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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 49 100 it is the complementary color RGB 158 206 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 49 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 97 49 100: RGB 102 49 95, RGB 119 67 114, RGB 136 85 133, RGB 153 103 152 and RGB 170 121 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 49 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 97 49 100: RGB 97 49 100, RGB 80 31 81, RGB 63 13 62, RGB 46 0 43 and RGB 29 0 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 51 / 0 / 61

HEX #613164

RGB 97 49 100

HSL 296.47, 0.34%, 0.29%

LAB 28.53, 30.13, -20.96

 

Complementary color

CMYK 23 / 0 / 25 / 19

HEX #9ECE9B

RGB 158 206 155

HSL 116.47, 0.34%, 0.71%

LAB 78.33, -25.5, 20.4

 

CMYK 0 / 52 / 7 / 60

HEX #66315F

RGB 102 49 95

HSL 307.92, 0.35%, 0.3%

LAB 29.02, 30.77, -16.91

 

CMYK 0 / 44 / 4 / 53

HEX #774372

RGB 119 67 114

HSL 305.77, 0.28%, 0.36%

LAB 36.27, 29.98, -17.61

 

CMYK 0 / 38 / 2 / 47

HEX #885585

RGB 136 85 133

HSL 303.53, 0.23%, 0.43%

LAB 43.4, 29.16, -18.16

 

CMYK 0 / 33 / 1 / 40

HEX #996798

RGB 153 103 152

HSL 301.2, 0.2%, 0.5%

LAB 50.38, 28.38, -18.63

 

CMYK 1 / 29 / 0 / 33

HEX #AA79AB

RGB 170 121 171

HSL 298.8, 0.23%, 0.57%

LAB 57.23, 27.65, -19.05

 

CMYK 3 / 51 / 0 / 61

HEX #613164

RGB 97 49 100

HSL 296.47, 0.34%, 0.29%

LAB 28.53, 30.13, -20.96

 

CMYK 1 / 62 / 0 / 68

HEX #501F51

RGB 80 31 81

HSL 298.8, 0.45%, 0.22%

LAB 21.13, 30.78, -20.23

 

CMYK 0 / 79 / 2 / 75

HEX #3F0D3E

RGB 63 13 62

HSL 301.2, 0.66%, 0.15%

LAB 13.78, 30.75, -18.92

 

CMYK 0 / 100 / 7 / 82

HEX #2E002B

RGB 46 0 43

HSL 303.91, 1%, 0.09%

LAB 6.82, 28.77, -16.33

 

CMYK 0 / 100 / 17 / 89

HEX #1D0018

RGB 29 0 24

HSL 310.34, 1%, 0.06%

LAB 2.96, 14.77, -7.66

 

CMYK 3 / 51 / 0 / 61

HEX #613164

RGB 97 49 100

HSL 296.47, 0.34%, 0.29%

LAB 28.53, 30.13, -20.96

 

CMYK 0 / 52 / 5 / 61

HEX #63305E

RGB 99 48 94

HSL 305.88, 0.35%, 0.29%

LAB 28.31, 30.13, -17.4

 

CMYK 0 / 52 / 14 / 61

HEX #633055

RGB 99 48 85

HSL 316.47, 0.35%, 0.29%

LAB 27.91, 28.42, -12.15

 

CMYK 0 / 52 / 22 / 61

HEX #63304D

RGB 99 48 77

HSL 325.88, 0.35%, 0.29%

LAB 27.58, 27.02, -7.38

 

CMYK 0 / 52 / 31 / 61

HEX #633044

RGB 99 48 68

HSL 336.47, 0.35%, 0.29%

LAB 27.25, 25.58, -1.9

 

CMYK 3 / 51 / 0 / 61

HEX #613164

RGB 97 49 100

HSL 296.47, 0.34%, 0.29%

LAB 28.53, 30.13, -20.96

 

CMYK 3 / 51 / 0 / 41

HEX #924A97

RGB 146 74 151

HSL 296.1, 0.34%, 0.44%

LAB 43.13, 41.98, -29.33

 

CMYK 3 / 51 / 0 / 21

HEX #C463CA

RGB 196 99 202

HSL 296.5, 0.49%, 0.59%

LAB 57, 53.32, -36.9

 

CMYK 3 / 51 / 0 / 1

HEX #F57CFD

RGB 245 124 253

HSL 296.28, 0.97%, 0.74%

LAB 70.12, 63.81, -44.31

 

CMYK 2 / 51 / 0 / 81

HEX #301831

RGB 48 24 49

HSL 297.6, 0.34%, 0.14%

LAB 12.63, 16.9, -11.61

 

CMYK 3 / 51 / 0 / 61

HEX #613164

RGB 97 49 100

HSL 296.47, 0.34%, 0.29%

LAB 28.53, 30.13, -20.96

 

CMYK 0 / 44 / 52 / 61

HEX #633730

RGB 99 55 48

HSL 8.24, 0.35%, 0.29%

LAB 28.38, 18.76, 12.88

 

CMYK 52 / 0 / 24 / 61

HEX #30634B

RGB 48 99 75

HSL 151.76, 0.35%, 0.29%

LAB 37.95, -23.45, 8.45

 

CMYK 3 / 51 / 0 / 61

HEX #613164

RGB 97 49 100

HSL 296.47, 0.34%, 0.29%

LAB 28.53, 30.13, -20.96

 

CMYK 0 / 4 / 52 / 61

HEX #635F30

RGB 99 95 48

HSL 55.29, 0.35%, 0.29%

LAB 39.67, -5.71, 27.27

 

CMYK 52 / 0 / 4 / 61

HEX #30635F

RGB 48 99 95

HSL 175.29, 0.35%, 0.29%

LAB 38.51, -18.19, -3.01

 

CMYK 3 / 51 / 0 / 61

HEX #613164

RGB 97 49 100

HSL 296.47, 0.34%, 0.29%

LAB 28.53, 30.13, -20.96

 

CMYK 0 / 44 / 52 / 61

HEX #633730

RGB 99 55 48

HSL 8.24, 0.35%, 0.29%

LAB 28.38, 18.76, 12.88

 

CMYK 47 / 0 / 52 / 61

HEX #346330

RGB 52 99 48

HSL 115.29, 0.35%, 0.29%

LAB 37.6, -27.51, 23.98

 

CMYK 52 / 7 / 0 / 61

HEX #305C63

RGB 48 92 99

HSL 188.24, 0.35%, 0.29%

LAB 36.34, -13.06, -8.73

 

CMYK 3 / 51 / 0 / 61

HEX #613164

RGB 97 49 100

HSL 296.47, 0.34%, 0.29%

LAB 28.53, 30.13, -20.96

 

CMYK 0 / 29 / 52 / 61

HEX #634630

RGB 99 70 48

HSL 25.88, 0.35%, 0.29%

LAB 32.36, 9.47, 18.14

 

CMYK 47 / 0 / 52 / 61

HEX #346330

RGB 52 99 48

HSL 115.29, 0.35%, 0.29%

LAB 37.6, -27.51, 23.98

 

CMYK 52 / 22 / 0 / 61

HEX #304D63

RGB 48 77 99

HSL 205.88, 0.35%, 0.29%

LAB 31.43, -3.99, -16.2

 

Description

Color code: RGB 97 49 100 | qconv.com Color code: RGB 97 49 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 49 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 49 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 51 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 51% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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