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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 121 154 it is the complementary color RGB 158 134 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 121 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 97 121 154: RGB 102 121 149, RGB 119 139 168, RGB 136 157 187, RGB 153 175 206 and RGB 170 193 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 121 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 97 121 154: RGB 97 121 154, RGB 80 103 135, RGB 63 85 116, RGB 46 67 97 and RGB 29 49 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 21 / 0 / 40

HEX #61799A

RGB 97 121 154

HSL 214.74, 0.23%, 0.49%

LAB 50.16, -0.17, -20.59

 

Complementary color

CMYK 0 / 15 / 36 / 38

HEX #9E8665

RGB 158 134 101

HSL 34.74, 0.23%, 0.51%

LAB 57.33, 4.19, 21.17

 

CMYK 32 / 19 / 0 / 42

HEX #667995

RGB 102 121 149

HSL 215.74, 0.19%, 0.49%

LAB 50.3, -0.02, -17.41

 

CMYK 29 / 17 / 0 / 34

HEX #778BA8

RGB 119 139 168

HSL 215.51, 0.22%, 0.56%

LAB 57.28, -0.25, -17.66

 

CMYK 27 / 16 / 0 / 27

HEX #889DBB

RGB 136 157 187

HSL 215.29, 0.27%, 0.63%

LAB 64.11, -0.46, -17.94

 

CMYK 26 / 15 / 0 / 19

HEX #99AFCE

RGB 153 175 206

HSL 215.09, 0.35%, 0.7%

LAB 70.79, -0.65, -18.23

 

CMYK 24 / 14 / 0 / 12

HEX #AAC1E1

RGB 170 193 225

HSL 214.91, 0.48%, 0.77%

LAB 77.35, -0.82, -18.53

 

CMYK 37 / 21 / 0 / 40

HEX #61799A

RGB 97 121 154

HSL 214.74, 0.23%, 0.49%

LAB 50.16, -0.17, -20.59

 

CMYK 41 / 24 / 0 / 47

HEX #506787

RGB 80 103 135

HSL 214.91, 0.26%, 0.42%

LAB 43, 0.19, -20.42

 

CMYK 46 / 27 / 0 / 55

HEX #3F5574

RGB 63 85 116

HSL 215.09, 0.3%, 0.35%

LAB 35.63, 0.64, -20.31

 

CMYK 53 / 31 / 0 / 62

HEX #2E4361

RGB 46 67 97

HSL 215.29, 0.36%, 0.28%

LAB 28, 1.25, -20.25

 

CMYK 63 / 37 / 0 / 69

HEX #1D314E

RGB 29 49 78

HSL 215.51, 0.46%, 0.21%

LAB 20.08, 2.17, -20.26

 

CMYK 37 / 21 / 0 / 40

HEX #61799A

RGB 97 121 154

HSL 214.74, 0.23%, 0.49%

LAB 50.16, -0.17, -20.59

 

CMYK 37 / 27 / 0 / 40

HEX #606F99

RGB 96 111 153

HSL 224.21, 0.23%, 0.49%

LAB 47.18, 5.23, -24.59

 

CMYK 37 / 34 / 0 / 40

HEX #606599

RGB 96 101 153

HSL 234.74, 0.23%, 0.49%

LAB 44.37, 11.35, -28.97

 

CMYK 35 / 37 / 0 / 40

HEX #646099

RGB 100 96 153

HSL 244.21, 0.23%, 0.49%

LAB 43.32, 15.62, -30.58

 

CMYK 29 / 37 / 0 / 40

HEX #6D6099

RGB 109 96 153

HSL 253.68, 0.23%, 0.49%

LAB 44.11, 18.34, -29.28

 

CMYK 37 / 21 / 0 / 40

HEX #61799A

RGB 97 121 154

HSL 214.74, 0.23%, 0.49%

LAB 50.16, -0.17, -20.59

 

CMYK 37 / 21 / 0 / 20

HEX #81A1CD

RGB 129 161 205

HSL 214.74, 0.43%, 0.65%

LAB 65.41, -0.12, -26.03

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 37 / 21 / 0 / 80

HEX #212934

RGB 33 41 52

HSL 214.74, 0.22%, 0.17%

LAB 16.29, -0.23, -8.26

 

CMYK 37 / 21 / 0 / 60

HEX #415167

RGB 65 81 103

HSL 214.74, 0.23%, 0.33%

LAB 33.96, -0.21, -14.75

 

CMYK 37 / 21 / 0 / 40

HEX #61799A

RGB 97 121 154

HSL 214.74, 0.23%, 0.49%

LAB 50.16, -0.17, -20.59

 

CMYK 8 / 37 / 0 / 40

HEX #8C6099

RGB 140 96 153

HSL 286.32, 0.23%, 0.49%

LAB 47.29, 28.26, -24.1

 

CMYK 6 / 0 / 37 / 40

HEX #909960

RGB 144 153 96

HSL 69.47, 0.23%, 0.49%

LAB 61.27, -12.68, 28.9

 

CMYK 37 / 21 / 0 / 40

HEX #61799A

RGB 97 121 154

HSL 214.74, 0.23%, 0.49%

LAB 50.16, -0.17, -20.59

 

CMYK 0 / 37 / 21 / 40

HEX #996079

RGB 153 96 121

HSL 333.68, 0.23%, 0.49%

LAB 47.65, 26.83, -4.3

 

CMYK 21 / 0 / 37 / 40

HEX #799960

RGB 121 153 96

HSL 93.68, 0.23%, 0.49%

LAB 59.61, -21.78, 26.42

 

CMYK 37 / 21 / 0 / 40

HEX #61799A

RGB 97 121 154

HSL 214.74, 0.23%, 0.49%

LAB 50.16, -0.17, -20.59

 

CMYK 8 / 37 / 0 / 40

HEX #8C6099

RGB 140 96 153

HSL 286.32, 0.23%, 0.49%

LAB 47.29, 28.26, -24.1

 

CMYK 0 / 16 / 37 / 40

HEX #998060

RGB 153 128 96

HSL 33.68, 0.23%, 0.49%

LAB 55.13, 4.84, 20.96

 

CMYK 29 / 0 / 37 / 40

HEX #6D9960

RGB 109 153 96

HSL 106.32, 0.23%, 0.49%

LAB 58.86, -26.23, 25.3

 

CMYK 37 / 21 / 0 / 40

HEX #61799A

RGB 97 121 154

HSL 214.74, 0.23%, 0.49%

LAB 50.16, -0.17, -20.59

 

CMYK 0 / 37 / 3 / 40

HEX #996095

RGB 153 96 149

HSL 304.21, 0.23%, 0.49%

LAB 48.65, 31.77, -19.51

 

CMYK 0 / 16 / 37 / 40

HEX #998060

RGB 153 128 96

HSL 33.68, 0.23%, 0.49%

LAB 55.13, 4.84, 20.96

 

CMYK 37 / 0 / 35 / 40

HEX #609964

RGB 96 153 100

HSL 124.21, 0.23%, 0.49%

LAB 58.22, -30.05, 22.12

 

Description

Color code: RGB 97 121 154 | qconv.com Color code: RGB 97 121 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 121 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 121 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 21 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 21% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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