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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 113 120 it is the complementary color RGB 156 142 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 113 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 99 113 120: RGB 104 113 115, RGB 121 131 134, RGB 138 149 153, RGB 155 167 172 and RGB 172 185 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 113 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 99 113 120: RGB 99 113 120, RGB 82 95 101, RGB 65 77 82, RGB 48 59 63 and RGB 31 41 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 6 / 0 / 53

HEX #637178

RGB 99 113 120

HSL 200, 0.1%, 0.43%

LAB 46.74, -3.61, -5.64

 

Complementary color

CMYK 0 / 9 / 13 / 39

HEX #9C8E87

RGB 156 142 135

HSL 20, 0.1%, 0.57%

LAB 60.04, 3.98, 5.61

 

CMYK 10 / 2 / 0 / 55

HEX #687173

RGB 104 113 115

HSL 190.91, 0.05%, 0.43%

LAB 46.96, -2.95, -2.28

 

CMYK 10 / 2 / 0 / 47

HEX #798386

RGB 121 131 134

HSL 193.85, 0.05%, 0.5%

LAB 54.05, -3.03, -2.88

 

CMYK 10 / 3 / 0 / 40

HEX #8A9599

RGB 138 149 153

HSL 196, 0.07%, 0.57%

LAB 60.96, -3.11, -3.47

 

CMYK 10 / 3 / 0 / 33

HEX #9BA7AC

RGB 155 167 172

HSL 197.65, 0.09%, 0.64%

LAB 67.71, -3.19, -4.03

 

CMYK 10 / 3 / 0 / 25

HEX #ACB9BF

RGB 172 185 191

HSL 198.95, 0.13%, 0.71%

LAB 74.34, -3.28, -4.58

 

CMYK 18 / 6 / 0 / 53

HEX #637178

RGB 99 113 120

HSL 200, 0.1%, 0.43%

LAB 46.74, -3.61, -5.64

 

CMYK 19 / 6 / 0 / 60

HEX #525F65

RGB 82 95 101

HSL 198.95, 0.1%, 0.36%

LAB 39.44, -3.55, -5.11

 

CMYK 21 / 6 / 0 / 68

HEX #414D52

RGB 65 77 82

HSL 197.65, 0.12%, 0.29%

LAB 31.9, -3.51, -4.56

 

CMYK 24 / 6 / 0 / 75

HEX #303B3F

RGB 48 59 63

HSL 196, 0.14%, 0.22%

LAB 24.05, -3.47, -3.99

 

CMYK 30 / 7 / 0 / 83

HEX #1F292C

RGB 31 41 44

HSL 193.85, 0.17%, 0.15%

LAB 15.79, -3.46, -3.39

 

CMYK 18 / 6 / 0 / 53

HEX #637178

RGB 99 113 120

HSL 200, 0.1%, 0.43%

LAB 46.74, -3.61, -5.64

 

CMYK 18 / 9 / 0 / 53

HEX #626D78

RGB 98 109 120

HSL 210, 0.1%, 0.43%

LAB 45.48, -1.61, -7.51

 

CMYK 18 / 13 / 0 / 53

HEX #626978

RGB 98 105 120

HSL 220.91, 0.1%, 0.43%

LAB 44.31, 0.77, -9.27

 

CMYK 18 / 15 / 0 / 53

HEX #626678

RGB 98 102 120

HSL 229.09, 0.1%, 0.43%

LAB 43.44, 2.58, -10.58

 

CMYK 18 / 18 / 0 / 53

HEX #626278

RGB 98 98 120

HSL 240, 0.1%, 0.43%

LAB 42.29, 5.01, -12.32

 

CMYK 18 / 6 / 0 / 53

HEX #637178

RGB 99 113 120

HSL 200, 0.1%, 0.43%

LAB 46.74, -3.61, -5.64

 

CMYK 18 / 6 / 0 / 33

HEX #8DA1AB

RGB 141 161 171

HSL 200, 0.15%, 0.61%

LAB 65.04, -4.82, -7.55

 

CMYK 18 / 6 / 0 / 13

HEX #B7D1DE

RGB 183 209 222

HSL 200, 0.37%, 0.79%

LAB 82.35, -5.96, -9.35

 

CMYK 17 / 6 / 0 / 93

HEX #0F1112

RGB 15 17 18

HSL 200, 0.09%, 0.06%

LAB 4.93, -0.51, -0.81

 

CMYK 17 / 6 / 0 / 73

HEX #394145

RGB 57 65 69

HSL 200, 0.1%, 0.25%

LAB 26.96, -2.29, -3.55

 

CMYK 18 / 6 / 0 / 53

HEX #637178

RGB 99 113 120

HSL 200, 0.1%, 0.43%

LAB 46.74, -3.61, -5.64

 

CMYK 8 / 18 / 0 / 53

HEX #6E6278

RGB 110 98 120

HSL 272.73, 0.1%, 0.43%

LAB 43.37, 9.33, -10.58

 

CMYK 0 / 1 / 18 / 53

HEX #787762

RGB 120 119 98

HSL 57.27, 0.1%, 0.43%

LAB 49.58, -3.48, 11.71

 

CMYK 18 / 6 / 0 / 53

HEX #637178

RGB 99 113 120

HSL 200, 0.1%, 0.43%

LAB 46.74, -3.61, -5.64

 

CMYK 0 / 18 / 6 / 53

HEX #786271

RGB 120 98 113

HSL 319.09, 0.1%, 0.43%

LAB 44.12, 11.63, -5.12

 

CMYK 6 / 0 / 18 / 53

HEX #717862

RGB 113 120 98

HSL 79.09, 0.1%, 0.43%

LAB 49.28, -6.87, 11.21

 

CMYK 18 / 6 / 0 / 53

HEX #637178

RGB 99 113 120

HSL 200, 0.1%, 0.43%

LAB 46.74, -3.61, -5.64

 

CMYK 8 / 18 / 0 / 53

HEX #6E6278

RGB 110 98 120

HSL 272.73, 0.1%, 0.43%

LAB 43.37, 9.33, -10.58

 

CMYK 0 / 13 / 18 / 53

HEX #786962

RGB 120 105 98

HSL 19.09, 0.1%, 0.43%

LAB 45.6, 4.68, 6.1

 

CMYK 10 / 0 / 18 / 53

HEX #6C7862

RGB 108 120 98

HSL 92.73, 0.1%, 0.43%

LAB 48.89, -8.85, 10.6

 

CMYK 18 / 6 / 0 / 53

HEX #637178

RGB 99 113 120

HSL 200, 0.1%, 0.43%

LAB 46.74, -3.61, -5.64

 

CMYK 3 / 18 / 0 / 53

HEX #746278

RGB 116 98 120

HSL 289.09, 0.1%, 0.43%

LAB 43.95, 11.55, -9.65

 

CMYK 0 / 13 / 18 / 53

HEX #786962

RGB 120 105 98

HSL 19.09, 0.1%, 0.43%

LAB 45.6, 4.68, 6.1

 

CMYK 15 / 0 / 18 / 53

HEX #667862

RGB 102 120 98

HSL 109.09, 0.1%, 0.43%

LAB 48.44, -11.19, 9.9

 

Description

Color code: RGB 99 113 120 | qconv.com Color code: RGB 99 113 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 113 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 113 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 6 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 6% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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