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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 133 219 it is the complementary color RGB 158 122 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 133 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 97 133 219: RGB 102 133 214, RGB 119 151 233, RGB 136 169 252, RGB 153 187 255 and RGB 170 205 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 133 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 97 133 219: RGB 97 133 219, RGB 80 115 200, RGB 63 97 181, RGB 46 79 162 and RGB 29 61 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 39 / 0 / 14

HEX #6185DB

RGB 97 133 219

HSL 222.3, 0.63%, 0.62%

LAB 56.52, 12.43, -47.88

 

Complementary color

CMYK 0 / 23 / 77 / 38

HEX #9E7A24

RGB 158 122 36

HSL 42.3, 0.63%, 0.38%

LAB 53.29, 5.4, 49.53

 

CMYK 52 / 38 / 0 / 16

HEX #6685D6

RGB 102 133 214

HSL 223.39, 0.58%, 0.62%

LAB 56.54, 11.92, -45.02

 

CMYK 49 / 35 / 0 / 9

HEX #7797E9

RGB 119 151 233

HSL 223.16, 0.72%, 0.69%

LAB 63.29, 11, -44.88

 

CMYK 46 / 33 / 0 / 1

HEX #88A9FC

RGB 136 169 252

HSL 222.93, 0.95%, 0.76%

LAB 69.92, 10.22, -44.78

 

CMYK 40 / 27 / 0 / 0

HEX #99BBFF

RGB 153 187 255

HSL 220, 1%, 0.8%

LAB 75.78, 5.19, -37.19

 

CMYK 33 / 20 / 0 / 0

HEX #AACDFF

RGB 170 205 255

HSL 215.29, 1%, 0.83%

LAB 81.53, -0.07, -28.25

 

CMYK 56 / 39 / 0 / 14

HEX #6185DB

RGB 97 133 219

HSL 222.3, 0.63%, 0.62%

LAB 56.52, 12.43, -47.88

 

CMYK 60 / 43 / 0 / 22

HEX #5073C8

RGB 80 115 200

HSL 222.5, 0.52%, 0.55%

LAB 49.66, 13.7, -48.07

 

CMYK 65 / 46 / 0 / 29

HEX #3F61B5

RGB 63 97 181

HSL 222.71, 0.48%, 0.48%

LAB 42.68, 15.26, -48.29

 

CMYK 72 / 51 / 0 / 36

HEX #2E4FA2

RGB 46 79 162

HSL 222.93, 0.56%, 0.41%

LAB 35.56, 17.25, -48.53

 

CMYK 80 / 57 / 0 / 44

HEX #1D3D8F

RGB 29 61 143

HSL 223.16, 0.66%, 0.34%

LAB 28.33, 19.82, -48.73

 

CMYK 56 / 39 / 0 / 14

HEX #6185DB

RGB 97 133 219

HSL 222.3, 0.63%, 0.62%

LAB 56.52, 12.43, -47.88

 

CMYK 56 / 48 / 0 / 14

HEX #6171DB

RGB 97 113 219

HSL 232.13, 0.63%, 0.62%

LAB 51.23, 24.58, -56.32

 

CMYK 54 / 56 / 0 / 14

HEX #6561DB

RGB 101 97 219

HSL 241.97, 0.63%, 0.62%

LAB 47.53, 35.12, -62.25

 

CMYK 45 / 56 / 0 / 14

HEX #7961DB

RGB 121 97 219

HSL 251.8, 0.63%, 0.62%

LAB 49.17, 39.24, -59.54

 

CMYK 36 / 56 / 0 / 14

HEX #8D61DB

RGB 141 97 219

HSL 261.64, 0.63%, 0.62%

LAB 51.07, 43.79, -56.38

 

CMYK 56 / 39 / 0 / 14

HEX #6185DB

RGB 97 133 219

HSL 222.3, 0.63%, 0.62%

LAB 56.52, 12.43, -47.88

 

CMYK 53 / 40 / 0 / 94

HEX #07090F

RGB 7 9 15

HSL 225, 0.36%, 0.04%

LAB 2.48, 0.41, -2.74

 

CMYK 56 / 39 / 0 / 74

HEX #1D2842

RGB 29 40 66

HSL 222.16, 0.39%, 0.19%

LAB 16.37, 4.03, -17.93

 

CMYK 56 / 39 / 0 / 54

HEX #344775

RGB 52 71 117

HSL 222.46, 0.38%, 0.33%

LAB 30.69, 7.13, -28.7

 

CMYK 56 / 39 / 0 / 34

HEX #4A66A8

RGB 74 102 168

HSL 222.13, 0.39%, 0.47%

LAB 43.92, 9.75, -38.64

 

CMYK 56 / 39 / 0 / 14

HEX #6185DB

RGB 97 133 219

HSL 222.3, 0.63%, 0.62%

LAB 56.52, 12.43, -47.88

 

CMYK 6 / 56 / 0 / 14

HEX #CE61DB

RGB 206 97 219

HSL 293.61, 0.63%, 0.62%

LAB 58.78, 60.08, -43.65

 

CMYK 17 / 0 / 56 / 14

HEX #B6DB61

RGB 182 219 97

HSL 78.2, 0.63%, 0.62%

LAB 82.63, -30.36, 55.04

 

CMYK 56 / 39 / 0 / 14

HEX #6185DB

RGB 97 133 219

HSL 222.3, 0.63%, 0.62%

LAB 56.52, 12.43, -47.88

 

CMYK 0 / 56 / 39 / 14

HEX #DB6185

RGB 219 97 133

HSL 342.3, 0.63%, 0.62%

LAB 57.37, 51.19, 3.89

 

CMYK 39 / 0 / 56 / 14

HEX #85DB61

RGB 133 219 97

HSL 102.3, 0.63%, 0.62%

LAB 79.9, -47.77, 51.18

 

CMYK 56 / 39 / 0 / 14

HEX #6185DB

RGB 97 133 219

HSL 222.3, 0.63%, 0.62%

LAB 56.52, 12.43, -47.88

 

CMYK 6 / 56 / 0 / 14

HEX #CE61DB

RGB 206 97 219

HSL 293.61, 0.63%, 0.62%

LAB 58.78, 60.08, -43.65

 

CMYK 0 / 17 / 56 / 14

HEX #DBB661

RGB 219 182 97

HSL 41.8, 0.63%, 0.62%

LAB 75.69, 3.25, 47.7

 

CMYK 50 / 0 / 56 / 14

HEX #6DDB61

RGB 109 219 97

HSL 114.1, 0.63%, 0.62%

LAB 78.91, -54.88, 49.76

 

CMYK 56 / 39 / 0 / 14

HEX #6185DB

RGB 97 133 219

HSL 222.3, 0.63%, 0.62%

LAB 56.52, 12.43, -47.88

 

CMYK 0 / 56 / 11 / 14

HEX #DB61C2

RGB 219 97 194

HSL 312.3, 0.63%, 0.62%

LAB 59.44, 59.34, -28.31

 

CMYK 0 / 17 / 56 / 14

HEX #DBB661

RGB 219 182 97

HSL 41.8, 0.63%, 0.62%

LAB 75.69, 3.25, 47.7

 

CMYK 56 / 0 / 45 / 14

HEX #61DB79

RGB 97 219 121

HSL 131.8, 0.63%, 0.62%

LAB 78.8, -54.69, 38.04

 

Description

Color code: RGB 97 133 219 | qconv.com Color code: RGB 97 133 219 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 133 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 133 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 39 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 39% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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