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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 87 213 it is the complementary color RGB 159 168 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 87 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 87 213: RGB 101 87 208, RGB 118 105 227, RGB 135 123 246, RGB 152 141 255 and RGB 169 159 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 87 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 87 213: RGB 96 87 213, RGB 79 69 194, RGB 62 51 175, RGB 45 33 156 and RGB 28 15 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 59 / 0 / 16

HEX #6057D5

RGB 96 87 213

HSL 244.29, 0.6%, 0.59%

LAB 44.39, 38.31, -63.95

 

Complementary color

CMYK 5 / 0 / 75 / 34

HEX #9FA82A

RGB 159 168 42

HSL 64.29, 0.6%, 0.41%

LAB 66.17, -18.66, 59.55

 

CMYK 51 / 58 / 0 / 18

HEX #6557D0

RGB 101 87 208

HSL 246.94, 0.56%, 0.58%

LAB 44.43, 37.72, -60.99

 

CMYK 48 / 54 / 0 / 11

HEX #7669E3

RGB 118 105 227

HSL 246.39, 0.69%, 0.65%

LAB 51.27, 36.23, -60.69

 

CMYK 45 / 50 / 0 / 4

HEX #877BF6

RGB 135 123 246

HSL 245.85, 0.87%, 0.72%

LAB 58.01, 34.92, -60.39

 

CMYK 40 / 45 / 0 / 0

HEX #988DFF

RGB 152 141 255

HSL 245.79, 1%, 0.78%

LAB 64.12, 30.99, -55.51

 

CMYK 34 / 38 / 0 / 0

HEX #A99FFF

RGB 169 159 255

HSL 246.25, 1%, 0.81%

LAB 69.79, 25.07, -46.46

 

CMYK 55 / 59 / 0 / 16

HEX #6057D5

RGB 96 87 213

HSL 244.29, 0.6%, 0.59%

LAB 44.39, 38.31, -63.95

 

CMYK 59 / 64 / 0 / 24

HEX #4F45C2

RGB 79 69 194

HSL 244.8, 0.51%, 0.52%

LAB 37.51, 40.11, -64.22

 

CMYK 65 / 71 / 0 / 31

HEX #3E33AF

RGB 62 51 175

HSL 245.32, 0.55%, 0.44%

LAB 30.61, 42.08, -64.34

 

CMYK 71 / 79 / 0 / 39

HEX #2D219C

RGB 45 33 156

HSL 245.85, 0.65%, 0.37%

LAB 23.82, 44.01, -64.08

 

CMYK 80 / 89 / 0 / 46

HEX #1C0F89

RGB 28 15 137

HSL 246.39, 0.8%, 0.3%

LAB 17.44, 45.27, -62.93

 

CMYK 55 / 59 / 0 / 16

HEX #6057D5

RGB 96 87 213

HSL 244.29, 0.6%, 0.59%

LAB 44.39, 38.31, -63.95

 

CMYK 46 / 59 / 0 / 16

HEX #7457D5

RGB 116 87 213

HSL 253.81, 0.6%, 0.59%

LAB 46.09, 42.24, -61.11

 

CMYK 36 / 59 / 0 / 16

HEX #8957D5

RGB 137 87 213

HSL 263.81, 0.6%, 0.59%

LAB 48.18, 46.82, -57.62

 

CMYK 26 / 59 / 0 / 16

HEX #9E57D5

RGB 158 87 213

HSL 273.81, 0.6%, 0.59%

LAB 50.56, 51.72, -53.68

 

CMYK 16 / 59 / 0 / 16

HEX #B357D5

RGB 179 87 213

HSL 283.81, 0.6%, 0.59%

LAB 53.17, 56.81, -49.36

 

CMYK 55 / 59 / 0 / 16

HEX #6057D5

RGB 96 87 213

HSL 244.29, 0.6%, 0.59%

LAB 44.39, 38.31, -63.95

 

CMYK 56 / 56 / 0 / 96

HEX #040409

RGB 4 4 9

HSL 240, 0.38%, 0.03%

LAB 1.2, 0.7, -1.89

 

CMYK 55 / 58 / 0 / 76

HEX #1B193C

RGB 27 25 60

HSL 243.43, 0.41%, 0.17%

LAB 10.95, 12.37, -22.33

 

CMYK 55 / 59 / 0 / 56

HEX #322D6F

RGB 50 45 111

HSL 244.55, 0.42%, 0.31%

LAB 22.66, 22.22, -37.73

 

CMYK 55 / 59 / 0 / 36

HEX #4942A2

RGB 73 66 162

HSL 244.38, 0.42%, 0.45%

LAB 33.82, 30.52, -51.27

 

CMYK 55 / 59 / 0 / 16

HEX #6057D5

RGB 96 87 213

HSL 244.29, 0.6%, 0.59%

LAB 44.39, 38.31, -63.95

 

CMYK 0 / 59 / 16 / 16

HEX #D557B3

RGB 213 87 179

HSL 316.19, 0.6%, 0.59%

LAB 56.3, 59.84, -24.61

 

CMYK 39 / 0 / 59 / 16

HEX #81D557

RGB 129 213 87

HSL 100, 0.6%, 0.59%

LAB 77.84, -47.59, 53.23

 

CMYK 55 / 59 / 0 / 16

HEX #6057D5

RGB 96 87 213

HSL 244.29, 0.6%, 0.59%

LAB 44.39, 38.31, -63.95

 

CMYK 0 / 55 / 59 / 16

HEX #D56057

RGB 213 96 87

HSL 4.29, 0.6%, 0.59%

LAB 55.28, 45.41, 27.71

 

CMYK 59 / 0 / 55 / 16

HEX #57D560

RGB 87 213 96

HSL 124.29, 0.6%, 0.59%

LAB 76.35, -58.25, 47.01

 

CMYK 55 / 59 / 0 / 16

HEX #6057D5

RGB 96 87 213

HSL 244.29, 0.6%, 0.59%

LAB 44.39, 38.31, -63.95

 

CMYK 0 / 59 / 16 / 16

HEX #D557B3

RGB 213 87 179

HSL 316.19, 0.6%, 0.59%

LAB 56.3, 59.84, -24.61

 

CMYK 4 / 0 / 59 / 16

HEX #CCD557

RGB 204 213 87

HSL 64.29, 0.6%, 0.59%

LAB 82.44, -19.57, 59.64

 

CMYK 59 / 0 / 43 / 16

HEX #57D579

RGB 87 213 121

HSL 136.19, 0.6%, 0.59%

LAB 76.68, -54.64, 35.25

 

CMYK 55 / 59 / 0 / 16

HEX #6057D5

RGB 96 87 213

HSL 244.29, 0.6%, 0.59%

LAB 44.39, 38.31, -63.95

 

CMYK 0 / 59 / 33 / 16

HEX #D5578E

RGB 213 87 142

HSL 333.81, 0.6%, 0.59%

LAB 54.99, 54.89, -4.99

 

CMYK 4 / 0 / 59 / 16

HEX #CCD557

RGB 204 213 87

HSL 64.29, 0.6%, 0.59%

LAB 82.44, -19.57, 59.64

 

CMYK 59 / 0 / 26 / 16

HEX #57D59E

RGB 87 213 158

HSL 153.81, 0.6%, 0.59%

LAB 77.33, -47.71, 16.95

 

Description

Color code: RGB 96 87 213 | qconv.com Color code: RGB 96 87 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 87 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 87 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 59 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 59% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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