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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 105 53 it is the complementary color RGB 156 150 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 105 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 99 105 53: RGB 104 105 48, RGB 121 123 67, RGB 138 141 86, RGB 155 159 105 and RGB 172 177 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 105 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 99 105 53: RGB 99 105 53, RGB 82 87 34, RGB 65 69 15, RGB 48 51 0 and RGB 31 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 50 / 59

HEX #636935

RGB 99 105 53

HSL 66.92, 0.33%, 0.31%

LAB 42.78, -10.9, 28.29

 

Complementary color

CMYK 23 / 26 / 0 / 21

HEX #9C96CA

RGB 156 150 202

HSL 246.92, 0.33%, 0.69%

LAB 64.28, 13.3, -25.94

 

CMYK 1 / 0 / 54 / 59

HEX #686930

RGB 104 105 48

HSL 61.05, 0.37%, 0.3%

LAB 43.15, -9.15, 31.53

 

CMYK 2 / 0 / 46 / 52

HEX #797B43

RGB 121 123 67

HSL 62.14, 0.29%, 0.37%

LAB 50.26, -9.63, 30.25

 

CMYK 2 / 0 / 39 / 45

HEX #8A8D56

RGB 138 141 86

HSL 63.27, 0.24%, 0.45%

LAB 57.2, -9.98, 28.97

 

CMYK 3 / 0 / 34 / 38

HEX #9B9F69

RGB 155 159 105

HSL 64.44, 0.22%, 0.52%

LAB 63.99, -10.24, 27.75

 

CMYK 3 / 0 / 30 / 31

HEX #ACB17C

RGB 172 177 124

HSL 65.66, 0.25%, 0.59%

LAB 70.64, -10.45, 26.6

 

CMYK 6 / 0 / 50 / 59

HEX #636935

RGB 99 105 53

HSL 66.92, 0.33%, 0.31%

LAB 42.78, -10.9, 28.29

 

CMYK 6 / 0 / 61 / 66

HEX #525722

RGB 82 87 34

HSL 65.66, 0.44%, 0.24%

LAB 35.45, -10.44, 29.54

 

CMYK 6 / 0 / 78 / 73

HEX #41450F

RGB 65 69 15

HSL 64.44, 0.64%, 0.16%

LAB 27.88, -9.7, 30.36

 

CMYK 6 / 0 / 100 / 80

HEX #303300

RGB 48 51 0

HSL 63.53, 1%, 0.1%

LAB 20.03, -8.55, 28.07

 

CMYK 6 / 0 / 100 / 87

HEX #1F2100

RGB 31 33 0

HSL 63.64, 1%, 0.06%

LAB 11.82, -6.5, 17.4

 

CMYK 6 / 0 / 50 / 59

HEX #636935

RGB 99 105 53

HSL 66.92, 0.33%, 0.31%

LAB 42.78, -10.9, 28.29

 

CMYK 13 / 0 / 50 / 59

HEX #5B6934

RGB 91 105 52

HSL 75.85, 0.34%, 0.31%

LAB 42.12, -14.57, 27.87

 

CMYK 22 / 0 / 50 / 59

HEX #526934

RGB 82 105 52

HSL 86.04, 0.34%, 0.31%

LAB 41.45, -18.45, 26.9

 

CMYK 30 / 0 / 50 / 59

HEX #496934

RGB 73 105 52

HSL 96.23, 0.34%, 0.31%

LAB 40.84, -22.13, 26.02

 

CMYK 38 / 0 / 50 / 59

HEX #416934

RGB 65 105 52

HSL 105.28, 0.34%, 0.31%

LAB 40.37, -25.21, 25.33

 

CMYK 6 / 0 / 50 / 59

HEX #636935

RGB 99 105 53

HSL 66.92, 0.33%, 0.31%

LAB 42.78, -10.9, 28.29

 

CMYK 6 / 0 / 49 / 39

HEX #939C4F

RGB 147 156 79

HSL 67.01, 0.33%, 0.46%

LAB 62.12, -14.96, 38.92

 

CMYK 6 / 0 / 50 / 19

HEX #C3CF68

RGB 195 207 104

HSL 66.99, 0.52%, 0.61%

LAB 80.31, -18.84, 49.32

 

CMYK 0 / 0 / 33 / 99

HEX #030302

RGB 3 3 2

HSL 60, 0.2%, 0.01%

LAB 0.8, -0.14, 0.38

 

CMYK 6 / 0 / 50 / 79

HEX #33361B

RGB 51 54 27

HSL 66.67, 0.33%, 0.16%

LAB 21.66, -6.4, 16.5

 

CMYK 6 / 0 / 50 / 59

HEX #636935

RGB 99 105 53

HSL 66.92, 0.33%, 0.31%

LAB 42.78, -10.9, 28.29

 

CMYK 50 / 0 / 35 / 59

HEX #346944

RGB 52 105 68

HSL 138.11, 0.34%, 0.31%

LAB 40, -26.81, 15.51

 

CMYK 15 / 50 / 0 / 59

HEX #593469

RGB 89 52 105

HSL 281.89, 0.34%, 0.31%

LAB 28.38, 26.89, -24.5

 

CMYK 6 / 0 / 50 / 59

HEX #636935

RGB 99 105 53

HSL 66.92, 0.33%, 0.31%

LAB 42.78, -10.9, 28.29

 

CMYK 50 / 6 / 0 / 59

HEX #346369

RGB 52 99 105

HSL 186.79, 0.34%, 0.31%

LAB 39.03, -14.22, -8.38

 

CMYK 0 / 50 / 6 / 59

HEX #693463

RGB 105 52 99

HSL 306.79, 0.34%, 0.31%

LAB 30.3, 30.87, -17.48

 

CMYK 6 / 0 / 50 / 59

HEX #636935

RGB 99 105 53

HSL 66.92, 0.33%, 0.31%

LAB 42.78, -10.9, 28.29

 

CMYK 50 / 0 / 35 / 59

HEX #346944

RGB 52 105 68

HSL 138.11, 0.34%, 0.31%

LAB 40, -26.81, 15.51

 

CMYK 45 / 50 / 0 / 59

HEX #3A3469

RGB 58 52 105

HSL 246.79, 0.34%, 0.31%

LAB 24.88, 17.47, -30.27

 

CMYK 0 / 50 / 15 / 59

HEX #693459

RGB 105 52 89

HSL 318.11, 0.34%, 0.31%

LAB 29.86, 29, -11.69

 

CMYK 6 / 0 / 50 / 59

HEX #636935

RGB 99 105 53

HSL 66.92, 0.33%, 0.31%

LAB 42.78, -10.9, 28.29

 

CMYK 50 / 0 / 20 / 59

HEX #346954

RGB 52 105 84

HSL 156.23, 0.34%, 0.31%

LAB 40.37, -23.22, 6.42

 

CMYK 45 / 50 / 0 / 59

HEX #3A3469

RGB 58 52 105

HSL 246.79, 0.34%, 0.31%

LAB 24.88, 17.47, -30.27

 

CMYK 0 / 50 / 30 / 59

HEX #693449

RGB 105 52 73

HSL 336.23, 0.34%, 0.31%

LAB 29.26, 26.35, -2.14

 

Description

Color code: RGB 99 105 53 | qconv.com Color code: RGB 99 105 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 105 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 105 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 50 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 50% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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