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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 136 67 it is the complementary color RGB 159 119 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 136 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 136 67: RGB 101 136 62, RGB 118 154 81, RGB 135 172 100, RGB 152 190 119 and RGB 169 208 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 136 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 136 67: RGB 96 136 67, RGB 79 118 48, RGB 62 100 29, RGB 45 82 10 and RGB 28 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 51 / 47

HEX #608843

RGB 96 136 67

HSL 94.78, 0.34%, 0.4%

LAB 52.4, -26.79, 32.47

 

Complementary color

CMYK 15 / 37 / 0 / 26

HEX #9F77BC

RGB 159 119 188

HSL 274.78, 0.34%, 0.6%

LAB 56.28, 28.76, -30.36

 

CMYK 26 / 0 / 54 / 47

HEX #65883E

RGB 101 136 62

HSL 88.38, 0.37%, 0.39%

LAB 52.64, -25.44, 35.42

 

CMYK 23 / 0 / 47 / 40

HEX #769A51

RGB 118 154 81

HSL 89.59, 0.31%, 0.46%

LAB 59.49, -25.46, 34.2

 

CMYK 22 / 0 / 42 / 33

HEX #87AC64

RGB 135 172 100

HSL 90.83, 0.3%, 0.53%

LAB 66.19, -25.42, 32.98

 

CMYK 20 / 0 / 37 / 25

HEX #98BE77

RGB 152 190 119

HSL 92.11, 0.35%, 0.61%

LAB 72.78, -25.36, 31.8

 

CMYK 19 / 0 / 34 / 18

HEX #A9D08A

RGB 169 208 138

HSL 93.43, 0.43%, 0.68%

LAB 79.26, -25.27, 30.66

 

CMYK 29 / 0 / 51 / 47

HEX #608843

RGB 96 136 67

HSL 94.78, 0.34%, 0.4%

LAB 52.4, -26.79, 32.47

 

CMYK 33 / 0 / 59 / 54

HEX #4F7630

RGB 79 118 48

HSL 93.43, 0.42%, 0.33%

LAB 45.4, -26.78, 33.68

 

CMYK 38 / 0 / 71 / 61

HEX #3E641D

RGB 62 100 29

HSL 92.11, 0.55%, 0.25%

LAB 38.25, -26.61, 34.64

 

CMYK 45 / 0 / 88 / 68

HEX #2D520A

RGB 45 82 10

HSL 90.83, 0.78%, 0.18%

LAB 30.91, -26.08, 34.65

 

CMYK 56 / 0 / 100 / 75

HEX #1C4000

RGB 28 64 0

HSL 93.75, 1%, 0.13%

LAB 23.38, -24.88, 31.26

 

CMYK 29 / 0 / 51 / 47

HEX #608843

RGB 96 136 67

HSL 94.78, 0.34%, 0.4%

LAB 52.4, -26.79, 32.47

 

CMYK 38 / 0 / 51 / 47

HEX #558843

RGB 85 136 67

HSL 104.35, 0.34%, 0.4%

LAB 51.77, -30.85, 31.56

 

CMYK 46 / 0 / 51 / 47

HEX #4A8843

RGB 74 136 67

HSL 113.91, 0.34%, 0.4%

LAB 51.23, -34.57, 30.77

 

CMYK 51 / 0 / 48 / 47

HEX #438847

RGB 67 136 71

HSL 123.48, 0.34%, 0.4%

LAB 50.99, -36.13, 28.27

 

CMYK 51 / 0 / 39 / 47

HEX #438853

RGB 67 136 83

HSL 133.91, 0.34%, 0.4%

LAB 51.18, -34.09, 21.94

 

CMYK 29 / 0 / 51 / 47

HEX #608843

RGB 96 136 67

HSL 94.78, 0.34%, 0.4%

LAB 52.4, -26.79, 32.47

 

CMYK 29 / 0 / 51 / 27

HEX #84BB5C

RGB 132 187 92

HSL 94.74, 0.41%, 0.55%

LAB 70.33, -34.66, 42.13

 

CMYK 29 / 0 / 51 / 7

HEX #A8EE75

RGB 168 238 117

HSL 94.71, 0.78%, 0.7%

LAB 87.37, -42.1, 51.26

 

CMYK 29 / 0 / 50 / 87

HEX #182211

RGB 24 34 17

HSL 95.29, 0.33%, 0.1%

LAB 11.82, -8.54, 9.77

 

CMYK 29 / 0 / 51 / 67

HEX #3C552A

RGB 60 85 42

HSL 94.88, 0.34%, 0.25%

LAB 33.19, -18.28, 22.01

 

CMYK 29 / 0 / 51 / 47

HEX #608843

RGB 96 136 67

HSL 94.78, 0.34%, 0.4%

LAB 52.4, -26.79, 32.47

 

CMYK 51 / 0 / 12 / 47

HEX #438878

RGB 67 136 120

HSL 166.09, 0.34%, 0.4%

LAB 52.02, -25.95, 1.91

 

CMYK 0 / 51 / 8 / 47

HEX #88437D

RGB 136 67 125

HSL 309.57, 0.34%, 0.4%

LAB 39.12, 37.69, -19.85

 

CMYK 29 / 0 / 51 / 47

HEX #608843

RGB 96 136 67

HSL 94.78, 0.34%, 0.4%

LAB 52.4, -26.79, 32.47

 

CMYK 51 / 29 / 0 / 47

HEX #436188

RGB 67 97 136

HSL 213.91, 0.34%, 0.4%

LAB 40.44, 0.62, -25.05

 

CMYK 0 / 51 / 29 / 47

HEX #884361

RGB 136 67 97

HSL 333.91, 0.34%, 0.4%

LAB 38.04, 33.1, -4.04

 

CMYK 29 / 0 / 51 / 47

HEX #608843

RGB 96 136 67

HSL 94.78, 0.34%, 0.4%

LAB 52.4, -26.79, 32.47

 

CMYK 51 / 0 / 12 / 47

HEX #438878

RGB 67 136 120

HSL 166.09, 0.34%, 0.4%

LAB 52.02, -25.95, 1.91

 

CMYK 22 / 51 / 0 / 47

HEX #6A4388

RGB 106 67 136

HSL 273.91, 0.34%, 0.4%

LAB 35.71, 30.69, -32.25

 

CMYK 0 / 51 / 39 / 47

HEX #884353

RGB 136 67 83

HSL 346.09, 0.34%, 0.4%

LAB 37.61, 31.2, 4.15

 

CMYK 29 / 0 / 51 / 47

HEX #608843

RGB 96 136 67

HSL 94.78, 0.34%, 0.4%

LAB 52.4, -26.79, 32.47

 

CMYK 51 / 3 / 0 / 47

HEX #438488

RGB 67 132 136

HSL 183.48, 0.34%, 0.4%

LAB 51.24, -19.55, -8.57

 

CMYK 22 / 51 / 0 / 47

HEX #6A4388

RGB 106 67 136

HSL 273.91, 0.34%, 0.4%

LAB 35.71, 30.69, -32.25

 

CMYK 0 / 48 / 51 / 47

HEX #884743

RGB 136 71 67

HSL 3.48, 0.34%, 0.4%

LAB 38.1, 27.16, 14.87

 

Description

Color code: RGB 96 136 67 | qconv.com Color code: RGB 96 136 67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 136 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 136 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 51 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 51% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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