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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 137 234 it is the complementary color RGB 157 118 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 137 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 98 137 234: RGB 103 137 229, RGB 120 155 248, RGB 137 173 255, RGB 154 191 255 and RGB 171 209 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 137 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 98 137 234: RGB 98 137 234, RGB 81 119 215, RGB 64 101 196, RGB 47 83 177 and RGB 30 65 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 41 / 0 / 8

HEX #6289EA

RGB 98 137 234

HSL 222.79, 0.76%, 0.65%

LAB 58.44, 15.09, -53.19

 

Complementary color

CMYK 0 / 25 / 87 / 38

HEX #9D7615

RGB 157 118 21

HSL 42.79, 0.76%, 0.35%

LAB 52.04, 6.67, 53.58

 

CMYK 55 / 40 / 0 / 10

HEX #6789E5

RGB 103 137 229

HSL 223.81, 0.71%, 0.65%

LAB 58.44, 14.49, -50.39

 

CMYK 52 / 38 / 0 / 3

HEX #789BF8

RGB 120 155 248

HSL 223.59, 0.9%, 0.72%

LAB 65.13, 13.43, -50.21

 

CMYK 46 / 32 / 0 / 0

HEX #89ADFF

RGB 137 173 255

HSL 221.69, 1%, 0.77%

LAB 71.16, 9.05, -44.46

 

CMYK 40 / 25 / 0 / 0

HEX #9ABFFF

RGB 154 191 255

HSL 218.02, 1%, 0.8%

LAB 76.89, 3.25, -35.46

 

CMYK 33 / 18 / 0 / 0

HEX #ABD1FF

RGB 171 209 255

HSL 212.86, 1%, 0.84%

LAB 82.64, -1.92, -26.55

 

CMYK 58 / 41 / 0 / 8

HEX #6289EA

RGB 98 137 234

HSL 222.79, 0.76%, 0.65%

LAB 58.44, 15.09, -53.19

 

CMYK 62 / 45 / 0 / 16

HEX #5177D7

RGB 81 119 215

HSL 222.99, 0.63%, 0.58%

LAB 51.67, 16.52, -53.4

 

CMYK 67 / 48 / 0 / 23

HEX #4065C4

RGB 64 101 196

HSL 223.18, 0.53%, 0.51%

LAB 44.78, 18.25, -53.64

 

CMYK 73 / 53 / 0 / 31

HEX #2F53B1

RGB 47 83 177

HSL 223.38, 0.58%, 0.44%

LAB 37.78, 20.42, -53.87

 

CMYK 81 / 59 / 0 / 38

HEX #1E419E

RGB 30 65 158

HSL 223.59, 0.68%, 0.37%

LAB 30.7, 23.15, -54.03

 

CMYK 58 / 41 / 0 / 8

HEX #6289EA

RGB 98 137 234

HSL 222.79, 0.76%, 0.65%

LAB 58.44, 15.09, -53.19

 

CMYK 58 / 50 / 0 / 9

HEX #6174E9

RGB 97 116 233

HSL 231.62, 0.76%, 0.65%

LAB 52.86, 27.29, -61.57

 

CMYK 56 / 58 / 0 / 9

HEX #6661E9

RGB 102 97 233

HSL 242.21, 0.76%, 0.65%

LAB 48.58, 39.67, -68.47

 

CMYK 46 / 58 / 0 / 9

HEX #7D61E9

RGB 125 97 233

HSL 252.35, 0.76%, 0.65%

LAB 50.44, 44.07, -65.36

 

CMYK 37 / 58 / 0 / 9

HEX #9361E9

RGB 147 97 233

HSL 262.06, 0.76%, 0.65%

LAB 52.55, 48.76, -61.86

 

CMYK 58 / 41 / 0 / 8

HEX #6289EA

RGB 98 137 234

HSL 222.79, 0.76%, 0.65%

LAB 58.44, 15.09, -53.19

 

CMYK 57 / 40 / 0 / 88

HEX #0D121E

RGB 13 18 30

HSL 222.35, 0.4%, 0.08%

LAB 5.53, 1.43, -8.76

 

CMYK 58 / 42 / 0 / 68

HEX #222F51

RGB 34 47 81

HSL 223.4, 0.41%, 0.23%

LAB 19.91, 6.01, -22.51

 

CMYK 58 / 42 / 0 / 48

HEX #374D84

RGB 55 77 132

HSL 222.86, 0.41%, 0.37%

LAB 33.53, 9.16, -33.52

 

CMYK 58 / 42 / 0 / 28

HEX #4D6BB7

RGB 77 107 183

HSL 223.02, 0.42%, 0.51%

LAB 46.33, 12.31, -43.59

 

CMYK 58 / 41 / 0 / 8

HEX #6289EA

RGB 98 137 234

HSL 222.79, 0.76%, 0.65%

LAB 58.44, 15.09, -53.19

 

CMYK 6 / 58 / 0 / 9

HEX #DC61E9

RGB 220 97 233

HSL 294.26, 0.76%, 0.65%

LAB 61.35, 66.14, -47.3

 

CMYK 18 / 0 / 58 / 9

HEX #C0E961

RGB 192 233 97

HSL 78.09, 0.76%, 0.65%

LAB 87.17, -33.05, 60.35

 

CMYK 58 / 41 / 0 / 8

HEX #6289EA

RGB 98 137 234

HSL 222.79, 0.76%, 0.65%

LAB 58.44, 15.09, -53.19

 

CMYK 0 / 58 / 41 / 9

HEX #E9618A

RGB 233 97 138

HSL 341.91, 0.76%, 0.65%

LAB 59.62, 56.28, 4.5

 

CMYK 41 / 0 / 58 / 9

HEX #8AE961

RGB 138 233 97

HSL 101.91, 0.76%, 0.65%

LAB 84.25, -51.94, 56.26

 

CMYK 58 / 41 / 0 / 8

HEX #6289EA

RGB 98 137 234

HSL 222.79, 0.76%, 0.65%

LAB 58.44, 15.09, -53.19

 

CMYK 6 / 58 / 0 / 9

HEX #DC61E9

RGB 220 97 233

HSL 294.26, 0.76%, 0.65%

LAB 61.35, 66.14, -47.3

 

CMYK 0 / 18 / 58 / 9

HEX #E9C061

RGB 233 192 97

HSL 41.91, 0.76%, 0.65%

LAB 79.55, 3.82, 52.55

 

CMYK 52 / 0 / 58 / 9

HEX #6FE961

RGB 111 233 97

HSL 113.82, 0.76%, 0.65%

LAB 83.19, -59.68, 54.77

 

CMYK 58 / 41 / 0 / 8

HEX #6289EA

RGB 98 137 234

HSL 222.79, 0.76%, 0.65%

LAB 58.44, 15.09, -53.19

 

CMYK 0 / 58 / 12 / 9

HEX #E961CE

RGB 233 97 206

HSL 311.91, 0.76%, 0.65%

LAB 61.94, 65.04, -31.09

 

CMYK 0 / 18 / 58 / 9

HEX #E9C061

RGB 233 192 97

HSL 41.91, 0.76%, 0.65%

LAB 79.55, 3.82, 52.55

 

CMYK 58 / 0 / 46 / 9

HEX #61E97D

RGB 97 233 125

HSL 132.35, 0.76%, 0.65%

LAB 83.07, -59.44, 41.49

 

Description

Color code: RGB 98 137 234 | qconv.com Color code: RGB 98 137 234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 137 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 137 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 41 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 41% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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