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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 195 185 it is the complementary color RGB 157 60 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 195 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 98 195 185: RGB 103 195 180, RGB 120 213 199, RGB 137 231 218, RGB 154 249 237 and RGB 171 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 195 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 98 195 185: RGB 98 195 185, RGB 81 177 166, RGB 64 159 147, RGB 47 141 128 and RGB 30 123 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 5 / 24

HEX #62C3B9

RGB 98 195 185

HSL 173.81, 0.45%, 0.57%

LAB 72.98, -31.01, -3.77

 

Complementary color

CMYK 0 / 62 / 55 / 38

HEX #9D3C46

RGB 157 60 70

HSL 353.81, 0.45%, 0.43%

LAB 39.31, 41.21, 15.21

 

CMYK 47 / 0 / 8 / 24

HEX #67C3B4

RGB 103 195 180

HSL 170.22, 0.43%, 0.58%

LAB 73.03, -31.1, -0.95

 

CMYK 44 / 0 / 7 / 16

HEX #78D5C7

RGB 120 213 199

HSL 170.97, 0.53%, 0.65%

LAB 79.45, -31.02, -1.72

 

CMYK 41 / 0 / 6 / 9

HEX #89E7DA

RGB 137 231 218

HSL 171.7, 0.66%, 0.72%

LAB 85.77, -30.92, -2.45

 

CMYK 38 / 0 / 5 / 2

HEX #9AF9ED

RGB 154 249 237

HSL 172.42, 0.89%, 0.79%

LAB 92.01, -30.81, -3.13

 

CMYK 33 / 0 / 0 / 0

HEX #ABFFFF

RGB 171 255 255

HSL 180, 1%, 0.84%

LAB 94.91, -25.22, -8.09

 

CMYK 50 / 0 / 5 / 24

HEX #62C3B9

RGB 98 195 185

HSL 173.81, 0.45%, 0.57%

LAB 72.98, -31.01, -3.77

 

CMYK 54 / 0 / 6 / 31

HEX #51B1A6

RGB 81 177 166

HSL 173.13, 0.38%, 0.51%

LAB 66.48, -30.95, -2.97

 

CMYK 60 / 0 / 8 / 38

HEX #409F93

RGB 64 159 147

HSL 172.42, 0.43%, 0.44%

LAB 59.88, -30.78, -2.09

 

CMYK 67 / 0 / 9 / 45

HEX #2F8D80

RGB 47 141 128

HSL 171.7, 0.5%, 0.37%

LAB 53.18, -30.46, -1.11

 

CMYK 76 / 0 / 11 / 52

HEX #1E7B6D

RGB 30 123 109

HSL 170.97, 0.61%, 0.3%

LAB 46.37, -29.86, 0.01

 

CMYK 50 / 0 / 5 / 24

HEX #62C3B9

RGB 98 195 185

HSL 173.81, 0.45%, 0.57%

LAB 72.98, -31.01, -3.77

 

CMYK 51 / 3 / 0 / 24

HEX #60BDC2

RGB 96 189 194

HSL 183.06, 0.45%, 0.57%

LAB 71.4, -26.17, -11.03

 

CMYK 51 / 11 / 0 / 24

HEX #60ADC2

RGB 96 173 194

HSL 192.86, 0.45%, 0.57%

LAB 66.72, -18.02, -18.07

 

CMYK 51 / 20 / 0 / 24

HEX #609CC2

RGB 96 156 194

HSL 203.27, 0.45%, 0.57%

LAB 61.79, -8.87, -25.61

 

CMYK 51 / 28 / 0 / 24

HEX #608CC2

RGB 96 140 194

HSL 213.06, 0.45%, 0.57%

LAB 57.21, 0.21, -32.7

 

CMYK 50 / 0 / 5 / 24

HEX #62C3B9

RGB 98 195 185

HSL 173.81, 0.45%, 0.57%

LAB 72.98, -31.01, -3.77

 

CMYK 50 / 0 / 5 / 4

HEX #7CF6E9

RGB 124 246 233

HSL 173.61, 0.87%, 0.73%

LAB 89.9, -37.34, -4.3

 

CMYK 50 / 0 / 5 / 84

HEX #152A28

RGB 21 42 40

HSL 174.29, 0.33%, 0.12%

LAB 15.32, -9.03, -1.34

 

CMYK 49 / 0 / 5 / 64

HEX #2F5D58

RGB 47 93 88

HSL 173.48, 0.33%, 0.27%

LAB 36.25, -17.15, -2.02

 

CMYK 50 / 0 / 5 / 44

HEX #489089

RGB 72 144 137

HSL 174.17, 0.33%, 0.42%

LAB 55.21, -24.32, -3.23

 

CMYK 50 / 0 / 5 / 24

HEX #62C3B9

RGB 98 195 185

HSL 173.81, 0.45%, 0.57%

LAB 72.98, -31.01, -3.77

 

CMYK 46 / 51 / 0 / 24

HEX #6860C2

RGB 104 96 194

HSL 244.9, 0.45%, 0.57%

LAB 45.91, 28.68, -50.52

 

CMYK 0 / 26 / 51 / 24

HEX #C28F60

RGB 194 143 96

HSL 28.78, 0.45%, 0.57%

LAB 63.31, 13.72, 32.46

 

CMYK 50 / 0 / 5 / 24

HEX #62C3B9

RGB 98 195 185

HSL 173.81, 0.45%, 0.57%

LAB 72.98, -31.01, -3.77

 

CMYK 6 / 51 / 0 / 24

HEX #B760C2

RGB 183 96 194

HSL 293.27, 0.45%, 0.57%

LAB 54.37, 49.67, -36.57

 

CMYK 0 / 6 / 51 / 24

HEX #C2B760

RGB 194 183 96

HSL 53.27, 0.45%, 0.57%

LAB 73.66, -7.79, 45.23

 

CMYK 50 / 0 / 5 / 24

HEX #62C3B9

RGB 98 195 185

HSL 173.81, 0.45%, 0.57%

LAB 72.98, -31.01, -3.77

 

CMYK 46 / 51 / 0 / 24

HEX #6860C2

RGB 104 96 194

HSL 244.9, 0.45%, 0.57%

LAB 45.91, 28.68, -50.52

 

CMYK 0 / 51 / 45 / 24

HEX #C2606B

RGB 194 96 107

HSL 353.27, 0.45%, 0.57%

LAB 52.84, 40.23, 12.25

 

CMYK 4 / 0 / 51 / 24

HEX #BAC260

RGB 186 194 96

HSL 64.9, 0.45%, 0.57%

LAB 75.99, -16.71, 47.83

 

CMYK 50 / 0 / 5 / 24

HEX #62C3B9

RGB 98 195 185

HSL 173.81, 0.45%, 0.57%

LAB 72.98, -31.01, -3.77

 

CMYK 31 / 51 / 0 / 24

HEX #8560C2

RGB 133 96 194

HSL 262.65, 0.45%, 0.57%

LAB 48.57, 35.91, -46.12

 

CMYK 0 / 51 / 45 / 24

HEX #C2606B

RGB 194 96 107

HSL 353.27, 0.45%, 0.57%

LAB 52.84, 40.23, 12.25

 

CMYK 20 / 0 / 51 / 24

HEX #9CC260

RGB 156 194 96

HSL 83.27, 0.45%, 0.57%

LAB 73.87, -28.59, 44.79

 

Description

Color code: RGB 98 195 185 | qconv.com Color code: RGB 98 195 185 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 195 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 195 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 5 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 5% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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