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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 37 115 it is the complementary color RGB 158 218 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 37 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 97 37 115: RGB 102 37 110, RGB 119 55 129, RGB 136 73 148, RGB 153 91 167 and RGB 170 109 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 37 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 97 37 115: RGB 97 37 115, RGB 80 19 96, RGB 63 1 77, RGB 46 0 58 and RGB 29 0 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

Complementary color

CMYK 28 / 0 / 36 / 15

HEX #9EDA8C

RGB 158 218 140

HSL 106.15, 0.51%, 0.7%

LAB 81.46, -33.57, 32.42

 

CMYK 7 / 66 / 0 / 57

HEX #66256E

RGB 102 37 110

HSL 293.42, 0.5%, 0.29%

LAB 27.5, 40.02, -28.97

 

CMYK 8 / 57 / 0 / 49

HEX #773781

RGB 119 55 129

HSL 291.89, 0.4%, 0.36%

LAB 34.48, 39.62, -29.75

 

CMYK 8 / 51 / 0 / 42

HEX #884994

RGB 136 73 148

HSL 290.4, 0.34%, 0.43%

LAB 41.43, 38.94, -30.27

 

CMYK 8 / 46 / 0 / 35

HEX #995BA7

RGB 153 91 167

HSL 288.95, 0.3%, 0.51%

LAB 48.32, 38.16, -30.65

 

CMYK 9 / 41 / 0 / 27

HEX #AA6DBA

RGB 170 109 186

HSL 287.53, 0.36%, 0.58%

LAB 55.1, 37.36, -30.96

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 17 / 80 / 0 / 62

HEX #501360

RGB 80 19 96

HSL 287.53, 0.67%, 0.23%

LAB 20.11, 39.53, -31.87

 

CMYK 18 / 99 / 0 / 70

HEX #3F014D

RGB 63 1 77

HSL 288.95, 0.97%, 0.15%

LAB 13.32, 38.39, -30.16

 

CMYK 21 / 100 / 0 / 77

HEX #2E003A

RGB 46 0 58

HSL 287.59, 1%, 0.11%

LAB 8.01, 32, -25.51

 

CMYK 26 / 100 / 0 / 85

HEX #1D0027

RGB 29 0 39

HSL 284.62, 1%, 0.08%

LAB 3.68, 19.87, -18.41

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 4 / 68 / 0 / 55

HEX #6E2573

RGB 110 37 115

HSL 296.15, 0.51%, 0.3%

LAB 29.1, 43.12, -29.55

 

CMYK 0 / 68 / 7 / 55

HEX #73256B

RGB 115 37 107

HSL 306.15, 0.51%, 0.3%

LAB 29.49, 42.97, -23.77

 

CMYK 0 / 68 / 18 / 55

HEX #73255E

RGB 115 37 94

HSL 316.15, 0.51%, 0.3%

LAB 28.84, 40.8, -16.37

 

CMYK 0 / 68 / 30 / 55

HEX #732551

RGB 115 37 81

HSL 326.15, 0.51%, 0.3%

LAB 28.28, 38.85, -8.7

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 16 / 68 / 0 / 35

HEX #8C35A6

RGB 140 53 166

HSL 286.19, 0.52%, 0.43%

LAB 39.37, 53.55, -44.32

 

CMYK 16 / 68 / 0 / 15

HEX #B746D9

RGB 183 70 217

HSL 286.12, 0.66%, 0.56%

LAB 51.22, 66.05, -54.72

 

CMYK 15 / 69 / 0 / 95

HEX #0B040D

RGB 11 4 13

HSL 286.67, 0.53%, 0.03%

LAB 1.69, 3.13, -2.86

 

CMYK 16 / 67 / 0 / 75

HEX #361540

RGB 54 21 64

HSL 286.05, 0.51%, 0.17%

LAB 13.77, 24.51, -20.45

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 0 / 68 / 65 / 55

HEX #732528

RGB 115 37 40

HSL 357.69, 0.51%, 0.3%

LAB 27.08, 34.49, 16.91

 

CMYK 68 / 0 / 43 / 55

HEX #257342

RGB 37 115 66

HSL 142.31, 0.51%, 0.3%

LAB 42.84, -35.61, 20.35

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 0 / 16 / 68 / 55

HEX #736125

RGB 115 97 37

HSL 46.15, 0.51%, 0.3%

LAB 41.73, -0.27, 35.86

 

CMYK 68 / 0 / 16 / 55

HEX #257361

RGB 37 115 97

HSL 166.15, 0.51%, 0.3%

LAB 43.53, -28.28, 3.06

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 0 / 68 / 65 / 55

HEX #732528

RGB 115 37 40

HSL 357.69, 0.51%, 0.3%

LAB 27.08, 34.49, 16.91

 

CMYK 52 / 0 / 68 / 55

HEX #377325

RGB 55 115 37

HSL 106.15, 0.51%, 0.3%

LAB 43.07, -35.14, 36.06

 

CMYK 68 / 0 / 3 / 55

HEX #257370

RGB 37 115 112

HSL 177.69, 0.51%, 0.3%

LAB 43.98, -23.93, -5.28

 

CMYK 16 / 68 / 0 / 55

HEX #612573

RGB 97 37 115

HSL 286.15, 0.51%, 0.3%

LAB 27.02, 39.76, -32.98

 

CMYK 0 / 50 / 68 / 55

HEX #733A25

RGB 115 58 37

HSL 16.15, 0.51%, 0.3%

LAB 31.36, 23.07, 24.11

 

CMYK 52 / 0 / 68 / 55

HEX #377325

RGB 55 115 37

HSL 106.15, 0.51%, 0.3%

LAB 43.07, -35.14, 36.06

 

CMYK 68 / 18 / 0 / 55

HEX #255E73

RGB 37 94 115

HSL 196.15, 0.51%, 0.3%

LAB 37.18, -11.39, -17.39

 

Description

Color code: RGB 97 37 115 | qconv.com Color code: RGB 97 37 115 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 37 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 37 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 68 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 68% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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