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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 204 144 it is the complementary color RGB 157 51 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 204 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 98 204 144: RGB 103 204 139, RGB 120 222 158, RGB 137 240 177, RGB 154 255 196 and RGB 171 255 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 204 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 98 204 144: RGB 98 204 144, RGB 81 186 125, RGB 64 168 106, RGB 47 150 87 and RGB 30 132 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 29 / 20

HEX #62CC90

RGB 98 204 144

HSL 146.04, 0.51%, 0.59%

LAB 74.7, -44.32, 20.76

 

Complementary color

CMYK 0 / 68 / 29 / 38

HEX #9D336F

RGB 157 51 111

HSL 326.04, 0.51%, 0.41%

LAB 39.04, 49.66, -10.98

 

CMYK 50 / 0 / 32 / 20

HEX #67CC8B

RGB 103 204 139

HSL 141.39, 0.5%, 0.6%

LAB 74.78, -44.03, 23.55

 

CMYK 46 / 0 / 29 / 13

HEX #78DE9E

RGB 120 222 158

HSL 142.35, 0.61%, 0.67%

LAB 81.13, -43.84, 22.38

 

CMYK 43 / 0 / 26 / 6

HEX #89F0B1

RGB 137 240 177

HSL 143.3, 0.77%, 0.74%

LAB 87.39, -43.62, 21.28

 

CMYK 40 / 0 / 23 / 0

HEX #9AFFC4

RGB 154 255 196

HSL 144.95, 1%, 0.8%

LAB 92.74, -42.07, 19.07

 

CMYK 33 / 0 / 16 / 0

HEX #ABFFD7

RGB 171 255 215

HSL 151.43, 1%, 0.84%

LAB 93.92, -33.68, 11.1

 

CMYK 52 / 0 / 29 / 20

HEX #62CC90

RGB 98 204 144

HSL 146.04, 0.51%, 0.59%

LAB 74.7, -44.32, 20.76

 

CMYK 56 / 0 / 33 / 27

HEX #51BA7D

RGB 81 186 125

HSL 145.14, 0.43%, 0.52%

LAB 68.28, -44.39, 22.02

 

CMYK 62 / 0 / 37 / 34

HEX #40A86A

RGB 64 168 106

HSL 144.23, 0.45%, 0.45%

LAB 61.77, -44.32, 23.38

 

CMYK 69 / 0 / 42 / 41

HEX #2F9657

RGB 47 150 87

HSL 143.3, 0.52%, 0.39%

LAB 55.18, -44.02, 24.88

 

CMYK 77 / 0 / 48 / 48

HEX #1E8444

RGB 30 132 68

HSL 142.35, 0.63%, 0.32%

LAB 48.51, -43.34, 26.52

 

CMYK 52 / 0 / 29 / 20

HEX #62CC90

RGB 98 204 144

HSL 146.04, 0.51%, 0.59%

LAB 74.7, -44.32, 20.76

 

CMYK 52 / 0 / 21 / 20

HEX #61CBA1

RGB 97 203 161

HSL 156.23, 0.5%, 0.59%

LAB 74.72, -40.59, 11.72

 

CMYK 52 / 0 / 12 / 20

HEX #61CBB2

RGB 97 203 178

HSL 165.85, 0.5%, 0.59%

LAB 75.12, -36.7, 3.15

 

CMYK 52 / 0 / 3 / 20

HEX #61CBC4

RGB 97 203 196

HSL 176.04, 0.5%, 0.59%

LAB 75.6, -32.23, -5.87

 

CMYK 52 / 5 / 0 / 20

HEX #61C1CB

RGB 97 193 203

HSL 185.66, 0.5%, 0.59%

LAB 72.89, -25.51, -13.71

 

CMYK 52 / 0 / 29 / 20

HEX #62CC90

RGB 98 204 144

HSL 146.04, 0.51%, 0.59%

LAB 74.7, -44.32, 20.76

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 51 / 0 / 29 / 80

HEX #193324

RGB 25 51 36

HSL 145.38, 0.34%, 0.15%

LAB 18.81, -14.26, 6.46

 

CMYK 52 / 0 / 29 / 60

HEX #316648

RGB 49 102 72

HSL 146.04, 0.35%, 0.3%

LAB 38.94, -25.37, 11.65

 

CMYK 52 / 0 / 29 / 40

HEX #4A996C

RGB 74 153 108

HSL 145.82, 0.35%, 0.45%

LAB 57.39, -35.04, 16.39

 

CMYK 52 / 0 / 29 / 20

HEX #62CC90

RGB 98 204 144

HSL 146.04, 0.51%, 0.59%

LAB 74.7, -44.32, 20.76

 

CMYK 52 / 33 / 0 / 20

HEX #6188CB

RGB 97 136 203

HSL 217.92, 0.5%, 0.59%

LAB 56.55, 5.56, -38.82

 

CMYK 0 / 51 / 52 / 20

HEX #CB6461

RGB 203 100 97

HSL 1.7, 0.5%, 0.59%

LAB 54.73, 40.55, 20.93

 

CMYK 52 / 0 / 29 / 20

HEX #62CC90

RGB 98 204 144

HSL 146.04, 0.51%, 0.59%

LAB 74.7, -44.32, 20.76

 

CMYK 30 / 52 / 0 / 20

HEX #8F61CB

RGB 143 97 203

HSL 266.04, 0.5%, 0.59%

LAB 50.34, 40.23, -48.42

 

CMYK 0 / 30 / 52 / 20

HEX #CB8F61

RGB 203 143 97

HSL 26.04, 0.5%, 0.59%

LAB 64.33, 17.56, 33.42

 

CMYK 52 / 0 / 29 / 20

HEX #62CC90

RGB 98 204 144

HSL 146.04, 0.51%, 0.59%

LAB 74.7, -44.32, 20.76

 

CMYK 52 / 33 / 0 / 20

HEX #6188CB

RGB 97 136 203

HSL 217.92, 0.5%, 0.59%

LAB 56.55, 5.56, -38.82

 

CMYK 0 / 52 / 23 / 20

HEX #CB619D

RGB 203 97 157

HSL 326.04, 0.5%, 0.59%

LAB 55.77, 49.01, -12.78

 

CMYK 0 / 19 / 52 / 20

HEX #CBA461

RGB 203 164 97

HSL 37.92, 0.5%, 0.59%

LAB 69.55, 6.14, 39.93

 

CMYK 52 / 0 / 29 / 20

HEX #62CC90

RGB 98 204 144

HSL 146.04, 0.51%, 0.59%

LAB 74.7, -44.32, 20.76

 

CMYK 52 / 49 / 0 / 20

HEX #6168CB

RGB 97 104 203

HSL 236.04, 0.5%, 0.59%

LAB 47.95, 24.99, -52.47

 

CMYK 0 / 52 / 23 / 20

HEX #CB619D

RGB 203 97 157

HSL 326.04, 0.5%, 0.59%

LAB 55.77, 49.01, -12.78

 

CMYK 0 / 3 / 52 / 20

HEX #CBC461

RGB 203 196 97

HSL 56.04, 0.5%, 0.59%

LAB 77.9, -10.68, 49.95

 

Description

Color code: RGB 98 204 144 | qconv.com Color code: RGB 98 204 144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 204 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 204 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 29 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 29% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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