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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 53 212 it is the complementary color RGB 157 202 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 53 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 53 212 shade: RGB 103 53 207, RGB 120 71 226, RGB 137 89 245, RGB 154 107 255 and RGB 171 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 53 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 53 212 shade: RGB 98 53 212, RGB 81 35 193, RGB 64 17 174, RGB 47 0 155 and RGB 30 0 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 53 212 shade: RGB 98 53 212, RGB 141 53 212, RGB 184 53 212, RGB 212 53 198 and RGB 212 53 155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 53 212 shade: RGB 98 53 212, RGB 55 53 212 and RGB 53 53 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 53 212 shade matches the following richer shades: RGB 98 53 212, RGB 89 33 232 and RGB 81 13 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 53 212 shade: RGB 98 53 212, RGB 107 73 192, RGB 115 93 173, RGB 124 112 153 and RGB 132 132 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 53 212 shade: RGB 53 95 212, RGB 53 53 212, RGB 95 53 212, RGB 138 53 212 and RGB 180 53 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 53 212 shade: RGB 66 32 151, RGB 80 39 185, RGB 98 53 212, RGB 125 87 219 and RGB 151 121 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 53 212 shade: RGB 98 53 212, RGB 212 53 138 and RGB 74 212 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 53 212 shade: RGB 98 53 212, RGB 212 95 53 and RGB 53 212 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 53 212 shade: RGB 98 53 212, RGB 212 53 138, RGB 170 212 53 and RGB 53 212 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 53 212 shade: RGB 98 53 212, RGB 212 53 90, RGB 170 212 53 and RGB 53 212 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 75 / 0 / 17

HEX #6235D4

RGB 98 53 212

HSL 256.98, 0.65%, 0.52%

LAB 37.66, 56.88, -74.36

 

Complementary color

CMYK 22 / 0 / 79 / 21

HEX #9DCA2B

RGB 157 202 43

HSL 76.98, 0.65%, 0.48%

LAB 75.81, -35.8, 68.1

 

CMYK 50 / 74 / 0 / 19

HEX #6735CF

RGB 103 53 207

HSL 259.48, 0.62%, 0.51%

LAB 37.73, 56.24, -71.33

 

CMYK 47 / 69 / 0 / 11

HEX #7847E2

RGB 120 71 226

HSL 258.97, 0.73%, 0.58%

LAB 44.22, 55.26, -71.54

 

CMYK 44 / 64 / 0 / 4

HEX #8959F5

RGB 137 89 245

HSL 258.46, 0.89%, 0.65%

LAB 50.75, 54.1, -71.53

 

CMYK 40 / 58 / 0 / 0

HEX #9A6BFF

RGB 154 107 255

HSL 259.05, 1%, 0.71%

LAB 56.69, 50.56, -67.4

 

CMYK 33 / 51 / 0 / 0

HEX #AB7DFF

RGB 171 125 255

HSL 261.23, 1%, 0.75%

LAB 62.12, 44.64, -58.59

 

CMYK 54 / 75 / 0 / 17

HEX #6235D4

RGB 98 53 212

HSL 256.98, 0.65%, 0.52%

LAB 37.66, 56.88, -74.36

 

CMYK 58 / 82 / 0 / 24

HEX #5123C1

RGB 81 35 193

HSL 257.47, 0.69%, 0.45%

LAB 31.35, 57.55, -73.73

 

CMYK 63 / 90 / 0 / 32

HEX #4011AE

RGB 64 17 174

HSL 257.96, 0.82%, 0.37%

LAB 25.4, 57.23, -72.33

 

CMYK 70 / 100 / 0 / 39

HEX #2F009B

RGB 47 0 155

HSL 258.19, 1%, 0.3%

LAB 19.93, 55.61, -69.93

 

CMYK 78 / 100 / 0 / 47

HEX #1E0088

RGB 30 0 136

HSL 253.24, 1%, 0.27%

LAB 15.77, 50.17, -65.07

 

CMYK 54 / 75 / 0 / 17

HEX #6235D4

RGB 98 53 212

HSL 256.98, 0.65%, 0.52%

LAB 37.66, 56.88, -74.36

 

CMYK 33 / 75 / 0 / 17

HEX #8D35D4

RGB 141 53 212

HSL 273.21, 0.65%, 0.52%

LAB 42.71, 63.6, -65.89

 

CMYK 13 / 75 / 0 / 17

HEX #B835D4

RGB 184 53 212

HSL 289.43, 0.65%, 0.52%

LAB 48.87, 71.53, -55.62

 

CMYK 0 / 75 / 7 / 17

HEX #D435C6

RGB 212 53 198

HSL 305.28, 0.65%, 0.52%

LAB 52.53, 74.93, -41.48

 

CMYK 0 / 75 / 27 / 17

HEX #D4359B

RGB 212 53 155

HSL 321.51, 0.65%, 0.52%

LAB 50.58, 69.13, -19.34

 

CMYK 54 / 75 / 0 / 17

HEX #6235D4

RGB 98 53 212

HSL 256.98, 0.65%, 0.52%

LAB 37.66, 56.88, -74.36

 

CMYK 74 / 75 / 0 / 17

HEX #3735D4

RGB 55 53 212

HSL 240.75, 0.65%, 0.52%

LAB 34.21, 52.14, -80.15

 

CMYK 75 / 75 / 0 / 17

HEX #3535D4

RGB 53 53 212

HSL 240, 0.65%, 0.52%

LAB 34.1, 51.98, -80.34

 

CMYK 54 / 75 / 0 / 17

HEX #6235D4

RGB 98 53 212

HSL 256.98, 0.65%, 0.52%

LAB 37.66, 56.88, -74.36

 

CMYK 62 / 86 / 0 / 9

HEX #5921E8

RGB 89 33 232

HSL 256.88, 0.81%, 0.52%

LAB 36.06, 69.14, -88.49

 

CMYK 68 / 95 / 0 / 1

HEX #510DFC

RGB 81 13 252

HSL 257.07, 0.98%, 0.52%

LAB 36.11, 78.18, -99.73

 

CMYK 54 / 75 / 0 / 17

HEX #6235D4

RGB 98 53 212

HSL 256.98, 0.65%, 0.52%

LAB 37.66, 56.88, -74.36

 

CMYK 44 / 62 / 0 / 25

HEX #6B49C0

RGB 107 73 192

HSL 257.14, 0.49%, 0.52%

LAB 40.73, 42.4, -57.69

 

CMYK 34 / 46 / 0 / 32

HEX #735DAD

RGB 115 93 173

HSL 256.5, 0.33%, 0.52%

LAB 44.93, 27.29, -39.79

 

CMYK 19 / 27 / 0 / 40

HEX #7C7099

RGB 124 112 153

HSL 257.56, 0.17%, 0.52%

LAB 49.71, 13.47, -20.51

 

CMYK 1 / 1 / 0 / 48

HEX #848485

RGB 132 132 133

HSL 240, 0%, 0.52%

LAB 55.18, 0.2, -0.54

 

CMYK 75 / 55 / 0 / 17

HEX #355FD4

RGB 53 95 212

HSL 224.15, 0.65%, 0.52%

LAB 43.79, 26.42, -64.45

 

CMYK 75 / 75 / 0 / 17

HEX #3535D4

RGB 53 53 212

HSL 240, 0.65%, 0.52%

LAB 34.1, 51.98, -80.34

 

CMYK 55 / 75 / 0 / 17

HEX #5F35D4

RGB 95 53 212

HSL 255.85, 0.65%, 0.52%

LAB 37.36, 56.48, -74.86

 

CMYK 35 / 75 / 0 / 17

HEX #8A35D4

RGB 138 53 212

HSL 272.08, 0.65%, 0.52%

LAB 42.31, 63.09, -66.55

 

CMYK 15 / 75 / 0 / 17

HEX #B435D4

RGB 180 53 212

HSL 287.92, 0.65%, 0.52%

LAB 48.26, 70.76, -56.63

 

CMYK 56 / 79 / 0 / 41

HEX #422097

RGB 66 32 151

HSL 257.14, 0.65%, 0.36%

LAB 25.03, 45.41, -58.95

 

CMYK 57 / 79 / 0 / 27

HEX #5027B9

RGB 80 39 185

HSL 256.85, 0.65%, 0.44%

LAB 31.02, 53.56, -69.56

 

CMYK 54 / 75 / 0 / 17

HEX #6235D4

RGB 98 53 212

HSL 256.98, 0.65%, 0.52%

LAB 37.66, 56.88, -74.36

 

CMYK 43 / 60 / 0 / 14

HEX #7D57DB

RGB 125 87 219

HSL 257.27, 0.65%, 0.6%

LAB 47.35, 45.79, -62.44

 

CMYK 33 / 47 / 0 / 11

HEX #9779E3

RGB 151 121 227

HSL 256.98, 0.65%, 0.68%

LAB 57.85, 34.76, -50

 

CMYK 54 / 75 / 0 / 17

HEX #6235D4

RGB 98 53 212

HSL 256.98, 0.65%, 0.52%

LAB 37.66, 56.88, -74.36

 

CMYK 0 / 75 / 35 / 17

HEX #D4358A

RGB 212 53 138

HSL 327.92, 0.65%, 0.52%

LAB 49.95, 67.19, -10.13

 

CMYK 65 / 0 / 75 / 17

HEX #4AD435

RGB 74 212 53

HSL 112.08, 0.65%, 0.52%

LAB 75.33, -64.92, 63.3

 

CMYK 54 / 75 / 0 / 17

HEX #6235D4

RGB 98 53 212

HSL 256.98, 0.65%, 0.52%

LAB 37.66, 56.88, -74.36

 

CMYK 0 / 55 / 75 / 17

HEX #D45F35

RGB 212 95 53

HSL 15.85, 0.65%, 0.52%

LAB 54.49, 43.59, 45.35

 

CMYK 75 / 0 / 55 / 17

HEX #35D45F

RGB 53 212 95

HSL 135.85, 0.65%, 0.52%

LAB 75.25, -64.3, 45.96

 

CMYK 54 / 75 / 0 / 17

HEX #6235D4

RGB 98 53 212

HSL 256.98, 0.65%, 0.52%

LAB 37.66, 56.88, -74.36

 

CMYK 0 / 75 / 35 / 17

HEX #D4358A

RGB 212 53 138

HSL 327.92, 0.65%, 0.52%

LAB 49.95, 67.19, -10.13

 

CMYK 20 / 0 / 75 / 17

HEX #AAD435

RGB 170 212 53

HSL 75.85, 0.65%, 0.52%

LAB 79.55, -34.79, 68.83

 

CMYK 75 / 0 / 40 / 17

HEX #35D47F

RGB 53 212 127

HSL 147.92, 0.65%, 0.52%

LAB 75.68, -59.2, 30.76

 

CMYK 54 / 75 / 0 / 17

HEX #6235D4

RGB 98 53 212

HSL 256.98, 0.65%, 0.52%

LAB 37.66, 56.88, -74.36

 

CMYK 0 / 75 / 58 / 17

HEX #D4355A

RGB 212 53 90

HSL 346.04, 0.65%, 0.52%

LAB 48.61, 62.95, 17.1

 

CMYK 20 / 0 / 75 / 17

HEX #AAD435

RGB 170 212 53

HSL 75.85, 0.65%, 0.52%

LAB 79.55, -34.79, 68.83

 

CMYK 75 / 0 / 17 / 17

HEX #35D4AF

RGB 53 212 175

HSL 166.04, 0.65%, 0.52%

LAB 76.64, -48.79, 6.81

 

Description

Color code: RGB 98 53 212 | qconv.com Color code: RGB 98 53 212 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 53 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 53 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 75 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 75% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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