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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 124 199 it is the complementary color RGB 157 131 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 124 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 98 124 199: RGB 103 124 194, RGB 120 142 213, RGB 137 160 232, RGB 154 178 251 and RGB 171 196 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 124 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 98 124 199: RGB 98 124 199, RGB 81 106 180, RGB 64 88 161, RGB 47 70 142 and RGB 30 52 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 38 / 0 / 22

HEX #627CC7

RGB 98 124 199

HSL 224.55, 0.47%, 0.58%

LAB 53.1, 11.71, -41.98

 

Complementary color

CMYK 0 / 17 / 64 / 38

HEX #9D8338

RGB 157 131 56

HSL 44.55, 0.47%, 0.42%

LAB 55.77, 1.01, 43.19

 

CMYK 47 / 36 / 0 / 24

HEX #677CC2

RGB 103 124 194

HSL 226.15, 0.43%, 0.58%

LAB 53.16, 11.37, -39.01

 

CMYK 44 / 33 / 0 / 16

HEX #788ED5

RGB 120 142 213

HSL 225.81, 0.53%, 0.65%

LAB 60.02, 10.6, -38.9

 

CMYK 41 / 31 / 0 / 9

HEX #89A0E8

RGB 137 160 232

HSL 225.47, 0.67%, 0.72%

LAB 66.74, 9.94, -38.85

 

CMYK 39 / 29 / 0 / 2

HEX #9AB2FB

RGB 154 178 251

HSL 225.15, 0.92%, 0.79%

LAB 73.33, 9.37, -38.83

 

CMYK 33 / 23 / 0 / 0

HEX #ABC4FF

RGB 171 196 255

HSL 222.14, 1%, 0.84%

LAB 79.25, 5.06, -31.74

 

CMYK 51 / 38 / 0 / 22

HEX #627CC7

RGB 98 124 199

HSL 224.55, 0.47%, 0.58%

LAB 53.1, 11.71, -41.98

 

CMYK 55 / 41 / 0 / 29

HEX #516AB4

RGB 81 106 180

HSL 224.85, 0.4%, 0.51%

LAB 46.11, 12.79, -42.17

 

CMYK 60 / 45 / 0 / 37

HEX #4058A1

RGB 64 88 161

HSL 225.15, 0.43%, 0.44%

LAB 38.97, 14.14, -42.4

 

CMYK 67 / 51 / 0 / 44

HEX #2F468E

RGB 47 70 142

HSL 225.47, 0.5%, 0.37%

LAB 31.66, 15.89, -42.68

 

CMYK 76 / 58 / 0 / 52

HEX #1E347B

RGB 30 52 123

HSL 225.81, 0.61%, 0.3%

LAB 24.2, 18.21, -42.96

 

CMYK 51 / 38 / 0 / 22

HEX #627CC7

RGB 98 124 199

HSL 224.55, 0.47%, 0.58%

LAB 53.1, 11.71, -41.98

 

CMYK 51 / 46 / 0 / 22

HEX #616BC6

RGB 97 107 198

HSL 234.06, 0.47%, 0.58%

LAB 48.43, 21.56, -48.83

 

CMYK 47 / 51 / 0 / 22

HEX #6861C6

RGB 104 97 198

HSL 244.16, 0.47%, 0.58%

LAB 46.4, 29.28, -52.04

 

CMYK 39 / 51 / 0 / 22

HEX #7961C6

RGB 121 97 198

HSL 254.26, 0.47%, 0.58%

LAB 47.87, 33.33, -49.61

 

CMYK 31 / 51 / 0 / 22

HEX #8961C6

RGB 137 97 198

HSL 263.76, 0.47%, 0.58%

LAB 49.43, 37.41, -47.03

 

CMYK 51 / 38 / 0 / 22

HEX #627CC7

RGB 98 124 199

HSL 224.55, 0.47%, 0.58%

LAB 53.1, 11.71, -41.98

 

CMYK 51 / 38 / 0 / 2

HEX #7B9CFA

RGB 123 156 250

HSL 224.41, 0.93%, 0.73%

LAB 65.66, 14.11, -50.45

 

CMYK 50 / 37 / 0 / 82

HEX #171D2E

RGB 23 29 46

HSL 224.35, 0.33%, 0.14%

LAB 10.98, 2.85, -12.23

 

CMYK 51 / 38 / 0 / 62

HEX #303C61

RGB 48 60 97

HSL 225.31, 0.34%, 0.28%

LAB 25.93, 6.52, -23.48

 

CMYK 51 / 38 / 0 / 42

HEX #495C94

RGB 73 92 148

HSL 224.8, 0.34%, 0.43%

LAB 39.93, 9.2, -33.06

 

CMYK 51 / 38 / 0 / 22

HEX #627CC7

RGB 98 124 199

HSL 224.55, 0.47%, 0.58%

LAB 53.1, 11.71, -41.98

 

CMYK 4 / 51 / 0 / 22

HEX #BF61C6

RGB 191 97 198

HSL 295.84, 0.47%, 0.58%

LAB 55.79, 52.17, -36.57

 

CMYK 17 / 0 / 51 / 22

HEX #A4C661

RGB 164 198 97

HSL 80.2, 0.47%, 0.58%

LAB 75.54, -27.33, 46.44

 

CMYK 51 / 38 / 0 / 22

HEX #627CC7

RGB 98 124 199

HSL 224.55, 0.47%, 0.58%

LAB 53.1, 11.71, -41.98

 

CMYK 0 / 51 / 37 / 22

HEX #C6617C

RGB 198 97 124

HSL 343.96, 0.47%, 0.58%

LAB 54.04, 43.03, 3.98

 

CMYK 37 / 0 / 51 / 22

HEX #7CC661

RGB 124 198 97

HSL 103.96, 0.47%, 0.58%

LAB 73.24, -41.75, 43.13

 

CMYK 51 / 38 / 0 / 22

HEX #627CC7

RGB 98 124 199

HSL 224.55, 0.47%, 0.58%

LAB 53.1, 11.71, -41.98

 

CMYK 4 / 51 / 0 / 22

HEX #BF61C6

RGB 191 97 198

HSL 295.84, 0.47%, 0.58%

LAB 55.79, 52.17, -36.57

 

CMYK 0 / 14 / 51 / 22

HEX #C6AB61

RGB 198 171 97

HSL 43.96, 0.47%, 0.58%

LAB 70.87, 0.3, 41.43

 

CMYK 47 / 0 / 51 / 22

HEX #68C661

RGB 104 198 97

HSL 115.84, 0.47%, 0.58%

LAB 72.36, -47.92, 41.85

 

CMYK 51 / 38 / 0 / 22

HEX #627CC7

RGB 98 124 199

HSL 224.55, 0.47%, 0.58%

LAB 53.1, 11.71, -41.98

 

CMYK 0 / 51 / 12 / 22

HEX #C661AE

RGB 198 97 174

HSL 314.26, 0.47%, 0.58%

LAB 55.7, 50.04, -22.83

 

CMYK 0 / 14 / 51 / 22

HEX #C6AB61

RGB 198 171 97

HSL 43.96, 0.47%, 0.58%

LAB 70.87, 0.3, 41.43

 

CMYK 51 / 0 / 39 / 22

HEX #61C679

RGB 97 198 121

HSL 134.26, 0.47%, 0.58%

LAB 72.44, -46.23, 29.79

 

Description

Color code: RGB 98 124 199 | qconv.com Color code: RGB 98 124 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 124 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 124 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 38 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 38% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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