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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 219 102 it is the complementary color RGB 160 36 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 219 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 95 219 102: RGB 100 219 97, RGB 117 237 116, RGB 134 255 135, RGB 151 255 154 and RGB 168 255 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 219 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 95 219 102: RGB 95 219 102, RGB 78 201 83, RGB 61 183 64, RGB 44 165 45 and RGB 27 147 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 53 / 14

HEX #5FDB66

RGB 95 219 102

HSL 123.39, 0.63%, 0.62%

LAB 78.49, -57.85, 46.83

 

Complementary color

CMYK 0 / 78 / 4 / 37

HEX #A02499

RGB 160 36 153

HSL 303.39, 0.63%, 0.38%

LAB 39.64, 61.86, -35.88

 

CMYK 54 / 0 / 56 / 14

HEX #64DB61

RGB 100 219 97

HSL 118.52, 0.63%, 0.62%

LAB 78.6, -57.24, 49.31

 

CMYK 51 / 0 / 51 / 7

HEX #75ED74

RGB 117 237 116

HSL 119.5, 0.77%, 0.69%

LAB 84.8, -57.38, 48.08

 

CMYK 47 / 0 / 47 / 0

HEX #86FF87

RGB 134 255 135

HSL 120.5, 1%, 0.76%

LAB 90.93, -57.39, 46.83

 

CMYK 41 / 0 / 40 / 0

HEX #97FF9A

RGB 151 255 154

HSL 121.73, 1%, 0.8%

LAB 91.88, -49.97, 39

 

CMYK 34 / 0 / 32 / 0

HEX #A8FFAD

RGB 168 255 173

HSL 123.45, 1%, 0.83%

LAB 92.95, -42.02, 31.13

 

CMYK 57 / 0 / 53 / 14

HEX #5FDB66

RGB 95 219 102

HSL 123.39, 0.63%, 0.62%

LAB 78.49, -57.85, 46.83

 

CMYK 61 / 0 / 59 / 21

HEX #4EC953

RGB 78 201 83

HSL 122.44, 0.53%, 0.55%

LAB 72.24, -57.49, 48.09

 

CMYK 67 / 0 / 65 / 28

HEX #3DB740

RGB 61 183 64

HSL 121.48, 0.5%, 0.48%

LAB 65.93, -56.82, 49.23

 

CMYK 73 / 0 / 73 / 35

HEX #2CA52D

RGB 44 165 45

HSL 120.5, 0.58%, 0.41%

LAB 59.56, -55.67, 50.05

 

CMYK 82 / 0 / 82 / 42

HEX #1B931A

RGB 27 147 26

HSL 119.5, 0.7%, 0.34%

LAB 53.14, -53.83, 50.16

 

CMYK 57 / 0 / 53 / 14

HEX #5FDB66

RGB 95 219 102

HSL 123.39, 0.63%, 0.62%

LAB 78.49, -57.85, 46.83

 

CMYK 56 / 0 / 44 / 14

HEX #61DB7B

RGB 97 219 123

HSL 132.79, 0.63%, 0.62%

LAB 78.83, -54.39, 37.08

 

CMYK 56 / 0 / 35 / 14

HEX #61DB8F

RGB 97 219 143

HSL 142.62, 0.63%, 0.62%

LAB 79.15, -51, 27.33

 

CMYK 56 / 0 / 25 / 14

HEX #61DBA4

RGB 97 219 164

HSL 152.95, 0.63%, 0.62%

LAB 79.55, -46.89, 16.92

 

CMYK 56 / 0 / 16 / 14

HEX #61DBB8

RGB 97 219 184

HSL 162.79, 0.63%, 0.62%

LAB 79.99, -42.48, 6.96

 

CMYK 57 / 0 / 53 / 14

HEX #5FDB66

RGB 95 219 102

HSL 123.39, 0.63%, 0.62%

LAB 78.49, -57.85, 46.83

 

CMYK 53 / 0 / 53 / 94

HEX #070F07

RGB 7 15 7

HSL 120, 0.36%, 0.04%

LAB 3.63, -3.5, 2.5

 

CMYK 56 / 0 / 53 / 74

HEX #1D421F

RGB 29 66 31

HSL 123.24, 0.39%, 0.19%

LAB 24.5, -21.97, 17.28

 

CMYK 56 / 0 / 54 / 54

HEX #337536

RGB 51 117 54

HSL 122.73, 0.39%, 0.33%

LAB 43.79, -35.06, 28.31

 

CMYK 57 / 0 / 54 / 34

HEX #49A84E

RGB 73 168 78

HSL 123.16, 0.39%, 0.47%

LAB 61.63, -46.81, 37.86

 

CMYK 57 / 0 / 53 / 14

HEX #5FDB66

RGB 95 219 102

HSL 123.39, 0.63%, 0.62%

LAB 78.49, -57.85, 46.83

 

CMYK 56 / 14 / 0 / 14

HEX #61BCDB

RGB 97 188 219

HSL 195.25, 0.63%, 0.62%

LAB 71.98, -18.45, -23.81

 

CMYK 0 / 56 / 37 / 14

HEX #DB618B

RGB 219 97 139

HSL 339.34, 0.63%, 0.62%

LAB 57.53, 51.86, 0.62

 

CMYK 57 / 0 / 53 / 14

HEX #5FDB66

RGB 95 219 102

HSL 123.39, 0.63%, 0.62%

LAB 78.49, -57.85, 46.83

 

CMYK 53 / 56 / 0 / 14

HEX #6761DB

RGB 103 97 219

HSL 242.95, 0.63%, 0.62%

LAB 47.68, 35.51, -62

 

CMYK 0 / 53 / 56 / 14

HEX #DB6761

RGB 219 103 97

HSL 2.95, 0.63%, 0.62%

LAB 57.68, 44.93, 25.26

 

CMYK 57 / 0 / 53 / 14

HEX #5FDB66

RGB 95 219 102

HSL 123.39, 0.63%, 0.62%

LAB 78.49, -57.85, 46.83

 

CMYK 56 / 14 / 0 / 14

HEX #61BCDB

RGB 97 188 219

HSL 195.25, 0.63%, 0.62%

LAB 71.98, -18.45, -23.81

 

CMYK 0 / 56 / 3 / 14

HEX #DB61D5

RGB 219 97 213

HSL 302.95, 0.63%, 0.62%

LAB 60.26, 62.42, -37.81

 

CMYK 0 / 42 / 56 / 14

HEX #DB7F61

RGB 219 127 97

HSL 14.75, 0.63%, 0.62%

LAB 62.59, 32.65, 31.62

 

CMYK 57 / 0 / 53 / 14

HEX #5FDB66

RGB 95 219 102

HSL 123.39, 0.63%, 0.62%

LAB 78.49, -57.85, 46.83

 

CMYK 56 / 31 / 0 / 14

HEX #6197DB

RGB 97 151 219

HSL 213.44, 0.63%, 0.62%

LAB 61.47, 1.83, -40.06

 

CMYK 0 / 56 / 3 / 14

HEX #DB61D5

RGB 219 97 213

HSL 302.95, 0.63%, 0.62%

LAB 60.26, 62.42, -37.81

 

CMYK 0 / 25 / 56 / 14

HEX #DBA461

RGB 219 164 97

HSL 32.95, 0.63%, 0.62%

LAB 71.2, 12.83, 42.32

 

Description

Color code: RGB 95 219 102 | qconv.com Color code: RGB 95 219 102 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 219 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 219 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 53 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 53% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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