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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 91 33 it is the complementary color RGB 159 164 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 91 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 91 33: RGB 101 91 28, RGB 118 109 47, RGB 135 127 66, RGB 152 145 85 and RGB 169 163 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 91 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 91 33: RGB 96 91 33, RGB 79 73 14, RGB 62 55 0, RGB 45 37 0 and RGB 28 19 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 66 / 62

HEX #605B21

RGB 96 91 33

HSL 55.24, 0.49%, 0.25%

LAB 37.98, -6.15, 33.22

 

Complementary color

CMYK 28 / 26 / 0 / 13

HEX #9FA4DE

RGB 159 164 222

HSL 235.24, 0.49%, 0.75%

LAB 68.89, 11.13, -29.89

 

CMYK 0 / 10 / 72 / 60

HEX #655B1C

RGB 101 91 28

HSL 51.78, 0.57%, 0.25%

LAB 38.43, -4.08, 36.24

 

CMYK 0 / 8 / 60 / 54

HEX #766D2F

RGB 118 109 47

HSL 52.39, 0.43%, 0.32%

LAB 45.63, -5.06, 35.24

 

CMYK 0 / 6 / 51 / 47

HEX #877F42

RGB 135 127 66

HSL 53.04, 0.34%, 0.39%

LAB 52.64, -5.78, 33.98

 

CMYK 0 / 5 / 44 / 40

HEX #989155

RGB 152 145 85

HSL 53.73, 0.28%, 0.46%

LAB 59.51, -6.34, 32.69

 

CMYK 0 / 4 / 38 / 34

HEX #A9A368

RGB 169 163 104

HSL 54.46, 0.27%, 0.54%

LAB 66.24, -6.78, 31.43

 

CMYK 0 / 5 / 66 / 62

HEX #605B21

RGB 96 91 33

HSL 55.24, 0.49%, 0.25%

LAB 37.98, -6.15, 33.22

 

CMYK 0 / 8 / 82 / 69

HEX #4F490E

RGB 79 73 14

HSL 54.46, 0.7%, 0.18%

LAB 30.54, -5.06, 33.81

 

CMYK 0 / 11 / 100 / 76

HEX #3E3700

RGB 62 55 0

HSL 53.23, 1%, 0.12%

LAB 22.85, -3.47, 31.55

 

CMYK 0 / 18 / 100 / 82

HEX #2D2500

RGB 45 37 0

HSL 49.33, 1%, 0.09%

LAB 14.85, -1.1, 21.72

 

CMYK 0 / 32 / 100 / 89

HEX #1C1300

RGB 28 19 0

HSL 40.71, 1%, 0.05%

LAB 6.44, 1.41, 9.67

 

CMYK 0 / 5 / 66 / 62

HEX #605B21

RGB 96 91 33

HSL 55.24, 0.49%, 0.25%

LAB 37.98, -6.15, 33.22

 

CMYK 5 / 0 / 66 / 63

HEX #595E20

RGB 89 94 32

HSL 64.84, 0.49%, 0.25%

LAB 38.26, -11.31, 33.82

 

CMYK 16 / 0 / 66 / 63

HEX #4F5E20

RGB 79 94 32

HSL 74.52, 0.49%, 0.25%

LAB 37.43, -15.96, 32.68

 

CMYK 28 / 0 / 66 / 63

HEX #445E20

RGB 68 94 32

HSL 85.16, 0.49%, 0.25%

LAB 36.63, -20.84, 31.57

 

CMYK 38 / 0 / 66 / 63

HEX #3A5E20

RGB 58 94 32

HSL 94.84, 0.49%, 0.25%

LAB 36, -24.97, 30.7

 

CMYK 0 / 5 / 66 / 62

HEX #605B21

RGB 96 91 33

HSL 55.24, 0.49%, 0.25%

LAB 37.98, -6.15, 33.22

 

CMYK 0 / 5 / 65 / 42

HEX #938B33

RGB 147 139 51

HSL 55, 0.48%, 0.39%

LAB 56.98, -8.23, 46.54

 

CMYK 0 / 5 / 66 / 22

HEX #C6BC44

RGB 198 188 68

HSL 55.38, 0.53%, 0.52%

LAB 75.07, -10.75, 59.61

 

CMYK 0 / 5 / 65 / 2

HEX #F9EC56

RGB 249 236 86

HSL 55.21, 0.93%, 0.66%

LAB 92.04, -12.58, 71.33

 

CMYK 0 / 4 / 67 / 82

HEX #2D2B0F

RGB 45 43 15

HSL 56, 0.5%, 0.12%

LAB 17.08, -3.83, 18.12

 

CMYK 0 / 5 / 66 / 62

HEX #605B21

RGB 96 91 33

HSL 55.24, 0.49%, 0.25%

LAB 37.98, -6.15, 33.22

 

CMYK 66 / 0 / 59 / 63

HEX #205E27

RGB 32 94 39

HSL 126.77, 0.49%, 0.25%

LAB 34.92, -32.58, 25.5

 

CMYK 32 / 66 / 0 / 63

HEX #40205E

RGB 64 32 94

HSL 270.97, 0.49%, 0.25%

LAB 19.77, 28.72, -31.23

 

CMYK 0 / 5 / 66 / 62

HEX #605B21

RGB 96 91 33

HSL 55.24, 0.49%, 0.25%

LAB 37.98, -6.15, 33.22

 

CMYK 66 / 0 / 5 / 63

HEX #205E59

RGB 32 94 89

HSL 175.16, 0.49%, 0.25%

LAB 36.05, -20.92, -3

 

CMYK 5 / 66 / 0 / 63

HEX #59205E

RGB 89 32 94

HSL 295.16, 0.49%, 0.25%

LAB 23.56, 35.6, -24.96

 

CMYK 0 / 5 / 66 / 62

HEX #605B21

RGB 96 91 33

HSL 55.24, 0.49%, 0.25%

LAB 37.98, -6.15, 33.22

 

CMYK 66 / 0 / 59 / 63

HEX #205E27

RGB 32 94 39

HSL 126.77, 0.49%, 0.25%

LAB 34.92, -32.58, 25.5

 

CMYK 66 / 61 / 0 / 63

HEX #20255E

RGB 32 37 94

HSL 235.16, 0.49%, 0.25%

LAB 17.64, 17.76, -34.83

 

CMYK 0 / 66 / 7 / 63

HEX #5E2057

RGB 94 32 87

HSL 306.77, 0.49%, 0.25%

LAB 24, 35.68, -19.57

 

CMYK 0 / 5 / 66 / 62

HEX #605B21

RGB 96 91 33

HSL 55.24, 0.49%, 0.25%

LAB 37.98, -6.15, 33.22

 

CMYK 66 / 0 / 38 / 63

HEX #205E3A

RGB 32 94 58

HSL 145.16, 0.49%, 0.25%

LAB 35.24, -29.09, 14.93

 

CMYK 66 / 61 / 0 / 63

HEX #20255E

RGB 32 37 94

HSL 235.16, 0.49%, 0.25%

LAB 17.64, 17.76, -34.83

 

CMYK 0 / 66 / 28 / 63

HEX #5E2044

RGB 94 32 68

HSL 325.16, 0.49%, 0.25%

LAB 23.1, 32.47, -8.19

 

Description

Color code: RGB 96 91 33 | qconv.com Color code: RGB 96 91 33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 91 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 91 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 66 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 66% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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