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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 149 149 it is the complementary color RGB 156 106 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 149 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 99 149 149: RGB 104 149 144, RGB 121 167 163, RGB 138 185 182, RGB 155 203 201 and RGB 172 221 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 149 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 99 149 149: RGB 99 149 149, RGB 82 131 130, RGB 65 113 111, RGB 48 95 92 and RGB 31 77 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 0 / 42

HEX #639595

RGB 99 149 149

HSL 180, 0.2%, 0.49%

LAB 58.34, -16.63, -5.34

 

Complementary color

CMYK 0 / 32 / 32 / 39

HEX #9C6A6A

RGB 156 106 106

HSL 0, 0.2%, 0.51%

LAB 50, 20.02, 8.12

 

CMYK 30 / 0 / 3 / 42

HEX #689590

RGB 104 149 144

HSL 173.33, 0.18%, 0.5%

LAB 58.46, -16.36, -2.27

 

CMYK 28 / 0 / 2 / 35

HEX #79A7A3

RGB 121 167 163

HSL 174.78, 0.21%, 0.56%

LAB 65.24, -16.22, -2.92

 

CMYK 25 / 0 / 2 / 27

HEX #8AB9B6

RGB 138 185 182

HSL 176.17, 0.25%, 0.63%

LAB 71.88, -16.11, -3.54

 

CMYK 24 / 0 / 1 / 20

HEX #9BCBC9

RGB 155 203 201

HSL 177.5, 0.32%, 0.7%

LAB 78.4, -16.01, -4.13

 

CMYK 22 / 0 / 0 / 13

HEX #ACDDDC

RGB 172 221 220

HSL 178.78, 0.42%, 0.77%

LAB 84.82, -15.92, -4.7

 

CMYK 34 / 0 / 0 / 42

HEX #639595

RGB 99 149 149

HSL 180, 0.2%, 0.49%

LAB 58.34, -16.63, -5.34

 

CMYK 37 / 0 / 1 / 49

HEX #528382

RGB 82 131 130

HSL 178.78, 0.23%, 0.42%

LAB 51.43, -16.72, -4.71

 

CMYK 42 / 0 / 2 / 56

HEX #41716F

RGB 65 113 111

HSL 177.5, 0.27%, 0.35%

LAB 44.35, -16.8, -4.02

 

CMYK 49 / 0 / 3 / 63

HEX #305F5C

RGB 48 95 92

HSL 176.17, 0.33%, 0.28%

LAB 37.09, -16.85, -3.26

 

CMYK 60 / 0 / 5 / 70

HEX #1F4D49

RGB 31 77 73

HSL 174.78, 0.43%, 0.21%

LAB 29.61, -16.79, -2.4

 

CMYK 34 / 0 / 0 / 42

HEX #639595

RGB 99 149 149

HSL 180, 0.2%, 0.49%

LAB 58.34, -16.63, -5.34

 

CMYK 34 / 5 / 0 / 42

HEX #638D95

RGB 99 141 149

HSL 189.6, 0.2%, 0.49%

LAB 55.96, -12.3, -8.88

 

CMYK 34 / 11 / 0 / 42

HEX #638595

RGB 99 133 149

HSL 199.2, 0.2%, 0.49%

LAB 53.6, -7.85, -12.42

 

CMYK 34 / 17 / 0 / 42

HEX #637C95

RGB 99 124 149

HSL 210, 0.2%, 0.49%

LAB 50.96, -2.69, -16.41

 

CMYK 34 / 22 / 0 / 42

HEX #637495

RGB 99 116 149

HSL 219.6, 0.2%, 0.49%

LAB 48.65, 2.02, -19.95

 

CMYK 34 / 0 / 0 / 42

HEX #639595

RGB 99 149 149

HSL 180, 0.2%, 0.49%

LAB 58.34, -16.63, -5.34

 

CMYK 34 / 0 / 0 / 22

HEX #85C8C8

RGB 133 200 200

HSL 180, 0.38%, 0.65%

LAB 76.35, -21.05, -6.75

 

CMYK 33 / 0 / 0 / 2

HEX #A7FBFB

RGB 167 251 251

HSL 180, 0.91%, 0.82%

LAB 93.53, -25.24, -8.09

 

CMYK 34 / 0 / 0 / 82

HEX #1F2F2F

RGB 31 47 47

HSL 180, 0.21%, 0.15%

LAB 18.05, -6.59, -2.14

 

CMYK 34 / 0 / 0 / 62

HEX #416262

RGB 65 98 98

HSL 180, 0.2%, 0.32%

LAB 39.14, -11.89, -3.83

 

CMYK 34 / 0 / 0 / 42

HEX #639595

RGB 99 149 149

HSL 180, 0.2%, 0.49%

LAB 58.34, -16.63, -5.34

 

CMYK 27 / 34 / 0 / 42

HEX #6D6395

RGB 109 99 149

HSL 252, 0.2%, 0.49%

LAB 44.72, 15.45, -25.95

 

CMYK 0 / 13 / 34 / 42

HEX #958163

RGB 149 129 99

HSL 36, 0.2%, 0.49%

LAB 55.06, 2.98, 19.1

 

CMYK 34 / 0 / 0 / 42

HEX #639595

RGB 99 149 149

HSL 180, 0.2%, 0.49%

LAB 58.34, -16.63, -5.34

 

CMYK 0 / 34 / 0 / 42

HEX #956395

RGB 149 99 149

HSL 300, 0.2%, 0.49%

LAB 48.86, 28.71, -19.22

 

CMYK 0 / 0 / 34 / 42

HEX #959563

RGB 149 149 99

HSL 60, 0.2%, 0.49%

LAB 60.59, -8.1, 26.47

 

CMYK 34 / 0 / 0 / 42

HEX #639595

RGB 99 149 149

HSL 180, 0.2%, 0.49%

LAB 58.34, -16.63, -5.34

 

CMYK 27 / 34 / 0 / 42

HEX #6D6395

RGB 109 99 149

HSL 252, 0.2%, 0.49%

LAB 44.72, 15.45, -25.95

 

CMYK 0 / 34 / 34 / 42

HEX #956363

RGB 149 99 99

HSL 0, 0.2%, 0.49%

LAB 47.25, 20.26, 8.29

 

CMYK 7 / 0 / 34 / 42

HEX #8B9563

RGB 139 149 99

HSL 72, 0.2%, 0.49%

LAB 59.78, -12.18, 25.25

 

CMYK 34 / 0 / 0 / 42

HEX #639595

RGB 99 149 149

HSL 180, 0.2%, 0.49%

LAB 58.34, -16.63, -5.34

 

CMYK 17 / 34 / 0 / 42

HEX #7C6395

RGB 124 99 149

HSL 270, 0.2%, 0.49%

LAB 46.15, 20.3, -23.63

 

CMYK 0 / 34 / 34 / 42

HEX #956363

RGB 149 99 99

HSL 0, 0.2%, 0.49%

LAB 47.25, 20.26, 8.29

 

CMYK 17 / 0 / 34 / 42

HEX #7C9563

RGB 124 149 99

HSL 90, 0.2%, 0.49%

LAB 58.68, -18.13, 23.59

 

Description

Color code: RGB 99 149 149 | qconv.com Color code: RGB 99 149 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 149 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 149 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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