99 186 183

HSL 177.93, 0.39%, 0.56%

LAB 70.31, -26.92, -6.62

 

CMYK 47 / 0 / 2 / 7

HEX #7EEDE9

RGB 126 237 233

HSL 177.84, 0.76%, 0.71%

LAB 87.43, -32.74, -7.93

 

CMYK 45 / 0 / 3 / 87

HEX #122120

RGB 18 33 32

HSL 176, 0.29%, 0.1%

LAB 11.42, -6.68, -1.36

 

CMYK 46 / 0 / 1 / 67

HEX #2D5453

RGB 45 84 83

HSL 178.46, 0.3%, 0.25%

LAB 32.97, -14.07, -3.74

 

CMYK 47 / 0 / 1 / 47

HEX #488785

RGB 72 135 133

HSL 178.1, 0.3%, 0.41%

LAB 52.29, -20.75, -5.23

 

CMYK 47 / 0 / 2 / 27

HEX #63BAB7

RGB 99 186 183

HSL 177.93, 0.39%, 0.56%

LAB 70.31, -26.92, -6.62

 

CMYK 40 / 47 / 0 / 27

HEX #7063BA

RGB 112 99 186

HSL 248.97, 0.39%, 0.56%

LAB 46.86, 26.48, -44.33

 

CMYK 0 / 21 / 47 / 27

HEX #BA9363

RGB 186 147 99

HSL 33.1, 0.39%, 0.56%

LAB 63.51, 8.46, 30.93

 

CMYK 47 / 0 / 2 / 27

HEX #63BAB7

RGB 99 186 183

HSL 177.93, 0.39%, 0.56%

LAB 70.31, -26.92, -6.62

 

CMYK 2 / 47 / 0 / 27

HEX #B663BA

RGB 182 99 186

HSL 297.24, 0.39%, 0.56%

LAB 54.46, 46.33, -31.84

 

CMYK 0 / 2 / 47 / 27

HEX #BAB663

RGB 186 182 99

HSL 57.24, 0.39%, 0.56%

LAB 72.76, -10.3, 42.49

 

CMYK 47 / 0 / 2 / 27

HEX #63BAB7

RGB 99 186 183

HSL 177.93, 0.39%, 0.56%

LAB 70.31, -26.92, -6.62

 

CMYK 40 / 47 / 0 / 27

HEX #7063BA

RGB 112 99 186

HSL 248.97, 0.39%, 0.56%

LAB 46.86, 26.48, -44.33

 

CMYK 0 / 47 / 45 / 27

HEX #BA6367

RGB 186 99 103

HSL 357.24, 0.39%, 0.56%

LAB 52.22, 35.27, 13.59

 

CMYK 7 / 0 / 47 / 27

HEX #ADBA63

RGB 173 186 99

HSL 68.97, 0.39%, 0.56%

LAB 72.83, -17.65, 42.34

 

CMYK 47 / 0 / 2 / 27

HEX #63BAB7

RGB 99 186 183

HSL 177.93, 0.39%, 0.56%

LAB 70.31, -26.92, -6.62

 

CMYK 26 / 47 / 0 / 27

HEX #8A63BA

RGB 138 99 186

HSL 266.9, 0.39%, 0.56%

LAB 49.34, 33.53, -40.24

 

CMYK 0 / 47 / 45 / 27

HEX #BA6367

RGB 186 99 103

HSL 357.24, 0.39%, 0.56%

LAB 52.22, 35.27, 13.59

 

CMYK 21 / 0 / 47 / 27

HEX #93BA63

RGB 147 186 99

HSL 86.9, 0.39%, 0.56%

LAB 71.02, -27.83, 39.72

 

Description

Color code: RGB 99 186 183 | qconv.com Color code: RGB 99 186 183 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 186 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 186 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 2 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 2% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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