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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 135 235 it is the complementary color RGB 159 120 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 135 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 135 235: RGB 101 135 230, RGB 118 153 249, RGB 135 171 255, RGB 152 189 255 and RGB 169 207 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 135 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 135 235: RGB 96 135 235, RGB 79 117 216, RGB 62 99 197, RGB 45 81 178 and RGB 28 63 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 43 / 0 / 8

HEX #6087EB

RGB 96 135 235

HSL 223.17, 0.78%, 0.65%

LAB 57.86, 16.24, -54.68

 

Complementary color

CMYK 0 / 25 / 87 / 38

HEX #9F7814

RGB 159 120 20

HSL 43.17, 0.78%, 0.35%

LAB 52.79, 6.44, 54.57

 

CMYK 56 / 41 / 0 / 10

HEX #6587E6

RGB 101 135 230

HSL 224.19, 0.72%, 0.65%

LAB 57.85, 15.59, -51.89

 

CMYK 53 / 39 / 0 / 2

HEX #7699F9

RGB 118 153 249

HSL 223.97, 0.92%, 0.72%

LAB 64.54, 14.47, -51.7

 

CMYK 47 / 33 / 0 / 0

HEX #87ABFF

RGB 135 171 255

HSL 222, 1%, 0.76%

LAB 70.52, 9.71, -45.47

 

CMYK 40 / 26 / 0 / 0

HEX #98BDFF

RGB 152 189 255

HSL 218.45, 1%, 0.8%

LAB 76.25, 3.84, -36.47

 

CMYK 34 / 19 / 0 / 0

HEX #A9CFFF

RGB 169 207 255

HSL 213.49, 1%, 0.83%

LAB 81.99, -1.41, -27.54

 

CMYK 59 / 43 / 0 / 8

HEX #6087EB

RGB 96 135 235

HSL 223.17, 0.78%, 0.65%

LAB 57.86, 16.24, -54.68

 

CMYK 63 / 46 / 0 / 15

HEX #4F75D8

RGB 79 117 216

HSL 223.36, 0.64%, 0.58%

LAB 51.09, 17.74, -54.9

 

CMYK 69 / 50 / 0 / 23

HEX #3E63C5

RGB 62 99 197

HSL 223.56, 0.54%, 0.51%

LAB 44.2, 19.58, -55.14

 

CMYK 75 / 54 / 0 / 30

HEX #2D51B2

RGB 45 81 178

HSL 223.76, 0.6%, 0.44%

LAB 37.22, 21.86, -55.37

 

CMYK 82 / 60 / 0 / 38

HEX #1C3F9F

RGB 28 63 159

HSL 223.97, 0.7%, 0.37%

LAB 30.17, 24.72, -55.51

 

CMYK 59 / 43 / 0 / 8

HEX #6087EB

RGB 96 135 235

HSL 223.17, 0.78%, 0.65%

LAB 57.86, 16.24, -54.68

 

CMYK 59 / 52 / 0 / 8

HEX #6070EB

RGB 96 112 235

HSL 233.09, 0.78%, 0.65%

LAB 51.92, 30.2, -64.21

 

CMYK 56 / 59 / 0 / 8

HEX #6760EB

RGB 103 96 235

HSL 243.02, 0.78%, 0.65%

LAB 48.57, 41.06, -69.61

 

CMYK 46 / 59 / 0 / 8

HEX #7E60EB

RGB 126 96 235

HSL 252.95, 0.78%, 0.65%

LAB 50.45, 45.4, -66.47

 

CMYK 37 / 59 / 0 / 8

HEX #9560EB

RGB 149 96 235

HSL 262.88, 0.78%, 0.65%

LAB 52.68, 50.25, -62.76

 

CMYK 59 / 43 / 0 / 8

HEX #6087EB

RGB 96 135 235

HSL 223.17, 0.78%, 0.65%

LAB 57.86, 16.24, -54.68

 

CMYK 58 / 42 / 0 / 88

HEX #0D121F

RGB 13 18 31

HSL 223.33, 0.41%, 0.09%

LAB 5.57, 1.76, -9.46

 

CMYK 60 / 43 / 0 / 68

HEX #212F52

RGB 33 47 82

HSL 222.86, 0.43%, 0.23%

LAB 19.91, 6.12, -23.19

 

CMYK 59 / 43 / 0 / 48

HEX #364C85

RGB 54 76 133

HSL 223.29, 0.42%, 0.37%

LAB 33.24, 9.96, -34.61

 

CMYK 59 / 42 / 0 / 28

HEX #4B6AB8

RGB 75 106 184

HSL 222.94, 0.43%, 0.51%

LAB 45.99, 12.87, -44.7

 

CMYK 59 / 43 / 0 / 8

HEX #6087EB

RGB 96 135 235

HSL 223.17, 0.78%, 0.65%

LAB 57.86, 16.24, -54.68

 

CMYK 5 / 59 / 0 / 8

HEX #DF60EB

RGB 223 96 235

HSL 294.82, 0.78%, 0.65%

LAB 61.7, 67.67, -47.84

 

CMYK 19 / 0 / 59 / 8

HEX #BFEB60

RGB 191 235 96

HSL 78.99, 0.78%, 0.65%

LAB 87.65, -34.43, 61.3

 

CMYK 59 / 43 / 0 / 8

HEX #6087EB

RGB 96 135 235

HSL 223.17, 0.78%, 0.65%

LAB 57.86, 16.24, -54.68

 

CMYK 0 / 59 / 43 / 8

HEX #EB6087

RGB 235 96 135

HSL 343.17, 0.78%, 0.65%

LAB 59.69, 57.05, 6.37

 

CMYK 43 / 0 / 59 / 8

HEX #87EB60

RGB 135 235 96

HSL 103.17, 0.78%, 0.65%

LAB 84.7, -53.77, 57.17

 

CMYK 59 / 43 / 0 / 8

HEX #6087EB

RGB 96 135 235

HSL 223.17, 0.78%, 0.65%

LAB 57.86, 16.24, -54.68

 

CMYK 5 / 59 / 0 / 8

HEX #DF60EB

RGB 223 96 235

HSL 294.82, 0.78%, 0.65%

LAB 61.7, 67.67, -47.84

 

CMYK 0 / 17 / 59 / 8

HEX #EBC360

RGB 235 195 96

HSL 42.73, 0.78%, 0.65%

LAB 80.48, 3.02, 54.14

 

CMYK 54 / 0 / 59 / 8

HEX #6BEB60

RGB 107 235 96

HSL 115.25, 0.78%, 0.65%

LAB 83.65, -61.54, 55.69

 

CMYK 59 / 43 / 0 / 8

HEX #6087EB

RGB 96 135 235

HSL 223.17, 0.78%, 0.65%

LAB 57.86, 16.24, -54.68

 

CMYK 0 / 59 / 13 / 8

HEX #EB60CD

RGB 235 96 205

HSL 312.95, 0.78%, 0.65%

LAB 62.03, 65.85, -30.37

 

CMYK 0 / 17 / 59 / 8

HEX #EBC360

RGB 235 195 96

HSL 42.73, 0.78%, 0.65%

LAB 80.48, 3.02, 54.14

 

CMYK 59 / 0 / 46 / 8

HEX #60EB7E

RGB 96 235 126

HSL 132.95, 0.78%, 0.65%

LAB 83.66, -60.26, 41.74

 

Description

Color code: RGB 96 135 235 | qconv.com Color code: RGB 96 135 235 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 135 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 135 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 43 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 43% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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