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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 123 129 it is the complementary color RGB 159 132 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 123 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 123 129: RGB 101 123 124, RGB 118 141 143, RGB 135 159 162, RGB 152 177 181 and RGB 169 195 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 123 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 123 129: RGB 96 123 129, RGB 79 105 110, RGB 62 87 91, RGB 45 69 72 and RGB 28 51 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 5 / 0 / 49

HEX #607B81

RGB 96 123 129

HSL 190.91, 0.15%, 0.44%

LAB 49.78, -8.22, -6.47

 

Complementary color

CMYK 0 / 17 / 21 / 38

HEX #9F847E

RGB 159 132 126

HSL 10.91, 0.15%, 0.56%

LAB 57.44, 9.31, 7.08

 

CMYK 19 / 1 / 0 / 51

HEX #657B7C

RGB 101 123 124

HSL 182.61, 0.1%, 0.44%

LAB 49.96, -7.74, -3.22

 

CMYK 17 / 1 / 0 / 44

HEX #768D8F

RGB 118 141 143

HSL 184.8, 0.1%, 0.51%

LAB 56.96, -7.71, -3.81

 

CMYK 17 / 2 / 0 / 36

HEX #879FA2

RGB 135 159 162

HSL 186.67, 0.13%, 0.58%

LAB 63.8, -7.7, -4.38

 

CMYK 16 / 2 / 0 / 29

HEX #98B1B5

RGB 152 177 181

HSL 188.28, 0.16%, 0.65%

LAB 70.49, -7.7, -4.93

 

CMYK 16 / 3 / 0 / 22

HEX #A9C3C8

RGB 169 195 200

HSL 189.68, 0.22%, 0.72%

LAB 77.06, -7.71, -5.47

 

CMYK 26 / 5 / 0 / 49

HEX #607B81

RGB 96 123 129

HSL 190.91, 0.15%, 0.44%

LAB 49.78, -8.22, -6.47

 

CMYK 28 / 5 / 0 / 57

HEX #4F696E

RGB 79 105 110

HSL 189.68, 0.16%, 0.37%

LAB 42.6, -8.25, -5.93

 

CMYK 32 / 4 / 0 / 64

HEX #3E575B

RGB 62 87 91

HSL 188.28, 0.19%, 0.3%

LAB 35.19, -8.29, -5.37

 

CMYK 38 / 4 / 0 / 72

HEX #2D4548

RGB 45 69 72

HSL 186.67, 0.23%, 0.23%

LAB 27.52, -8.34, -4.77

 

CMYK 47 / 4 / 0 / 79

HEX #1C3335

RGB 28 51 53

HSL 184.8, 0.31%, 0.16%

LAB 19.52, -8.38, -4.12

 

CMYK 26 / 5 / 0 / 49

HEX #607B81

RGB 96 123 129

HSL 190.91, 0.15%, 0.44%

LAB 49.78, -8.22, -6.47

 

CMYK 26 / 9 / 0 / 49

HEX #5F7581

RGB 95 117 129

HSL 201.18, 0.15%, 0.44%

LAB 47.93, -5.11, -9.24

 

CMYK 26 / 13 / 0 / 49

HEX #5F7081

RGB 95 112 129

HSL 210, 0.15%, 0.44%

LAB 46.45, -2.18, -11.46

 

CMYK 26 / 18 / 0 / 49

HEX #5F6A81

RGB 95 106 129

HSL 220.59, 0.15%, 0.44%

LAB 44.7, 1.4, -14.12

 

CMYK 26 / 22 / 0 / 49

HEX #5F6481

RGB 95 100 129

HSL 231.18, 0.15%, 0.44%

LAB 42.96, 5.04, -16.77

 

CMYK 26 / 5 / 0 / 49

HEX #607B81

RGB 96 123 129

HSL 190.91, 0.15%, 0.44%

LAB 49.78, -8.22, -6.47

 

CMYK 26 / 4 / 0 / 29

HEX #86ACB4

RGB 134 172 180

HSL 190.43, 0.23%, 0.62%

LAB 67.92, -10.95, -8.32

 

CMYK 26 / 5 / 0 / 9

HEX #ACDCE7

RGB 172 220 231

HSL 191.19, 0.55%, 0.79%

LAB 84.86, -13.01, -10.47

 

CMYK 26 / 4 / 0 / 89

HEX #141A1B

RGB 20 26 27

HSL 188.57, 0.15%, 0.09%

LAB 8.71, -2.49, -1.63

 

CMYK 26 / 5 / 0 / 69

HEX #3A4A4E

RGB 58 74 78

HSL 192, 0.15%, 0.27%

LAB 30.27, -5.25, -4.47

 

CMYK 26 / 5 / 0 / 49

HEX #607B81

RGB 96 123 129

HSL 190.91, 0.15%, 0.44%

LAB 49.78, -8.22, -6.47

 

CMYK 17 / 26 / 0 / 49

HEX #6B5F81

RGB 107 95 129

HSL 261.18, 0.15%, 0.44%

LAB 42.6, 12.19, -17.22

 

CMYK 0 / 6 / 26 / 49

HEX #81795F

RGB 129 121 95

HSL 45.88, 0.15%, 0.44%

LAB 50.88, -1.39, 15.39

 

CMYK 26 / 5 / 0 / 49

HEX #607B81

RGB 96 123 129

HSL 190.91, 0.15%, 0.44%

LAB 49.78, -8.22, -6.47

 

CMYK 0 / 26 / 5 / 49

HEX #815F7B

RGB 129 95 123

HSL 310.59, 0.15%, 0.44%

LAB 44.63, 18.81, -10.3

 

CMYK 5 / 0 / 26 / 49

HEX #7B815F

RGB 123 129 95

HSL 70.59, 0.15%, 0.44%

LAB 52.66, -8.37, 17.73

 

CMYK 26 / 5 / 0 / 49

HEX #607B81

RGB 96 123 129

HSL 190.91, 0.15%, 0.44%

LAB 49.78, -8.22, -6.47

 

CMYK 17 / 26 / 0 / 49

HEX #6B5F81

RGB 107 95 129

HSL 261.18, 0.15%, 0.44%

LAB 42.6, 12.19, -17.22

 

CMYK 0 / 22 / 26 / 49

HEX #81645F

RGB 129 100 95

HSL 8.82, 0.15%, 0.44%

LAB 45.09, 10.87, 7.31

 

CMYK 10 / 0 / 26 / 49

HEX #74815F

RGB 116 129 95

HSL 82.94, 0.15%, 0.44%

LAB 52.11, -11.2, 16.89

 

CMYK 26 / 5 / 0 / 49

HEX #607B81

RGB 96 123 129

HSL 190.91, 0.15%, 0.44%

LAB 49.78, -8.22, -6.47

 

CMYK 9 / 26 / 0 / 49

HEX #755F81

RGB 117 95 129

HSL 278.82, 0.15%, 0.44%

LAB 43.58, 15.71, -15.64

 

CMYK 0 / 22 / 26 / 49

HEX #81645F

RGB 129 100 95

HSL 8.82, 0.15%, 0.44%

LAB 45.09, 10.87, 7.31

 

CMYK 18 / 0 / 26 / 49

HEX #6A815F

RGB 106 129 95

HSL 100.59, 0.15%, 0.44%

LAB 51.37, -15.13, 15.76

 

Description

Color code: RGB 96 123 129 | qconv.com Color code: RGB 96 123 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 123 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 123 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 5 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 5% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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