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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 82 213 it is the complementary color RGB 158 173 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 82 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 97 82 213: RGB 102 82 208, RGB 119 100 227, RGB 136 118 246, RGB 153 136 255 and RGB 170 154 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 82 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 97 82 213: RGB 97 82 213, RGB 80 64 194, RGB 63 46 175, RGB 46 28 156 and RGB 29 10 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 62 / 0 / 16

HEX #6152D5

RGB 97 82 213

HSL 246.87, 0.61%, 0.58%

LAB 43.33, 41.45, -65.66

 

Complementary color

CMYK 9 / 0 / 76 / 32

HEX #9EAD2A

RGB 158 173 42

HSL 66.87, 0.61%, 0.42%

LAB 67.52, -21.61, 60.79

 

CMYK 51 / 61 / 0 / 18

HEX #6652D0

RGB 102 82 208

HSL 249.52, 0.57%, 0.57%

LAB 43.38, 40.86, -62.69

 

CMYK 48 / 56 / 0 / 11

HEX #7764E3

RGB 119 100 227

HSL 248.98, 0.69%, 0.64%

LAB 50.19, 39.38, -62.41

 

CMYK 45 / 52 / 0 / 4

HEX #8876F6

RGB 136 118 246

HSL 248.44, 0.88%, 0.71%

LAB 56.92, 38.04, -62.13

 

CMYK 40 / 47 / 0 / 0

HEX #9988FF

RGB 153 136 255

HSL 248.57, 1%, 0.77%

LAB 63.01, 34.1, -57.27

 

CMYK 33 / 40 / 0 / 0

HEX #AA9AFF

RGB 170 154 255

HSL 249.5, 1%, 0.8%

LAB 68.66, 28.16, -48.23

 

CMYK 54 / 62 / 0 / 16

HEX #6152D5

RGB 97 82 213

HSL 246.87, 0.61%, 0.58%

LAB 43.33, 41.45, -65.66

 

CMYK 59 / 67 / 0 / 24

HEX #5040C2

RGB 80 64 194

HSL 247.38, 0.52%, 0.51%

LAB 36.49, 43.21, -65.87

 

CMYK 64 / 74 / 0 / 31

HEX #3F2EAF

RGB 63 46 175

HSL 247.91, 0.58%, 0.43%

LAB 29.68, 45.02, -65.87

 

CMYK 71 / 82 / 0 / 39

HEX #2E1C9C

RGB 46 28 156

HSL 248.44, 0.7%, 0.36%

LAB 23.04, 46.6, -65.37

 

CMYK 79 / 93 / 0 / 46

HEX #1D0A89

RGB 29 10 137

HSL 248.98, 0.86%, 0.29%

LAB 16.91, 47.09, -63.79

 

CMYK 54 / 62 / 0 / 16

HEX #6152D5

RGB 97 82 213

HSL 246.87, 0.61%, 0.58%

LAB 43.33, 41.45, -65.66

 

CMYK 45 / 62 / 0 / 16

HEX #7552D5

RGB 117 82 213

HSL 256.03, 0.61%, 0.58%

LAB 45.11, 45.27, -62.69

 

CMYK 35 / 62 / 0 / 16

HEX #8B52D5

RGB 139 82 213

HSL 266.11, 0.61%, 0.58%

LAB 47.4, 49.93, -58.87

 

CMYK 25 / 62 / 0 / 16

HEX #A052D5

RGB 160 82 213

HSL 275.73, 0.61%, 0.58%

LAB 49.87, 54.69, -54.77

 

CMYK 15 / 62 / 0 / 16

HEX #B652D5

RGB 182 82 213

HSL 285.8, 0.61%, 0.58%

LAB 52.71, 59.87, -50.07

 

CMYK 54 / 62 / 0 / 16

HEX #6152D5

RGB 97 82 213

HSL 246.87, 0.61%, 0.58%

LAB 43.33, 41.45, -65.66

 

CMYK 56 / 67 / 0 / 96

HEX #040309

RGB 4 3 9

HSL 250, 0.5%, 0.02%

LAB 1, 1.1, -2.18

 

CMYK 55 / 62 / 0 / 76

HEX #1B173C

RGB 27 23 60

HSL 246.49, 0.45%, 0.16%

LAB 10.35, 13.87, -23.3

 

CMYK 54 / 61 / 0 / 56

HEX #332B6F

RGB 51 43 111

HSL 247.06, 0.44%, 0.3%

LAB 22.23, 23.79, -38.43

 

CMYK 54 / 62 / 0 / 36

HEX #4A3EA2

RGB 74 62 162

HSL 247.2, 0.45%, 0.44%

LAB 32.94, 33.22, -52.69

 

CMYK 54 / 62 / 0 / 16

HEX #6152D5

RGB 97 82 213

HSL 246.87, 0.61%, 0.58%

LAB 43.33, 41.45, -65.66

 

CMYK 0 / 62 / 18 / 16

HEX #D552AE

RGB 213 82 174

HSL 317.86, 0.61%, 0.58%

LAB 55.32, 61.26, -23.23

 

CMYK 43 / 0 / 62 / 16

HEX #79D552

RGB 121 213 82

HSL 102.14, 0.61%, 0.58%

LAB 77.44, -50.61, 54.86

 

CMYK 54 / 62 / 0 / 16

HEX #6152D5

RGB 97 82 213

HSL 246.87, 0.61%, 0.58%

LAB 43.33, 41.45, -65.66

 

CMYK 0 / 55 / 62 / 16

HEX #D55F52

RGB 213 95 82

HSL 5.95, 0.61%, 0.58%

LAB 55.01, 45.54, 30.23

 

CMYK 62 / 0 / 55 / 16

HEX #52D55F

RGB 82 213 95

HSL 125.95, 0.61%, 0.58%

LAB 76.2, -59.49, 47.25

 

CMYK 54 / 62 / 0 / 16

HEX #6152D5

RGB 97 82 213

HSL 246.87, 0.61%, 0.58%

LAB 43.33, 41.45, -65.66

 

CMYK 0 / 62 / 18 / 16

HEX #D552AE

RGB 213 82 174

HSL 317.86, 0.61%, 0.58%

LAB 55.32, 61.26, -23.23

 

CMYK 6 / 0 / 62 / 16

HEX #C8D552

RGB 200 213 82

HSL 65.95, 0.61%, 0.58%

LAB 82.1, -21.54, 61.3

 

CMYK 62 / 0 / 43 / 16

HEX #52D579

RGB 82 213 121

HSL 137.86, 0.61%, 0.58%

LAB 76.54, -55.7, 35.04

 

CMYK 54 / 62 / 0 / 16

HEX #6152D5

RGB 97 82 213

HSL 246.87, 0.61%, 0.58%

LAB 43.33, 41.45, -65.66

 

CMYK 0 / 62 / 37 / 16

HEX #D55286

RGB 213 82 134

HSL 336.18, 0.61%, 0.58%

LAB 53.92, 56.17, -1.83

 

CMYK 6 / 0 / 62 / 16

HEX #C8D552

RGB 200 213 82

HSL 65.95, 0.61%, 0.58%

LAB 82.1, -21.54, 61.3

 

CMYK 62 / 0 / 25 / 16

HEX #52D5A0

RGB 82 213 160

HSL 155.73, 0.61%, 0.58%

LAB 77.23, -48.26, 15.73

 

Description

Color code: RGB 97 82 213 | qconv.com Color code: RGB 97 82 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 82 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 82 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 62 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 62% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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