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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 100 127 it is the complementary color RGB 157 155 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 100 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 98 100 127: RGB 103 100 122, RGB 120 118 141, RGB 137 136 160, RGB 154 154 179 and RGB 171 172 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 100 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 98 100 127: RGB 98 100 127, RGB 81 82 108, RGB 64 64 89, RGB 47 46 70 and RGB 30 28 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 21 / 0 / 50

HEX #62647F

RGB 98 100 127

HSL 235.86, 0.13%, 0.44%

LAB 43.13, 5.53, -15.29

 

Complementary color

CMYK 0 / 1 / 18 / 38

HEX #9D9B80

RGB 157 155 128

HSL 55.86, 0.13%, 0.56%

LAB 63.48, -3.98, 14.45

 

CMYK 16 / 18 / 0 / 52

HEX #67647A

RGB 103 100 122

HSL 248.18, 0.1%, 0.44%

LAB 43.36, 6.04, -11.86

 

CMYK 15 / 16 / 0 / 45

HEX #78768D

RGB 120 118 141

HSL 245.22, 0.09%, 0.51%

LAB 50.54, 5.71, -12.22

 

CMYK 14 / 15 / 0 / 37

HEX #8988A0

RGB 137 136 160

HSL 242.5, 0.11%, 0.58%

LAB 57.53, 5.42, -12.58

 

CMYK 14 / 14 / 0 / 30

HEX #9A9AB3

RGB 154 154 179

HSL 240, 0.14%, 0.65%

LAB 64.35, 5.15, -12.96

 

CMYK 14 / 13 / 0 / 22

HEX #ABACC6

RGB 171 172 198

HSL 237.78, 0.19%, 0.72%

LAB 71.04, 4.89, -13.34

 

CMYK 23 / 21 / 0 / 50

HEX #62647F

RGB 98 100 127

HSL 235.86, 0.13%, 0.44%

LAB 43.13, 5.53, -15.29

 

CMYK 25 / 24 / 0 / 58

HEX #51526C

RGB 81 82 108

HSL 237.78, 0.14%, 0.37%

LAB 35.73, 5.93, -15.06

 

CMYK 28 / 28 / 0 / 65

HEX #404059

RGB 64 64 89

HSL 240, 0.16%, 0.3%

LAB 28.06, 6.4, -14.89

 

CMYK 33 / 34 / 0 / 73

HEX #2F2E46

RGB 47 46 70

HSL 242.5, 0.21%, 0.23%

LAB 20.05, 7, -14.8

 

CMYK 41 / 45 / 0 / 80

HEX #1E1C33

RGB 30 28 51

HSL 245.22, 0.29%, 0.15%

LAB 11.59, 7.82, -14.85

 

CMYK 23 / 21 / 0 / 50

HEX #62647F

RGB 98 100 127

HSL 235.86, 0.13%, 0.44%

LAB 43.13, 5.53, -15.29

 

CMYK 21 / 23 / 0 / 51

HEX #64617E

RGB 100 97 126

HSL 246.21, 0.13%, 0.44%

LAB 42.41, 7.8, -15.76

 

CMYK 17 / 23 / 0 / 51

HEX #68617E

RGB 104 97 126

HSL 254.48, 0.13%, 0.44%

LAB 42.76, 9.19, -15.19

 

CMYK 13 / 23 / 0 / 51

HEX #6D617E

RGB 109 97 126

HSL 264.83, 0.13%, 0.44%

LAB 43.22, 10.96, -14.45

 

CMYK 10 / 23 / 0 / 51

HEX #72617E

RGB 114 97 126

HSL 275.17, 0.13%, 0.44%

LAB 43.7, 12.74, -13.67

 

CMYK 23 / 21 / 0 / 50

HEX #62647F

RGB 98 100 127

HSL 235.86, 0.13%, 0.44%

LAB 43.13, 5.53, -15.29

 

CMYK 23 / 21 / 0 / 30

HEX #898CB2

RGB 137 140 178

HSL 235.61, 0.21%, 0.62%

LAB 59.24, 7.31, -20.26

 

CMYK 23 / 21 / 0 / 10

HEX #B1B4E5

RGB 177 180 229

HSL 236.54, 0.5%, 0.8%

LAB 74.6, 9.29, -24.83

 

CMYK 24 / 20 / 0 / 90

HEX #131419

RGB 19 20 25

HSL 230, 0.14%, 0.09%

LAB 6.4, 0.83, -3.53

 

CMYK 22 / 21 / 0 / 70

HEX #3B3C4C

RGB 59 60 76

HSL 236.47, 0.13%, 0.26%

LAB 25.81, 3.61, -9.87

 

CMYK 23 / 21 / 0 / 50

HEX #62647F

RGB 98 100 127

HSL 235.86, 0.13%, 0.44%

LAB 43.13, 5.53, -15.29

 

CMYK 0 / 23 / 2 / 51

HEX #7E617B

RGB 126 97 123

HSL 306.21, 0.13%, 0.44%

LAB 44.82, 16.5, -10.05

 

CMYK 12 / 0 / 23 / 51

HEX #6F7E61

RGB 111 126 97

HSL 91.03, 0.13%, 0.44%

LAB 50.88, -11.2, 13.99

 

CMYK 23 / 21 / 0 / 50

HEX #62647F

RGB 98 100 127

HSL 235.86, 0.13%, 0.44%

LAB 43.13, 5.53, -15.29

 

CMYK 0 / 23 / 21 / 51

HEX #7E6164

RGB 126 97 100

HSL 353.79, 0.13%, 0.44%

LAB 44.1, 12.24, 2.81

 

CMYK 21 / 0 / 23 / 51

HEX #647E61

RGB 100 126 97

HSL 113.79, 0.13%, 0.44%

LAB 50.09, -15.43, 12.78

 

CMYK 23 / 21 / 0 / 50

HEX #62647F

RGB 98 100 127

HSL 235.86, 0.13%, 0.44%

LAB 43.13, 5.53, -15.29

 

CMYK 0 / 23 / 2 / 51

HEX #7E617B

RGB 126 97 123

HSL 306.21, 0.13%, 0.44%

LAB 44.82, 16.5, -10.05

 

CMYK 0 / 2 / 23 / 51

HEX #7E7C61

RGB 126 124 97

HSL 55.86, 0.13%, 0.44%

LAB 51.51, -4.03, 15.05

 

CMYK 23 / 0 / 20 / 51

HEX #617E65

RGB 97 126 101

HSL 128.28, 0.13%, 0.44%

LAB 49.98, -15.77, 10.27

 

CMYK 23 / 21 / 0 / 50

HEX #62647F

RGB 98 100 127

HSL 235.86, 0.13%, 0.44%

LAB 43.13, 5.53, -15.29

 

CMYK 0 / 23 / 10 / 51

HEX #7E6172

RGB 126 97 114

HSL 324.83, 0.13%, 0.44%

LAB 44.52, 14.74, -5.06

 

CMYK 0 / 2 / 23 / 51

HEX #7E7C61

RGB 126 124 97

HSL 55.86, 0.13%, 0.44%

LAB 51.51, -4.03, 15.05

 

CMYK 23 / 0 / 13 / 51

HEX #617E6D

RGB 97 126 109

HSL 144.83, 0.13%, 0.44%

LAB 50.18, -14.14, 5.87

 

Description

Color code: RGB 98 100 127 | qconv.com Color code: RGB 98 100 127 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 100 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 100 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 21 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 21% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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