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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 201 196 it is the complementary color RGB 158 54 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 201 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 97 201 196: RGB 102 201 191, RGB 119 219 210, RGB 136 237 229, RGB 153 255 248 and RGB 170 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 201 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 97 201 196: RGB 97 201 196, RGB 80 183 177, RGB 63 165 158, RGB 46 147 139 and RGB 29 129 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 2 / 21

HEX #61C9C4

RGB 97 201 196

HSL 177.12, 0.49%, 0.58%

LAB 75.01, -31.28, -6.74

 

Complementary color

CMYK 0 / 66 / 63 / 38

HEX #9E363B

RGB 158 54 59

HSL 357.12, 0.49%, 0.42%

LAB 38.24, 43.48, 20.69

 

CMYK 49 / 0 / 5 / 21

HEX #66C9BF

RGB 102 201 191

HSL 173.94, 0.48%, 0.59%

LAB 75.05, -31.47, -3.96

 

CMYK 46 / 0 / 4 / 14

HEX #77DBD2

RGB 119 219 210

HSL 174.6, 0.58%, 0.66%

LAB 81.42, -31.46, -4.69

 

CMYK 43 / 0 / 3 / 7

HEX #88EDE5

RGB 136 237 229

HSL 175.25, 0.74%, 0.73%

LAB 87.71, -31.42, -5.38

 

CMYK 40 / 0 / 3 / 0

HEX #99FFF8

RGB 153 255 248

HSL 175.88, 1%, 0.8%

LAB 93.91, -31.36, -6.03

 

CMYK 33 / 0 / 0 / 0

HEX #AAFFFF

RGB 170 255 255

HSL 180, 1%, 0.83%

LAB 94.86, -25.48, -8.16

 

CMYK 52 / 0 / 2 / 21

HEX #61C9C4

RGB 97 201 196

HSL 177.12, 0.49%, 0.58%

LAB 75.01, -31.28, -6.74

 

CMYK 56 / 0 / 3 / 28

HEX #50B7B1

RGB 80 183 177

HSL 176.5, 0.42%, 0.52%

LAB 68.57, -31.12, -5.97

 

CMYK 62 / 0 / 4 / 35

HEX #3FA59E

RGB 63 165 158

HSL 175.88, 0.45%, 0.45%

LAB 62.03, -30.85, -5.13

 

CMYK 69 / 0 / 5 / 42

HEX #2E938B

RGB 46 147 139

HSL 175.25, 0.52%, 0.38%

LAB 55.39, -30.39, -4.2

 

CMYK 78 / 0 / 7 / 49

HEX #1D8178

RGB 29 129 120

HSL 174.6, 0.63%, 0.31%

LAB 48.66, -29.64, -3.14

 

CMYK 52 / 0 / 2 / 21

HEX #61C9C4

RGB 97 201 196

HSL 177.12, 0.49%, 0.58%

LAB 75.01, -31.28, -6.74

 

CMYK 53 / 6 / 0 / 22

HEX #5FBCC8

RGB 95 188 200

HSL 186.86, 0.49%, 0.58%

LAB 71.26, -24.25, -14.53

 

CMYK 53 / 15 / 0 / 22

HEX #5FAAC8

RGB 95 170 200

HSL 197.14, 0.49%, 0.58%

LAB 66.02, -14.94, -22.47

 

CMYK 53 / 24 / 0 / 22

HEX #5F99C8

RGB 95 153 200

HSL 206.86, 0.49%, 0.58%

LAB 61.12, -5.63, -30.01

 

CMYK 53 / 33 / 0 / 22

HEX #5F87C8

RGB 95 135 200

HSL 217.14, 0.49%, 0.58%

LAB 56.02, 4.76, -37.96

 

CMYK 52 / 0 / 2 / 21

HEX #61C9C4

RGB 97 201 196

HSL 177.12, 0.49%, 0.58%

LAB 75.01, -31.28, -6.74

 

CMYK 52 / 0 / 2 / 1

HEX #7AFCF6

RGB 122 252 246

HSL 177.23, 0.96%, 0.73%

LAB 91.87, -37.3, -8.15

 

CMYK 52 / 0 / 2 / 81

HEX #17302F

RGB 23 48 47

HSL 177.6, 0.35%, 0.14%

LAB 17.92, -9.97, -2.39

 

CMYK 52 / 0 / 2 / 61

HEX #306361

RGB 48 99 97

HSL 177.65, 0.35%, 0.29%

LAB 38.58, -17.61, -4.15

 

CMYK 52 / 0 / 3 / 41

HEX #489692

RGB 72 150 146

HSL 176.92, 0.35%, 0.44%

LAB 57.33, -24.94, -5.25

 

CMYK 52 / 0 / 2 / 21

HEX #61C9C4

RGB 97 201 196

HSL 177.12, 0.49%, 0.58%

LAB 75.01, -31.28, -6.74

 

CMYK 45 / 53 / 0 / 22

HEX #6F5FC8

RGB 111 95 200

HSL 249.14, 0.49%, 0.58%

LAB 46.62, 32.69, -52.81

 

CMYK 0 / 24 / 53 / 22

HEX #C8995F

RGB 200 153 95

HSL 33.14, 0.49%, 0.58%

LAB 66.43, 10.67, 37.05

 

CMYK 52 / 0 / 2 / 21

HEX #61C9C4

RGB 97 201 196

HSL 177.12, 0.49%, 0.58%

LAB 75.01, -31.28, -6.74

 

CMYK 3 / 53 / 0 / 22

HEX #C35FC8

RGB 195 95 200

HSL 297.14, 0.49%, 0.58%

LAB 56.04, 54.62, -37.27

 

CMYK 0 / 3 / 53 / 22

HEX #C8C35F

RGB 200 195 95

HSL 57.14, 0.49%, 0.58%

LAB 77.36, -11.57, 50.2

 

CMYK 52 / 0 / 2 / 21

HEX #61C9C4

RGB 97 201 196

HSL 177.12, 0.49%, 0.58%

LAB 75.01, -31.28, -6.74

 

CMYK 45 / 53 / 0 / 22

HEX #6F5FC8

RGB 111 95 200

HSL 249.14, 0.49%, 0.58%

LAB 46.62, 32.69, -52.81

 

CMYK 0 / 53 / 50 / 22

HEX #C85F64

RGB 200 95 100

HSL 357.14, 0.49%, 0.58%

LAB 53.37, 42.24, 17.25

 

CMYK 8 / 0 / 53 / 22

HEX #B8C85F

RGB 184 200 95

HSL 69.14, 0.49%, 0.58%

LAB 77.47, -20.6, 50.02

 

CMYK 52 / 0 / 2 / 21

HEX #61C9C4

RGB 97 201 196

HSL 177.12, 0.49%, 0.58%

LAB 75.01, -31.28, -6.74

 

CMYK 29 / 53 / 0 / 22

HEX #8E5FC8

RGB 142 95 200

HSL 266.86, 0.49%, 0.58%

LAB 49.62, 40.35, -47.84

 

CMYK 0 / 53 / 50 / 22

HEX #C85F64

RGB 200 95 100

HSL 357.14, 0.49%, 0.58%

LAB 53.37, 42.24, 17.25

 

CMYK 24 / 0 / 53 / 22

HEX #99C85F

RGB 153 200 95

HSL 86.86, 0.49%, 0.58%

LAB 75.39, -32.65, 47.05

 

Description

Color code: RGB 97 201 196 | qconv.com Color code: RGB 97 201 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 201 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 201 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 2 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 2% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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