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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 166 91 it is the complementary color RGB 159 89 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 166 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 166 91: RGB 101 166 86, RGB 118 184 105, RGB 135 202 124, RGB 152 220 143 and RGB 169 238 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 166 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 166 91: RGB 96 166 91, RGB 79 148 72, RGB 62 130 53, RGB 45 112 34 and RGB 28 94 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 45 / 35

HEX #60A65B

RGB 96 166 91

HSL 116, 0.3%, 0.5%

LAB 62.1, -37.51, 32.01

 

Complementary color

CMYK 3 / 46 / 0 / 36

HEX #9F59A4

RGB 159 89 164

HSL 296, 0.3%, 0.5%

LAB 48.51, 40.47, -28.53

 

CMYK 39 / 0 / 48 / 35

HEX #65A656

RGB 101 166 86

HSL 108.75, 0.32%, 0.49%

LAB 62.26, -36.6, 34.86

 

CMYK 36 / 0 / 43 / 28

HEX #76B869

RGB 118 184 105

HSL 110.13, 0.36%, 0.57%

LAB 68.86, -36.44, 33.6

 

CMYK 33 / 0 / 39 / 21

HEX #87CA7C

RGB 135 202 124

HSL 111.54, 0.42%, 0.64%

LAB 75.36, -36.25, 32.38

 

CMYK 31 / 0 / 35 / 14

HEX #98DC8F

RGB 152 220 143

HSL 112.99, 0.52%, 0.71%

LAB 81.75, -36.03, 31.22

 

CMYK 29 / 0 / 32 / 7

HEX #A9EEA2

RGB 169 238 162

HSL 114.47, 0.69%, 0.78%

LAB 88.06, -35.81, 30.11

 

CMYK 42 / 0 / 45 / 35

HEX #60A65B

RGB 96 166 91

HSL 116, 0.3%, 0.5%

LAB 62.1, -37.51, 32.01

 

CMYK 47 / 0 / 51 / 42

HEX #4F9448

RGB 79 148 72

HSL 114.47, 0.35%, 0.43%

LAB 55.39, -37.61, 33.33

 

CMYK 52 / 0 / 59 / 49

HEX #3E8235

RGB 62 130 53

HSL 112.99, 0.42%, 0.36%

LAB 48.57, -37.55, 34.64

 

CMYK 60 / 0 / 70 / 56

HEX #2D7022

RGB 45 112 34

HSL 111.54, 0.53%, 0.29%

LAB 41.63, -37.18, 35.75

 

CMYK 70 / 0 / 84 / 63

HEX #1C5E0F

RGB 28 94 15

HSL 110.13, 0.72%, 0.21%

LAB 34.57, -36.2, 36.15

 

CMYK 42 / 0 / 45 / 35

HEX #60A65B

RGB 96 166 91

HSL 116, 0.3%, 0.5%

LAB 62.1, -37.51, 32.01

 

CMYK 46 / 0 / 42 / 35

HEX #59A560

RGB 89 165 96

HSL 125.53, 0.3%, 0.5%

LAB 61.55, -38.43, 28.62

 

CMYK 46 / 0 / 34 / 35

HEX #59A56D

RGB 89 165 109

HSL 135.79, 0.3%, 0.5%

LAB 61.77, -36.18, 21.91

 

CMYK 46 / 0 / 26 / 35

HEX #59A57A

RGB 89 165 122

HSL 146.05, 0.3%, 0.5%

LAB 62.03, -33.65, 15.12

 

CMYK 46 / 0 / 18 / 35

HEX #59A587

RGB 89 165 135

HSL 156.32, 0.3%, 0.5%

LAB 62.32, -30.85, 8.3

 

CMYK 42 / 0 / 45 / 35

HEX #60A65B

RGB 96 166 91

HSL 116, 0.3%, 0.5%

LAB 62.1, -37.51, 32.01

 

CMYK 42 / 0 / 45 / 15

HEX #7DD977

RGB 125 217 119

HSL 116.33, 0.56%, 0.66%

LAB 79.22, -46.69, 39.78

 

CMYK 38 / 0 / 46 / 95

HEX #080D07

RGB 8 13 7

HSL 110, 0.3%, 0.04%

LAB 3.2, -2.25, 1.88

 

CMYK 42 / 0 / 45 / 75

HEX #254023

RGB 37 64 35

HSL 115.86, 0.29%, 0.19%

LAB 24.26, -17.31, 14.58

 

CMYK 42 / 0 / 45 / 55

HEX #43733F

RGB 67 115 63

HSL 115.38, 0.29%, 0.35%

LAB 43.96, -27.71, 23.74

 

CMYK 42 / 0 / 45 / 35

HEX #60A65B

RGB 96 166 91

HSL 116, 0.3%, 0.5%

LAB 62.1, -37.51, 32.01

 

CMYK 46 / 6 / 0 / 35

HEX #599BA5

RGB 89 155 165

HSL 187.89, 0.3%, 0.5%

LAB 60.14, -18.3, -11.79

 

CMYK 0 / 46 / 25 / 35

HEX #A5597C

RGB 165 89 124

HSL 332.37, 0.3%, 0.5%

LAB 47.75, 35.55, -5.77

 

CMYK 42 / 0 / 45 / 35

HEX #60A65B

RGB 96 166 91

HSL 116, 0.3%, 0.5%

LAB 62.1, -37.51, 32.01

 

CMYK 46 / 43 / 0 / 35

HEX #595EA5

RGB 89 94 165

HSL 236.05, 0.3%, 0.5%

LAB 42.53, 17.4, -39.02

 

CMYK 0 / 46 / 43 / 35

HEX #A5595E

RGB 165 89 94

HSL 356.05, 0.3%, 0.5%

LAB 46.91, 31.63, 11.12

 

CMYK 42 / 0 / 45 / 35

HEX #60A65B

RGB 96 166 91

HSL 116, 0.3%, 0.5%

LAB 62.1, -37.51, 32.01

 

CMYK 46 / 6 / 0 / 35

HEX #599BA5

RGB 89 155 165

HSL 187.89, 0.3%, 0.5%

LAB 60.14, -18.3, -11.79

 

CMYK 3 / 46 / 0 / 35

HEX #A059A5

RGB 160 89 165

HSL 296.05, 0.3%, 0.5%

LAB 48.68, 40.97, -28.84

 

CMYK 0 / 40 / 46 / 35

HEX #A56359

RGB 165 99 89

HSL 7.89, 0.3%, 0.5%

LAB 49.06, 25.54, 17.07

 

CMYK 42 / 0 / 45 / 35

HEX #60A65B

RGB 96 166 91

HSL 116, 0.3%, 0.5%

LAB 62.1, -37.51, 32.01

 

CMYK 46 / 20 / 0 / 35

HEX #5984A5

RGB 89 132 165

HSL 206.05, 0.3%, 0.5%

LAB 53.32, -5.62, -22.16

 

CMYK 3 / 46 / 0 / 35

HEX #A059A5

RGB 160 89 165

HSL 296.05, 0.3%, 0.5%

LAB 48.68, 40.97, -28.84

 

CMYK 0 / 26 / 46 / 35

HEX #A57A59

RGB 165 122 89

HSL 26.05, 0.3%, 0.5%

LAB 54.7, 12.51, 24.58

 

Description

Color code: RGB 96 166 91 | qconv.com Color code: RGB 96 166 91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 166 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 166 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 45 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 45% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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