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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 53 212 it is the complementary color RGB 117 202 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 53 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 53 212 shade: RGB 143 53 207, RGB 160 71 226, RGB 177 89 245, RGB 194 107 255 and RGB 211 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 53 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 53 212 shade: RGB 138 53 212, RGB 121 35 193, RGB 104 17 174, RGB 87 0 155 and RGB 70 0 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 53 212 shade: RGB 138 53 212, RGB 181 53 212, RGB 212 53 200, RGB 212 53 157 and RGB 212 53 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 53 212 shade: RGB 138 53 212, RGB 95 53 212 and RGB 53 53 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 53 212 shade matches the following richer shades: RGB 138 53 212, RGB 139 33 232 and RGB 141 13 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 53 212 shade: RGB 138 53 212, RGB 137 73 192, RGB 135 93 173, RGB 134 112 153 and RGB 133 132 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 53 212 shade: RGB 53 53 212, RGB 95 53 212, RGB 138 53 212, RGB 180 53 212 and RGB 212 53 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 53 212 shade: RGB 95 32 151, RGB 117 39 185, RGB 138 53 212, RGB 158 87 219 and RGB 178 121 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 53 212 shade: RGB 138 53 212, RGB 212 53 95 and RGB 53 212 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 53 212 shade: RGB 138 53 212, RGB 212 138 53 and RGB 53 212 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 53 212 shade: RGB 138 53 212, RGB 212 53 95, RGB 127 212 53 and RGB 53 212 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 53 212 shade: RGB 138 53 212, RGB 212 58 53, RGB 127 212 53 and RGB 53 207 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 75 / 0 / 17

HEX #8A35D4

RGB 138 53 212

HSL 272.08, 0.65%, 0.52%

LAB 42.31, 63.09, -66.55

 

Complementary color

CMYK 42 / 0 / 79 / 21

HEX #75CA2B

RGB 117 202 43

HSL 92.08, 0.65%, 0.48%

LAB 73.67, -50.33, 65.35

 

CMYK 31 / 74 / 0 / 19

HEX #8F35CF

RGB 143 53 207

HSL 275.06, 0.62%, 0.51%

LAB 42.6, 62.85, -63.18

 

CMYK 29 / 69 / 0 / 11

HEX #A047E2

RGB 160 71 226

HSL 274.45, 0.73%, 0.58%

LAB 48.85, 62.71, -63.81

 

CMYK 28 / 64 / 0 / 4

HEX #B159F5

RGB 177 89 245

HSL 273.85, 0.89%, 0.65%

LAB 55.16, 62.22, -64.19

 

CMYK 24 / 58 / 0 / 0

HEX #C26BFF

RGB 194 107 255

HSL 275.27, 1%, 0.71%

LAB 60.96, 59.56, -60.31

 

CMYK 17 / 51 / 0 / 0

HEX #D37DFF

RGB 211 125 255

HSL 279.69, 1%, 0.75%

LAB 66.32, 54.77, -51.67

 

CMYK 35 / 75 / 0 / 17

HEX #8A35D4

RGB 138 53 212

HSL 272.08, 0.65%, 0.52%

LAB 42.31, 63.09, -66.55

 

CMYK 37 / 82 / 0 / 24

HEX #7923C1

RGB 121 35 193

HSL 272.66, 0.69%, 0.45%

LAB 36.21, 62.69, -65.57

 

CMYK 40 / 90 / 0 / 32

HEX #6811AE

RGB 104 17 174

HSL 273.25, 0.82%, 0.37%

LAB 30.4, 61.19, -63.91

 

CMYK 44 / 100 / 0 / 39

HEX #57009B

RGB 87 0 155

HSL 273.68, 1%, 0.3%

LAB 24.93, 58.41, -61.48

 

CMYK 49 / 100 / 0 / 47

HEX #460088

RGB 70 0 136

HSL 270.88, 1%, 0.27%

LAB 20.36, 52.56, -57.31

 

CMYK 35 / 75 / 0 / 17

HEX #8A35D4

RGB 138 53 212

HSL 272.08, 0.65%, 0.52%

LAB 42.31, 63.09, -66.55

 

CMYK 15 / 75 / 0 / 17

HEX #B535D4

RGB 181 53 212

HSL 288.3, 0.65%, 0.52%

LAB 48.42, 70.95, -56.38

 

CMYK 0 / 75 / 6 / 17

HEX #D435C8

RGB 212 53 200

HSL 304.53, 0.65%, 0.52%

LAB 52.63, 75.23, -42.47

 

CMYK 0 / 75 / 26 / 17

HEX #D4359D

RGB 212 53 157

HSL 320.75, 0.65%, 0.52%

LAB 50.66, 69.37, -20.41

 

CMYK 0 / 75 / 46 / 17

HEX #D43573

RGB 212 53 115

HSL 336.6, 0.65%, 0.52%

LAB 49.23, 64.92, 2.72

 

CMYK 35 / 75 / 0 / 17

HEX #8A35D4

RGB 138 53 212

HSL 272.08, 0.65%, 0.52%

LAB 42.31, 63.09, -66.55

 

CMYK 55 / 75 / 0 / 17

HEX #5F35D4

RGB 95 53 212

HSL 255.85, 0.65%, 0.52%

LAB 37.36, 56.48, -74.86

 

CMYK 75 / 75 / 0 / 17

HEX #3535D4

RGB 53 53 212

HSL 240, 0.65%, 0.52%

LAB 34.1, 51.98, -80.34

 

CMYK 35 / 75 / 0 / 17

HEX #8A35D4

RGB 138 53 212

HSL 272.08, 0.65%, 0.52%

LAB 42.31, 63.09, -66.55

 

CMYK 40 / 86 / 0 / 9

HEX #8B21E8

RGB 139 33 232

HSL 271.96, 0.81%, 0.52%

LAB 41.85, 74.21, -78.74

 

CMYK 44 / 95 / 0 / 1

HEX #8D0DFC

RGB 141 13 252

HSL 272.13, 0.98%, 0.52%

LAB 42.73, 82.29, -88.56

 

CMYK 35 / 75 / 0 / 17

HEX #8A35D4

RGB 138 53 212

HSL 272.08, 0.65%, 0.52%

LAB 42.31, 63.09, -66.55

 

CMYK 29 / 62 / 0 / 25

HEX #8949C0

RGB 137 73 192

HSL 272.27, 0.49%, 0.52%

LAB 44.07, 49.05, -52.13

 

CMYK 22 / 46 / 0 / 32

HEX #875DAD

RGB 135 93 173

HSL 271.5, 0.33%, 0.52%

LAB 46.97, 32.99, -36.43

 

CMYK 12 / 27 / 0 / 40

HEX #867099

RGB 134 112 153

HSL 272.2, 0.17%, 0.52%

LAB 50.64, 16.84, -19

 

CMYK 0 / 1 / 0 / 48

HEX #858485

RGB 133 132 133

HSL 300, 0%, 0.52%

LAB 55.26, 0.57, -0.41

 

CMYK 75 / 75 / 0 / 17

HEX #3535D4

RGB 53 53 212

HSL 240, 0.65%, 0.52%

LAB 34.1, 51.98, -80.34

 

CMYK 55 / 75 / 0 / 17

HEX #5F35D4

RGB 95 53 212

HSL 255.85, 0.65%, 0.52%

LAB 37.36, 56.48, -74.86

 

CMYK 35 / 75 / 0 / 17

HEX #8A35D4

RGB 138 53 212

HSL 272.08, 0.65%, 0.52%

LAB 42.31, 63.09, -66.55

 

CMYK 15 / 75 / 0 / 17

HEX #B435D4

RGB 180 53 212

HSL 287.92, 0.65%, 0.52%

LAB 48.26, 70.76, -56.63

 

CMYK 0 / 75 / 5 / 17

HEX #D435CA

RGB 212 53 202

HSL 303.77, 0.65%, 0.52%

LAB 52.74, 75.53, -43.46

 

CMYK 37 / 79 / 0 / 41

HEX #5F2097

RGB 95 32 151

HSL 271.76, 0.65%, 0.36%

LAB 28.64, 49.91, -52.89

 

CMYK 37 / 79 / 0 / 27

HEX #7527B9

RGB 117 39 185

HSL 272.05, 0.65%, 0.44%

LAB 35.47, 58.85, -62.08

 

CMYK 35 / 75 / 0 / 17

HEX #8A35D4

RGB 138 53 212

HSL 272.08, 0.65%, 0.52%

LAB 42.31, 63.09, -66.55

 

CMYK 28 / 60 / 0 / 14

HEX #9E57DB

RGB 158 87 219

HSL 272.27, 0.65%, 0.6%

LAB 50.92, 53.09, -56.51

 

CMYK 22 / 47 / 0 / 11

HEX #B279E3

RGB 178 121 227

HSL 272.26, 0.65%, 0.68%

LAB 60.5, 41.99, -45.63

 

CMYK 35 / 75 / 0 / 17

HEX #8A35D4

RGB 138 53 212

HSL 272.08, 0.65%, 0.52%

LAB 42.31, 63.09, -66.55

 

CMYK 0 / 75 / 55 / 17

HEX #D4355F

RGB 212 53 95

HSL 344.15, 0.65%, 0.52%

LAB 48.72, 63.3, 14.2

 

CMYK 75 / 0 / 65 / 17

HEX #35D44A

RGB 53 212 74

HSL 127.92, 0.65%, 0.52%

LAB 75.04, -66.8, 55

 

CMYK 35 / 75 / 0 / 17

HEX #8A35D4

RGB 138 53 212

HSL 272.08, 0.65%, 0.52%

LAB 42.31, 63.09, -66.55

 

CMYK 0 / 35 / 75 / 17

HEX #D48A35

RGB 212 138 53

HSL 32.08, 0.65%, 0.52%

LAB 63.7, 21.17, 54.76

 

CMYK 75 / 0 / 35 / 17

HEX #35D48A

RGB 53 212 138

HSL 152.08, 0.65%, 0.52%

LAB 75.87, -57.09, 25.33

 

CMYK 35 / 75 / 0 / 17

HEX #8A35D4

RGB 138 53 212

HSL 272.08, 0.65%, 0.52%

LAB 42.31, 63.09, -66.55

 

CMYK 0 / 75 / 55 / 17

HEX #D4355F

RGB 212 53 95

HSL 344.15, 0.65%, 0.52%

LAB 48.72, 63.3, 14.2

 

CMYK 40 / 0 / 75 / 17

HEX #7FD435

RGB 127 212 53

HSL 92.08, 0.65%, 0.52%

LAB 77.19, -50.5, 65.76

 

CMYK 75 / 0 / 20 / 17

HEX #35D4AA

RGB 53 212 170

HSL 164.15, 0.65%, 0.52%

LAB 76.52, -50.01, 9.32

 

CMYK 35 / 75 / 0 / 17

HEX #8A35D4

RGB 138 53 212

HSL 272.08, 0.65%, 0.52%

LAB 42.31, 63.09, -66.55

 

CMYK 0 / 73 / 75 / 17

HEX #D43A35

RGB 212 58 53

HSL 1.89, 0.65%, 0.52%

LAB 48.61, 59.29, 39.03

 

CMYK 40 / 0 / 75 / 17

HEX #7FD435

RGB 127 212 53

HSL 92.08, 0.65%, 0.52%

LAB 77.19, -50.5, 65.76

 

CMYK 75 / 2 / 0 / 17

HEX #35CFD4

RGB 53 207 212

HSL 181.89, 0.65%, 0.52%

LAB 76.15, -36.57, -13.8

 

Description

Color code: RGB 138 53 212 | qconv.com Color code: RGB 138 53 212 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 53 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 53 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 75 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 75% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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