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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 68 114 it is the complementary color RGB 159 187 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 68 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 68 114: RGB 101 68 109, RGB 118 86 128, RGB 135 104 147, RGB 152 122 166 and RGB 169 140 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 68 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 68 114: RGB 96 68 114, RGB 79 50 95, RGB 62 32 76, RGB 45 14 57 and RGB 28 0 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 40 / 0 / 55

HEX #604472

RGB 96 68 114

HSL 276.52, 0.25%, 0.36%

LAB 33.64, 21.52, -21.92

 

Complementary color

CMYK 15 / 0 / 25 / 27

HEX #9FBB8D

RGB 159 187 141

HSL 96.52, 0.25%, 0.64%

LAB 72.78, -18.01, 20.23

 

CMYK 7 / 38 / 0 / 57

HEX #65446D

RGB 101 68 109

HSL 288.29, 0.23%, 0.35%

LAB 33.99, 22.07, -18.18

 

CMYK 8 / 33 / 0 / 50

HEX #765680

RGB 118 86 128

HSL 285.71, 0.2%, 0.42%

LAB 41.32, 21.29, -18.49

 

CMYK 8 / 29 / 0 / 42

HEX #876893

RGB 135 104 147

HSL 283.26, 0.17%, 0.49%

LAB 48.46, 20.59, -18.79

 

CMYK 8 / 27 / 0 / 35

HEX #987AA6

RGB 152 122 166

HSL 280.91, 0.2%, 0.56%

LAB 55.43, 19.95, -19.09

 

CMYK 9 / 24 / 0 / 27

HEX #A98CB9

RGB 169 140 185

HSL 278.67, 0.24%, 0.64%

LAB 62.25, 19.38, -19.39

 

CMYK 16 / 40 / 0 / 55

HEX #604472

RGB 96 68 114

HSL 276.52, 0.25%, 0.36%

LAB 33.64, 21.52, -21.92

 

CMYK 17 / 47 / 0 / 63

HEX #4F325F

RGB 79 50 95

HSL 278.67, 0.31%, 0.28%

LAB 26.07, 22.41, -21.75

 

CMYK 18 / 58 / 0 / 70

HEX #3E204C

RGB 62 32 76

HSL 280.91, 0.41%, 0.21%

LAB 18.27, 23.36, -21.54

 

CMYK 21 / 75 / 0 / 78

HEX #2D0E39

RGB 45 14 57

HSL 283.26, 0.61%, 0.14%

LAB 10.31, 24.1, -21.07

 

CMYK 26 / 100 / 0 / 85

HEX #1C0026

RGB 28 0 38

HSL 284.21, 1%, 0.07%

LAB 3.49, 18.89, -17.94

 

CMYK 16 / 40 / 0 / 55

HEX #604472

RGB 96 68 114

HSL 276.52, 0.25%, 0.36%

LAB 33.64, 21.52, -21.92

 

CMYK 9 / 40 / 0 / 55

HEX #684472

RGB 104 68 114

HSL 286.96, 0.25%, 0.36%

LAB 34.58, 24.24, -20.38

 

CMYK 3 / 40 / 0 / 55

HEX #6F4472

RGB 111 68 114

HSL 296.09, 0.25%, 0.36%

LAB 35.46, 26.65, -18.95

 

CMYK 0 / 40 / 4 / 55

HEX #72446E

RGB 114 68 110

HSL 305.22, 0.25%, 0.36%

LAB 35.67, 26.87, -16.09

 

CMYK 0 / 40 / 11 / 55

HEX #724466

RGB 114 68 102

HSL 315.65, 0.25%, 0.36%

LAB 35.34, 25.31, -11.56

 

CMYK 16 / 40 / 0 / 55

HEX #604472

RGB 96 68 114

HSL 276.52, 0.25%, 0.36%

LAB 33.64, 21.52, -21.92

 

CMYK 16 / 41 / 0 / 35

HEX #8B62A5

RGB 139 98 165

HSL 276.72, 0.27%, 0.52%

LAB 48.19, 29.43, -29.8

 

CMYK 16 / 40 / 0 / 15

HEX #B681D8

RGB 182 129 216

HSL 276.55, 0.53%, 0.68%

LAB 62.17, 36.3, -36.83

 

CMYK 17 / 42 / 0 / 95

HEX #0A070C

RGB 10 7 12

HSL 276, 0.26%, 0.04%

LAB 2.2, 1.5, -1.66

 

CMYK 16 / 40 / 0 / 75

HEX #35263F

RGB 53 38 63

HSL 276, 0.25%, 0.2%

LAB 17.93, 12.8, -13.24

 

CMYK 16 / 40 / 0 / 55

HEX #604472

RGB 96 68 114

HSL 276.52, 0.25%, 0.36%

LAB 33.64, 21.52, -21.92

 

CMYK 0 / 40 / 32 / 55

HEX #72444E

RGB 114 68 78

HSL 346.96, 0.25%, 0.36%

LAB 34.52, 21.24, 2.46

 

CMYK 40 / 0 / 32 / 55

HEX #44724E

RGB 68 114 78

HSL 133.04, 0.25%, 0.36%

LAB 43.96, -24.2, 15.12

 

CMYK 16 / 40 / 0 / 55

HEX #604472

RGB 96 68 114

HSL 276.52, 0.25%, 0.36%

LAB 33.64, 21.52, -21.92

 

CMYK 0 / 16 / 40 / 55

HEX #726044

RGB 114 96 68

HSL 36.52, 0.25%, 0.36%

LAB 41.78, 2.92, 18.7

 

CMYK 40 / 0 / 16 / 55

HEX #447260

RGB 68 114 96

HSL 156.52, 0.25%, 0.36%

LAB 44.39, -20.28, 5.04

 

CMYK 16 / 40 / 0 / 55

HEX #604472

RGB 96 68 114

HSL 276.52, 0.25%, 0.36%

LAB 33.64, 21.52, -21.92

 

CMYK 0 / 40 / 32 / 55

HEX #72444E

RGB 114 68 78

HSL 346.96, 0.25%, 0.36%

LAB 34.52, 21.24, 2.46

 

CMYK 24 / 0 / 40 / 55

HEX #577244

RGB 87 114 68

HSL 95.22, 0.25%, 0.36%

LAB 44.91, -18.95, 22.37

 

CMYK 40 / 0 / 8 / 55

HEX #447269

RGB 68 114 105

HSL 168.26, 0.25%, 0.36%

LAB 44.64, -18.07, 0.02

 

CMYK 16 / 40 / 0 / 55

HEX #604472

RGB 96 68 114

HSL 276.52, 0.25%, 0.36%

LAB 33.64, 21.52, -21.92

 

CMYK 0 / 36 / 40 / 55

HEX #724944

RGB 114 73 68

HSL 6.52, 0.25%, 0.36%

LAB 35.52, 16.82, 10.21

 

CMYK 24 / 0 / 40 / 55

HEX #577244

RGB 87 114 68

HSL 95.22, 0.25%, 0.36%

LAB 44.91, -18.95, 22.37

 

CMYK 40 / 4 / 0 / 55

HEX #446E72

RGB 68 110 114

HSL 185.22, 0.25%, 0.36%

LAB 43.65, -13.46, -6.85

 

Description

Color code: RGB 96 68 114 | qconv.com Color code: RGB 96 68 114 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 68 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 68 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 40 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 40% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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