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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 154 52 it is the complementary color RGB 159 101 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 154 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 154 52: RGB 101 154 47, RGB 118 172 66, RGB 135 190 85, RGB 152 208 104 and RGB 169 226 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 154 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 154 52: RGB 96 154 52, RGB 79 136 33, RGB 62 118 14, RGB 45 100 0 and RGB 28 82 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 66 / 40

HEX #609A34

RGB 96 154 52

HSL 94.12, 0.5%, 0.4%

LAB 57.89, -36.78, 45.99

 

Complementary color

CMYK 22 / 50 / 0 / 20

HEX #9F65CB

RGB 159 101 203

HSL 274.12, 0.5%, 0.6%

LAB 52.94, 42.26, -44.18

 

CMYK 34 / 0 / 69 / 40

HEX #659A2F

RGB 101 154 47

HSL 89.72, 0.53%, 0.39%

LAB 58.12, -35.37, 48.42

 

CMYK 31 / 0 / 62 / 33

HEX #76AC42

RGB 118 172 66

HSL 90.57, 0.45%, 0.47%

LAB 64.76, -35.61, 47.69

 

CMYK 29 / 0 / 55 / 25

HEX #87BE55

RGB 135 190 85

HSL 91.43, 0.45%, 0.54%

LAB 71.31, -35.72, 46.69

 

CMYK 27 / 0 / 50 / 18

HEX #98D068

RGB 152 208 104

HSL 92.31, 0.53%, 0.61%

LAB 77.75, -35.74, 45.57

 

CMYK 25 / 0 / 46 / 11

HEX #A9E27B

RGB 169 226 123

HSL 93.2, 0.64%, 0.68%

LAB 84.1, -35.7, 44.41

 

CMYK 38 / 0 / 66 / 40

HEX #609A34

RGB 96 154 52

HSL 94.12, 0.5%, 0.4%

LAB 57.89, -36.78, 45.99

 

CMYK 42 / 0 / 76 / 47

HEX #4F8821

RGB 79 136 33

HSL 93.2, 0.61%, 0.33%

LAB 51.13, -36.42, 46.43

 

CMYK 47 / 0 / 88 / 54

HEX #3E760E

RGB 62 118 14

HSL 92.31, 0.79%, 0.26%

LAB 44.25, -35.72, 45.78

 

CMYK 55 / 0 / 100 / 61

HEX #2D6400

RGB 45 100 0

HSL 93, 1%, 0.2%

LAB 37.25, -34.5, 43.13

 

CMYK 66 / 0 / 100 / 68

HEX #1C5200

RGB 28 82 0

HSL 99.51, 1%, 0.16%

LAB 30.11, -32.47, 37.23

 

CMYK 38 / 0 / 66 / 40

HEX #609A34

RGB 96 154 52

HSL 94.12, 0.5%, 0.4%

LAB 57.89, -36.78, 45.99

 

CMYK 49 / 0 / 67 / 40

HEX #4E9933

RGB 78 153 51

HSL 104.12, 0.5%, 0.4%

LAB 56.72, -42.48, 44.92

 

CMYK 60 / 0 / 67 / 40

HEX #3D9933

RGB 61 153 51

HSL 114.12, 0.5%, 0.4%

LAB 56.1, -47.27, 44.06

 

CMYK 67 / 0 / 63 / 40

HEX #339939

RGB 51 153 57

HSL 123.53, 0.5%, 0.4%

LAB 55.87, -48.93, 41.03

 

CMYK 67 / 0 / 52 / 40

HEX #33994A

RGB 51 153 74

HSL 133.53, 0.5%, 0.4%

LAB 56.07, -46.63, 32.92

 

CMYK 38 / 0 / 66 / 40

HEX #609A34

RGB 96 154 52

HSL 94.12, 0.5%, 0.4%

LAB 57.89, -36.78, 45.99

 

CMYK 38 / 0 / 66 / 20

HEX #80CD45

RGB 128 205 69

HSL 93.97, 0.58%, 0.54%

LAB 75.25, -46.19, 57.97

 

CMYK 0 / 0 / 100 / 100

HEX #010100

RGB 1 1 0

HSL 60, 1%, 0%

LAB 0.25, -0.14, 0.38

 

CMYK 38 / 0 / 65 / 80

HEX #203412

RGB 32 52 18

HSL 95.29, 0.49%, 0.14%

LAB 19.25, -15.48, 18.73

 

CMYK 38 / 0 / 66 / 60

HEX #406723

RGB 64 103 35

HSL 94.41, 0.49%, 0.27%

LAB 39.43, -26.7, 33.13

 

CMYK 38 / 0 / 66 / 40

HEX #609A34

RGB 96 154 52

HSL 94.12, 0.5%, 0.4%

LAB 57.89, -36.78, 45.99

 

CMYK 67 / 0 / 16 / 40

HEX #339981

RGB 51 153 129

HSL 165.88, 0.5%, 0.4%

LAB 57.14, -35.13, 4.09

 

CMYK 0 / 67 / 12 / 40

HEX #993387

RGB 153 51 135

HSL 310.59, 0.5%, 0.4%

LAB 39.39, 52.01, -25.37

 

CMYK 38 / 0 / 66 / 40

HEX #609A34

RGB 96 154 52

HSL 94.12, 0.5%, 0.4%

LAB 57.89, -36.78, 45.99

 

CMYK 67 / 38 / 0 / 40

HEX #335F99

RGB 51 95 153

HSL 214.12, 0.5%, 0.4%

LAB 39.9, 4.25, -36.19

 

CMYK 0 / 67 / 38 / 40

HEX #99335F

RGB 153 51 95

HSL 334.12, 0.5%, 0.4%

LAB 37.78, 46.46, -2.86

 

CMYK 38 / 0 / 66 / 40

HEX #609A34

RGB 96 154 52

HSL 94.12, 0.5%, 0.4%

LAB 57.89, -36.78, 45.99

 

CMYK 67 / 0 / 16 / 40

HEX #339981

RGB 51 153 129

HSL 165.88, 0.5%, 0.4%

LAB 57.14, -35.13, 4.09

 

CMYK 29 / 67 / 0 / 40

HEX #6C3399

RGB 108 51 153

HSL 273.53, 0.5%, 0.4%

LAB 33.68, 44.25, -45.86

 

CMYK 0 / 67 / 52 / 40

HEX #99334A

RGB 153 51 74

HSL 346.47, 0.5%, 0.4%

LAB 37.18, 44.29, 9.64

 

CMYK 38 / 0 / 66 / 40

HEX #609A34

RGB 96 154 52

HSL 94.12, 0.5%, 0.4%

LAB 57.89, -36.78, 45.99

 

CMYK 67 / 5 / 0 / 40

HEX #339299

RGB 51 146 153

HSL 184.12, 0.5%, 0.4%

LAB 55.65, -24.95, -11.85

 

CMYK 29 / 67 / 0 / 40

HEX #6C3399

RGB 108 51 153

HSL 273.53, 0.5%, 0.4%

LAB 33.68, 44.25, -45.86

 

CMYK 0 / 63 / 67 / 40

HEX #993933

RGB 153 57 51

HSL 3.53, 0.5%, 0.4%

LAB 37.73, 39.79, 24.8

 

Description

Color code: RGB 96 154 52 | qconv.com Color code: RGB 96 154 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 154 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 154 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 66 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 66% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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