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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 161 135 it is the complementary color RGB 156 94 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 161 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 99 161 135: RGB 104 161 130, RGB 121 179 149, RGB 138 197 168, RGB 155 215 187 and RGB 172 233 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 161 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 99 161 135: RGB 99 161 135, RGB 82 143 116, RGB 65 125 97, RGB 48 107 78 and RGB 31 89 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 16 / 37

HEX #63A187

RGB 99 161 135

HSL 154.84, 0.25%, 0.51%

LAB 61.56, -26.1, 7.28

 

Complementary color

CMYK 0 / 40 / 23 / 39

HEX #9C5E78

RGB 156 94 120

HSL 334.84, 0.25%, 0.49%

LAB 47.53, 28.92, -3.82

 

CMYK 35 / 0 / 19 / 37

HEX #68A182

RGB 104 161 130

HSL 147.37, 0.23%, 0.52%

LAB 61.69, -25.66, 10.3

 

CMYK 32 / 0 / 17 / 30

HEX #79B395

RGB 121 179 149

HSL 148.97, 0.28%, 0.59%

LAB 68.37, -25.4, 9.37

 

CMYK 30 / 0 / 15 / 23

HEX #8AC5A8

RGB 138 197 168

HSL 150.51, 0.34%, 0.66%

LAB 74.93, -25.16, 8.5

 

CMYK 28 / 0 / 13 / 16

HEX #9BD7BB

RGB 155 215 187

HSL 152, 0.43%, 0.73%

LAB 81.38, -24.94, 7.68

 

CMYK 26 / 0 / 12 / 9

HEX #ACE9CE

RGB 172 233 206

HSL 153.44, 0.58%, 0.79%

LAB 87.73, -24.74, 6.91

 

CMYK 39 / 0 / 16 / 37

HEX #63A187

RGB 99 161 135

HSL 154.84, 0.25%, 0.51%

LAB 61.56, -26.1, 7.28

 

CMYK 43 / 0 / 19 / 44

HEX #528F74

RGB 82 143 116

HSL 153.44, 0.27%, 0.44%

LAB 54.76, -26.34, 8.24

 

CMYK 48 / 0 / 22 / 51

HEX #417D61

RGB 65 125 97

HSL 152, 0.32%, 0.37%

LAB 47.82, -26.57, 9.31

 

CMYK 55 / 0 / 27 / 58

HEX #306B4E

RGB 48 107 78

HSL 150.51, 0.38%, 0.3%

LAB 40.73, -26.74, 10.52

 

CMYK 65 / 0 / 34 / 65

HEX #1F593B

RGB 31 89 59

HSL 148.97, 0.48%, 0.24%

LAB 33.46, -26.76, 11.91

 

CMYK 39 / 0 / 16 / 37

HEX #63A187

RGB 99 161 135

HSL 154.84, 0.25%, 0.51%

LAB 61.56, -26.1, 7.28

 

CMYK 39 / 0 / 11 / 37

HEX #62A190

RGB 98 161 144

HSL 163.81, 0.25%, 0.51%

LAB 61.74, -24.34, 2.47

 

CMYK 39 / 0 / 4 / 37

HEX #62A19B

RGB 98 161 155

HSL 174.29, 0.25%, 0.51%

LAB 62.04, -21.69, -3.28

 

CMYK 39 / 2 / 0 / 37

HEX #629DA1

RGB 98 157 161

HSL 183.81, 0.25%, 0.51%

LAB 61.03, -18.09, -8.16

 

CMYK 39 / 9 / 0 / 37

HEX #6292A1

RGB 98 146 161

HSL 194.29, 0.25%, 0.51%

LAB 57.78, -12.18, -13.04

 

CMYK 39 / 0 / 16 / 37

HEX #63A187

RGB 99 161 135

HSL 154.84, 0.25%, 0.51%

LAB 61.56, -26.1, 7.28

 

CMYK 39 / 0 / 16 / 17

HEX #82D4B2

RGB 130 212 178

HSL 155.12, 0.49%, 0.67%

LAB 79.07, -32.65, 9

 

CMYK 37 / 0 / 13 / 97

HEX #050807

RGB 5 8 7

HSL 160, 0.23%, 0.03%

LAB 2, -0.92, 0.1

 

CMYK 39 / 0 / 17 / 77

HEX #243B31

RGB 36 59 49

HSL 153.91, 0.24%, 0.19%

LAB 22.74, -11.72, 3.35

 

CMYK 38 / 0 / 16 / 57

HEX #446E5C

RGB 68 110 92

HSL 154.29, 0.24%, 0.35%

LAB 42.99, -19.1, 5.45

 

CMYK 39 / 0 / 16 / 37

HEX #63A187

RGB 99 161 135

HSL 154.84, 0.25%, 0.51%

LAB 61.56, -26.1, 7.28

 

CMYK 39 / 30 / 0 / 37

HEX #6271A1

RGB 98 113 161

HSL 225.71, 0.25%, 0.51%

LAB 48.23, 6.9, -27.65

 

CMYK 0 / 32 / 39 / 37

HEX #A16D62

RGB 161 109 98

HSL 10.48, 0.25%, 0.51%

LAB 51.15, 19.28, 14.54

 

CMYK 39 / 0 / 16 / 37

HEX #63A187

RGB 99 161 135

HSL 154.84, 0.25%, 0.51%

LAB 61.56, -26.1, 7.28

 

CMYK 17 / 39 / 0 / 37

HEX #8662A1

RGB 134 98 161

HSL 274.29, 0.25%, 0.51%

LAB 47.47, 26.94, -28.61

 

CMYK 0 / 17 / 39 / 37

HEX #A18662

RGB 161 134 98

HSL 34.29, 0.25%, 0.51%

LAB 57.57, 5.07, 23.23

 

CMYK 39 / 0 / 16 / 37

HEX #63A187

RGB 99 161 135

HSL 154.84, 0.25%, 0.51%

LAB 61.56, -26.1, 7.28

 

CMYK 39 / 30 / 0 / 37

HEX #6271A1

RGB 98 113 161

HSL 225.71, 0.25%, 0.51%

LAB 48.23, 6.9, -27.65

 

CMYK 0 / 39 / 22 / 37

HEX #A1627D

RGB 161 98 125

HSL 334.29, 0.25%, 0.51%

LAB 49.24, 29.3, -4.22

 

CMYK 0 / 9 / 39 / 37

HEX #A19262

RGB 161 146 98

HSL 45.71, 0.25%, 0.51%

LAB 60.8, -1.6, 27.48

 

CMYK 39 / 0 / 16 / 37

HEX #63A187

RGB 99 161 135

HSL 154.84, 0.25%, 0.51%

LAB 61.56, -26.1, 7.28

 

CMYK 37 / 39 / 0 / 37

HEX #6662A1

RGB 102 98 161

HSL 243.81, 0.25%, 0.51%

LAB 44.42, 17.23, -33.59

 

CMYK 0 / 39 / 22 / 37

HEX #A1627D

RGB 161 98 125

HSL 334.29, 0.25%, 0.51%

LAB 49.24, 29.3, -4.22

 

CMYK 2 / 0 / 39 / 37

HEX #9DA162

RGB 157 161 98

HSL 63.81, 0.25%, 0.51%

LAB 64.6, -11.35, 32.31

 

Description

Color code: RGB 99 161 135 | qconv.com Color code: RGB 99 161 135 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 161 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 161 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 16 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 16% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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