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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 114 153 it is the complementary color RGB 156 141 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 114 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 99 114 153: RGB 104 114 148, RGB 121 132 167, RGB 138 150 186, RGB 155 168 205 and RGB 172 186 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 114 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 99 114 153: RGB 99 114 153, RGB 82 96 134, RGB 65 78 115, RGB 48 60 96 and RGB 31 42 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 25 / 0 / 40

HEX #637299

RGB 99 114 153

HSL 223.33, 0.21%, 0.49%

LAB 48.24, 4.32, -22.93

 

Complementary color

CMYK 0 / 10 / 35 / 39

HEX #9C8D66

RGB 156 141 102

HSL 43.33, 0.21%, 0.51%

LAB 59.05, -0.43, 22.88

 

CMYK 30 / 23 / 0 / 42

HEX #687294

RGB 104 114 148

HSL 226.36, 0.17%, 0.49%

LAB 48.41, 4.5, -19.7

 

CMYK 28 / 21 / 0 / 35

HEX #7984A7

RGB 121 132 167

HSL 225.65, 0.21%, 0.56%

LAB 55.44, 4.15, -19.89

 

CMYK 26 / 19 / 0 / 27

HEX #8A96BA

RGB 138 150 186

HSL 225, 0.26%, 0.64%

LAB 62.31, 3.85, -20.11

 

CMYK 24 / 18 / 0 / 20

HEX #9BA8CD

RGB 155 168 205

HSL 224.4, 0.33%, 0.71%

LAB 69.03, 3.58, -20.35

 

CMYK 23 / 17 / 0 / 12

HEX #ACBAE0

RGB 172 186 224

HSL 223.85, 0.46%, 0.78%

LAB 75.62, 3.34, -20.61

 

CMYK 35 / 25 / 0 / 40

HEX #637299

RGB 99 114 153

HSL 223.33, 0.21%, 0.49%

LAB 48.24, 4.32, -22.93

 

CMYK 39 / 28 / 0 / 47

HEX #526086

RGB 82 96 134

HSL 223.85, 0.24%, 0.42%

LAB 41.03, 4.79, -22.85

 

CMYK 43 / 32 / 0 / 55

HEX #414E73

RGB 65 78 115

HSL 224.4, 0.28%, 0.35%

LAB 33.58, 5.38, -22.84

 

CMYK 50 / 38 / 0 / 62

HEX #303C60

RGB 48 60 96

HSL 225, 0.33%, 0.28%

LAB 25.88, 6.17, -22.92

 

CMYK 60 / 45 / 0 / 70

HEX #1F2A4D

RGB 31 42 77

HSL 225.65, 0.43%, 0.21%

LAB 17.84, 7.3, -23.11

 

CMYK 35 / 25 / 0 / 40

HEX #637299

RGB 99 114 153

HSL 223.33, 0.21%, 0.49%

LAB 48.24, 4.32, -22.93

 

CMYK 35 / 31 / 0 / 41

HEX #626897

RGB 98 104 151

HSL 233.21, 0.21%, 0.49%

LAB 45.26, 9.53, -26.37

 

CMYK 33 / 35 / 0 / 41

HEX #656297

RGB 101 98 151

HSL 243.4, 0.21%, 0.49%

LAB 43.85, 14.13, -28.55

 

CMYK 27 / 35 / 0 / 41

HEX #6E6297

RGB 110 98 151

HSL 253.58, 0.21%, 0.49%

LAB 44.64, 16.9, -27.27

 

CMYK 22 / 35 / 0 / 41

HEX #766297

RGB 118 98 151

HSL 262.64, 0.21%, 0.49%

LAB 45.39, 19.43, -26.04

 

CMYK 35 / 25 / 0 / 40

HEX #637299

RGB 99 114 153

HSL 223.33, 0.21%, 0.49%

LAB 48.24, 4.32, -22.93

 

CMYK 35 / 25 / 0 / 20

HEX #8498CC

RGB 132 152 204

HSL 223.33, 0.41%, 0.66%

LAB 63.11, 5.54, -29

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 35 / 25 / 0 / 80

HEX #212633

RGB 33 38 51

HSL 223.33, 0.21%, 0.16%

LAB 15.22, 1.57, -9.2

 

CMYK 35 / 25 / 0 / 60

HEX #424C66

RGB 66 76 102

HSL 223.33, 0.21%, 0.33%

LAB 32.45, 3.01, -16.43

 

CMYK 35 / 25 / 0 / 40

HEX #637299

RGB 99 114 153

HSL 223.33, 0.21%, 0.49%

LAB 48.24, 4.32, -22.93

 

CMYK 3 / 35 / 0 / 41

HEX #926297

RGB 146 98 151

HSL 294.34, 0.21%, 0.49%

LAB 48.36, 28.68, -21.2

 

CMYK 11 / 0 / 35 / 41

HEX #869762

RGB 134 151 98

HSL 79.25, 0.21%, 0.49%

LAB 59.96, -15.39, 25.97

 

CMYK 35 / 25 / 0 / 40

HEX #637299

RGB 99 114 153

HSL 223.33, 0.21%, 0.49%

LAB 48.24, 4.32, -22.93

 

CMYK 0 / 35 / 25 / 41

HEX #976271

RGB 151 98 113

HSL 343.02, 0.21%, 0.49%

LAB 47.63, 23.66, 0.46

 

CMYK 25 / 0 / 35 / 41

HEX #719762

RGB 113 151 98

HSL 103.02, 0.21%, 0.49%

LAB 58.53, -23.46, 23.81

 

CMYK 35 / 25 / 0 / 40

HEX #637299

RGB 99 114 153

HSL 223.33, 0.21%, 0.49%

LAB 48.24, 4.32, -22.93

 

CMYK 3 / 35 / 0 / 41

HEX #926297

RGB 146 98 151

HSL 294.34, 0.21%, 0.49%

LAB 48.36, 28.68, -21.2

 

CMYK 0 / 10 / 35 / 41

HEX #978862

RGB 151 136 98

HSL 43.02, 0.21%, 0.49%

LAB 57.14, -0.25, 22.49

 

CMYK 32 / 0 / 35 / 41

HEX #679762

RGB 103 151 98

HSL 114.34, 0.21%, 0.49%

LAB 57.94, -27.05, 22.92

 

CMYK 35 / 25 / 0 / 40

HEX #637299

RGB 99 114 153

HSL 223.33, 0.21%, 0.49%

LAB 48.24, 4.32, -22.93

 

CMYK 0 / 35 / 8 / 41

HEX #97628B

RGB 151 98 139

HSL 313.58, 0.21%, 0.49%

LAB 48.48, 28.07, -13.84

 

CMYK 0 / 10 / 35 / 41

HEX #978862

RGB 151 136 98

HSL 43.02, 0.21%, 0.49%

LAB 57.14, -0.25, 22.49

 

CMYK 35 / 0 / 27 / 41

HEX #62976E

RGB 98 151 110

HSL 133.58, 0.21%, 0.49%

LAB 57.9, -26.6, 16.15

 

Description

Color code: RGB 99 114 153 | qconv.com Color code: RGB 99 114 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 114 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 114 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 25 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 25% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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