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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 80 35 it is the complementary color RGB 159 175 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 80 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 80 35: RGB 101 80 30, RGB 118 98 49, RGB 135 116 68, RGB 152 134 87 and RGB 169 152 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 80 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 80 35: RGB 96 80 35, RGB 79 62 16, RGB 62 44 0, RGB 45 26 0 and RGB 28 8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 64 / 62

HEX #605023

RGB 96 80 35

HSL 44.26, 0.47%, 0.26%

LAB 34.69, 0.58, 28.51

 

Complementary color

CMYK 28 / 20 / 0 / 14

HEX #9FAFDC

RGB 159 175 220

HSL 224.26, 0.47%, 0.74%

LAB 71.69, 4.51, -24.5

 

CMYK 0 / 21 / 70 / 60

HEX #65501E

RGB 101 80 30

HSL 42.25, 0.54%, 0.26%

LAB 35.2, 2.65, 31.88

 

CMYK 0 / 17 / 58 / 54

HEX #766231

RGB 118 98 49

HSL 42.61, 0.41%, 0.33%

LAB 42.47, 1.5, 30.54

 

CMYK 0 / 14 / 50 / 47

HEX #877444

RGB 135 116 68

HSL 42.99, 0.33%, 0.4%

LAB 49.57, 0.63, 29.13

 

CMYK 0 / 12 / 43 / 40

HEX #988657

RGB 152 134 87

HSL 43.38, 0.27%, 0.47%

LAB 56.5, -0.05, 27.78

 

CMYK 0 / 10 / 37 / 34

HEX #A9986A

RGB 169 152 106

HSL 43.81, 0.27%, 0.54%

LAB 63.29, -0.6, 26.51

 

CMYK 0 / 17 / 64 / 62

HEX #605023

RGB 96 80 35

HSL 44.26, 0.47%, 0.26%

LAB 34.69, 0.58, 28.51

 

CMYK 0 / 22 / 80 / 69

HEX #4F3E10

RGB 79 62 16

HSL 43.81, 0.66%, 0.19%

LAB 27.14, 1.89, 29.66

 

CMYK 0 / 29 / 100 / 76

HEX #3E2C00

RGB 62 44 0

HSL 42.58, 1%, 0.12%

LAB 19.33, 3.72, 27.71

 

CMYK 0 / 42 / 100 / 82

HEX #2D1A00

RGB 45 26 0

HSL 34.67, 1%, 0.09%

LAB 11.25, 6.59, 16.91

 

CMYK 0 / 71 / 100 / 89

HEX #1C0800

RGB 28 8 0

HSL 17.14, 1%, 0.05%

LAB 3.8, 6.8, 5.81

 

CMYK 0 / 17 / 64 / 62

HEX #605023

RGB 96 80 35

HSL 44.26, 0.47%, 0.26%

LAB 34.69, 0.58, 28.51

 

CMYK 0 / 6 / 64 / 62

HEX #615B23

RGB 97 91 35

HSL 54.19, 0.47%, 0.26%

LAB 38.1, -5.52, 32.37

 

CMYK 4 / 0 / 64 / 62

HEX #5D6123

RGB 93 97 35

HSL 63.87, 0.47%, 0.26%

LAB 39.58, -10.88, 33.89

 

CMYK 15 / 0 / 64 / 62

HEX #526123

RGB 82 97 35

HSL 74.52, 0.47%, 0.26%

LAB 38.66, -15.97, 32.62

 

CMYK 26 / 0 / 64 / 62

HEX #486123

RGB 72 97 35

HSL 84.19, 0.47%, 0.26%

LAB 37.93, -20.4, 31.6

 

CMYK 0 / 17 / 64 / 62

HEX #605023

RGB 96 80 35

HSL 44.26, 0.47%, 0.26%

LAB 34.69, 0.58, 28.51

 

CMYK 0 / 16 / 63 / 42

HEX #937B36

RGB 147 123 54

HSL 44.52, 0.46%, 0.39%

LAB 52.55, 0.84, 40.3

 

CMYK 0 / 17 / 64 / 22

HEX #C6A548

RGB 198 165 72

HSL 44.29, 0.53%, 0.53%

LAB 69.03, 1.56, 51.42

 

CMYK 0 / 16 / 63 / 2

HEX #F9D05B

RGB 249 208 91

HSL 44.43, 0.93%, 0.67%

LAB 85, 1.78, 61.81

 

CMYK 0 / 16 / 64 / 82

HEX #2D2610

RGB 45 38 16

HSL 45.52, 0.48%, 0.12%

LAB 15.39, -0.35, 15.46

 

CMYK 0 / 17 / 64 / 62

HEX #605023

RGB 96 80 35

HSL 44.26, 0.47%, 0.26%

LAB 34.69, 0.58, 28.51

 

CMYK 60 / 0 / 64 / 62

HEX #276123

RGB 39 97 35

HSL 116.13, 0.47%, 0.26%

LAB 36.18, -32.52, 29.15

 

CMYK 43 / 64 / 0 / 62

HEX #372361

RGB 55 35 97

HSL 259.35, 0.47%, 0.26%

LAB 19.55, 25.42, -33.62

 

CMYK 0 / 17 / 64 / 62

HEX #605023

RGB 96 80 35

HSL 44.26, 0.47%, 0.26%

LAB 34.69, 0.58, 28.51

 

CMYK 64 / 0 / 18 / 62

HEX #236150

RGB 35 97 80

HSL 163.55, 0.47%, 0.26%

LAB 36.9, -24.45, 3.83

 

CMYK 18 / 64 / 0 / 62

HEX #502361

RGB 80 35 97

HSL 283.55, 0.47%, 0.26%

LAB 22.9, 32.16, -28.06

 

CMYK 0 / 17 / 64 / 62

HEX #605023

RGB 96 80 35

HSL 44.26, 0.47%, 0.26%

LAB 34.69, 0.58, 28.51

 

CMYK 60 / 0 / 64 / 62

HEX #276123

RGB 39 97 35

HSL 116.13, 0.47%, 0.26%

LAB 36.18, -32.52, 29.15

 

CMYK 64 / 47 / 0 / 62

HEX #233361

RGB 35 51 97

HSL 224.52, 0.47%, 0.26%

LAB 22.26, 9.5, -29.36

 

CMYK 4 / 64 / 0 / 62

HEX #5D2361

RGB 93 35 97

HSL 296.13, 0.47%, 0.26%

LAB 24.93, 35.86, -24.72

 

CMYK 0 / 17 / 64 / 62

HEX #605023

RGB 96 80 35

HSL 44.26, 0.47%, 0.26%

LAB 34.69, 0.58, 28.51

 

CMYK 64 / 0 / 49 / 62

HEX #236131

RGB 35 97 49

HSL 133.55, 0.47%, 0.26%

LAB 36.23, -31.48, 21.54

 

CMYK 64 / 47 / 0 / 62

HEX #233361

RGB 35 51 97

HSL 224.52, 0.47%, 0.26%

LAB 22.26, 9.5, -29.36

 

CMYK 0 / 64 / 15 / 62

HEX #612352

RGB 97 35 82

HSL 314.52, 0.47%, 0.26%

LAB 24.8, 34.24, -14.96

 

Description

Color code: RGB 96 80 35 | qconv.com Color code: RGB 96 80 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 80 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 80 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 64 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 64% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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