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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 114 192 it is the complementary color RGB 159 141 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 114 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 96 114 192: RGB 101 114 187, RGB 118 132 206, RGB 135 150 225, RGB 152 168 244 and RGB 169 186 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 114 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 96 114 192: RGB 96 114 192, RGB 79 96 173, RGB 62 78 154, RGB 45 60 135 and RGB 28 42 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 41 / 0 / 25

HEX #6072C0

RGB 96 114 192

HSL 228.75, 0.43%, 0.56%

LAB 49.89, 15.14, -43.06

 

Complementary color

CMYK 0 / 11 / 60 / 38

HEX #9F8D3F

RGB 159 141 63

HSL 48.75, 0.43%, 0.44%

LAB 58.77, -3.12, 43.21

 

CMYK 46 / 39 / 0 / 27

HEX #6572BB

RGB 101 114 187

HSL 230.93, 0.39%, 0.56%

LAB 49.96, 14.81, -40.04

 

CMYK 43 / 36 / 0 / 19

HEX #7684CE

RGB 118 132 206

HSL 230.45, 0.47%, 0.64%

LAB 56.89, 13.95, -39.89

 

CMYK 40 / 33 / 0 / 12

HEX #8796E1

RGB 135 150 225

HSL 230, 0.6%, 0.71%

LAB 63.67, 13.21, -39.79

 

CMYK 38 / 31 / 0 / 4

HEX #98A8F4

RGB 152 168 244

HSL 229.57, 0.81%, 0.78%

LAB 70.32, 12.58, -39.73

 

CMYK 34 / 27 / 0 / 0

HEX #A9BAFF

RGB 169 186 255

HSL 228.14, 1%, 0.83%

LAB 76.54, 9.98, -35.93

 

CMYK 50 / 41 / 0 / 25

HEX #6072C0

RGB 96 114 192

HSL 228.75, 0.43%, 0.56%

LAB 49.89, 15.14, -43.06

 

CMYK 54 / 45 / 0 / 32

HEX #4F60AD

RGB 79 96 173

HSL 229.15, 0.37%, 0.49%

LAB 42.83, 16.32, -43.3

 

CMYK 60 / 49 / 0 / 40

HEX #3E4E9A

RGB 62 78 154

HSL 229.57, 0.43%, 0.42%

LAB 35.61, 17.8, -43.6

 

CMYK 67 / 56 / 0 / 47

HEX #2D3C87

RGB 45 60 135

HSL 230, 0.5%, 0.35%

LAB 28.22, 19.7, -43.93

 

CMYK 76 / 64 / 0 / 55

HEX #1C2A74

RGB 28 42 116

HSL 230.45, 0.61%, 0.28%

LAB 20.69, 22.2, -44.22

 

CMYK 50 / 41 / 0 / 25

HEX #6072C0

RGB 96 114 192

HSL 228.75, 0.43%, 0.56%

LAB 49.89, 15.14, -43.06

 

CMYK 51 / 49 / 0 / 25

HEX #5E61BF

RGB 94 97 191

HSL 238.14, 0.43%, 0.56%

LAB 45.21, 24.86, -49.96

 

CMYK 44 / 51 / 0 / 25

HEX #6B5EBF

RGB 107 94 191

HSL 248.04, 0.43%, 0.56%

LAB 45.49, 29.71, -49.45

 

CMYK 36 / 51 / 0 / 25

HEX #7B5EBF

RGB 123 94 191

HSL 257.94, 0.43%, 0.56%

LAB 46.95, 33.69, -47.04

 

CMYK 27 / 51 / 0 / 25

HEX #8B5EBF

RGB 139 94 191

HSL 267.84, 0.43%, 0.56%

LAB 48.58, 37.9, -44.33

 

CMYK 50 / 41 / 0 / 25

HEX #6072C0

RGB 96 114 192

HSL 228.75, 0.43%, 0.56%

LAB 49.89, 15.14, -43.06

 

CMYK 50 / 41 / 0 / 5

HEX #7A90F3

RGB 122 144 243

HSL 229.09, 0.83%, 0.72%

LAB 62.13, 18.78, -52.22

 

CMYK 49 / 41 / 0 / 85

HEX #141727

RGB 20 23 39

HSL 230.53, 0.32%, 0.12%

LAB 8.2, 3.81, -11.43

 

CMYK 50 / 41 / 0 / 65

HEX #2D355A

RGB 45 53 90

HSL 229.33, 0.33%, 0.26%

LAB 23.14, 8.06, -23.32

 

CMYK 50 / 40 / 0 / 45

HEX #47548D

RGB 71 84 141

HSL 228.86, 0.33%, 0.42%

LAB 37.12, 11.53, -33.28

 

CMYK 50 / 41 / 0 / 25

HEX #6072C0

RGB 96 114 192

HSL 228.75, 0.43%, 0.56%

LAB 49.89, 15.14, -43.06

 

CMYK 0 / 51 / 0 / 25

HEX #BF5EBF

RGB 191 94 191

HSL 300, 0.43%, 0.56%

LAB 54.91, 52.37, -33.93

 

CMYK 20 / 0 / 51 / 25

HEX #98BF5E

RGB 152 191 94

HSL 84.12, 0.43%, 0.56%

LAB 72.72, -28.89, 44.32

 

CMYK 50 / 41 / 0 / 25

HEX #6072C0

RGB 96 114 192

HSL 228.75, 0.43%, 0.56%

LAB 49.89, 15.14, -43.06

 

CMYK 0 / 51 / 41 / 25

HEX #BF5E71

RGB 191 94 113

HSL 348.25, 0.43%, 0.56%

LAB 52.15, 40.81, 7.65

 

CMYK 41 / 0 / 51 / 25

HEX #71BF5E

RGB 113 191 94

HSL 108.25, 0.43%, 0.56%

LAB 70.58, -42.65, 41.23

 

CMYK 50 / 41 / 0 / 25

HEX #6072C0

RGB 96 114 192

HSL 228.75, 0.43%, 0.56%

LAB 49.89, 15.14, -43.06

 

CMYK 0 / 51 / 0 / 25

HEX #BF5EBF

RGB 191 94 191

HSL 300, 0.43%, 0.56%

LAB 54.91, 52.37, -33.93

 

CMYK 0 / 10 / 51 / 25

HEX #BFAB5E

RGB 191 171 94

HSL 47.63, 0.43%, 0.56%

LAB 70.18, -2.91, 41.97

 

CMYK 51 / 0 / 51 / 25

HEX #5EBF5E

RGB 94 191 94

HSL 120, 0.43%, 0.56%

LAB 69.79, -48.28, 40.08

 

CMYK 50 / 41 / 0 / 25

HEX #6072C0

RGB 96 114 192

HSL 228.75, 0.43%, 0.56%

LAB 49.89, 15.14, -43.06

 

CMYK 0 / 51 / 15 / 25

HEX #BF5EA2

RGB 191 94 162

HSL 317.94, 0.43%, 0.56%

LAB 53.7, 47.45, -19

 

CMYK 0 / 10 / 51 / 25

HEX #BFAB5E

RGB 191 171 94

HSL 47.63, 0.43%, 0.56%

LAB 70.18, -2.91, 41.97

 

CMYK 51 / 0 / 36 / 25

HEX #5EBF7B

RGB 94 191 123

HSL 137.94, 0.43%, 0.56%

LAB 70.23, -43.7, 25.79

 

Description

Color code: RGB 96 114 192 | qconv.com Color code: RGB 96 114 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 114 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 114 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 41 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 41% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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