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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 138 160 it is the complementary color RGB 160 117 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 138 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 95 138 160: RGB 100 138 155, RGB 117 156 174, RGB 134 174 193, RGB 151 192 212 and RGB 168 210 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 138 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 95 138 160: RGB 95 138 160, RGB 78 120 141, RGB 61 102 122, RGB 44 84 103 and RGB 27 66 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 14 / 0 / 37

HEX #5F8AA0

RGB 95 138 160

HSL 200.31, 0.25%, 0.5%

LAB 55.22, -8.85, -16.34

 

Complementary color

CMYK 0 / 27 / 41 / 37

HEX #A0755F

RGB 160 117 95

HSL 20.31, 0.25%, 0.5%

LAB 52.97, 13.93, 18.76

 

CMYK 35 / 11 / 0 / 39

HEX #648A9B

RGB 100 138 155

HSL 198.55, 0.22%, 0.5%

LAB 55.33, -8.78, -13.27

 

CMYK 33 / 10 / 0 / 32

HEX #759CAE

RGB 117 156 174

HSL 198.95, 0.26%, 0.57%

LAB 62.18, -8.85, -13.67

 

CMYK 31 / 10 / 0 / 24

HEX #86AEC1

RGB 134 174 193

HSL 199.32, 0.32%, 0.64%

LAB 68.89, -8.91, -14.06

 

CMYK 29 / 9 / 0 / 17

HEX #97C0D4

RGB 151 192 212

HSL 199.67, 0.41%, 0.71%

LAB 75.47, -8.97, -14.46

 

CMYK 27 / 9 / 0 / 9

HEX #A8D2E7

RGB 168 210 231

HSL 200, 0.57%, 0.78%

LAB 81.94, -9.02, -14.85

 

CMYK 41 / 14 / 0 / 37

HEX #5F8AA0

RGB 95 138 160

HSL 200.31, 0.25%, 0.5%

LAB 55.22, -8.85, -16.34

 

CMYK 45 / 15 / 0 / 45

HEX #4E788D

RGB 78 120 141

HSL 200, 0.29%, 0.43%

LAB 48.23, -8.67, -15.99

 

CMYK 50 / 16 / 0 / 52

HEX #3D667A

RGB 61 102 122

HSL 199.67, 0.33%, 0.36%

LAB 41.06, -8.42, -15.64

 

CMYK 57 / 18 / 0 / 60

HEX #2C5467

RGB 44 84 103

HSL 199.32, 0.4%, 0.29%

LAB 33.68, -8.03, -15.28

 

CMYK 68 / 21 / 0 / 67

HEX #1B4254

RGB 27 66 84

HSL 198.95, 0.51%, 0.22%

LAB 26.07, -7.4, -14.9

 

CMYK 41 / 14 / 0 / 37

HEX #5F8AA0

RGB 95 138 160

HSL 200.31, 0.25%, 0.5%

LAB 55.22, -8.85, -16.34

 

CMYK 40 / 20 / 0 / 38

HEX #5F7F9F

RGB 95 127 159

HSL 210, 0.25%, 0.5%

LAB 51.97, -2.85, -20.73

 

CMYK 40 / 27 / 0 / 38

HEX #5F749F

RGB 95 116 159

HSL 220.31, 0.25%, 0.5%

LAB 48.79, 3.66, -25.63

 

CMYK 40 / 33 / 0 / 38

HEX #5F6A9F

RGB 95 106 159

HSL 229.69, 0.25%, 0.5%

LAB 45.97, 9.73, -30.02

 

CMYK 40 / 40 / 0 / 38

HEX #5F5F9F

RGB 95 95 159

HSL 240, 0.25%, 0.5%

LAB 42.94, 16.55, -34.77

 

CMYK 41 / 14 / 0 / 37

HEX #5F8AA0

RGB 95 138 160

HSL 200.31, 0.25%, 0.5%

LAB 55.22, -8.85, -16.34

 

CMYK 41 / 14 / 0 / 17

HEX #7DB6D3

RGB 125 182 211

HSL 200.23, 0.49%, 0.66%

LAB 71.23, -11.08, -20.47

 

CMYK 43 / 14 / 0 / 97

HEX #040607

RGB 4 6 7

HSL 200, 0.27%, 0.02%

LAB 1.55, -0.38, -0.56

 

CMYK 41 / 14 / 0 / 77

HEX #22323A

RGB 34 50 58

HSL 200, 0.26%, 0.18%

LAB 19.75, -4.13, -7.17

 

CMYK 40 / 14 / 0 / 57

HEX #415E6D

RGB 65 94 109

HSL 200.45, 0.25%, 0.34%

LAB 38.26, -6.46, -11.93

 

CMYK 41 / 14 / 0 / 37

HEX #5F8AA0

RGB 95 138 160

HSL 200.31, 0.25%, 0.5%

LAB 55.22, -8.85, -16.34

 

CMYK 19 / 40 / 0 / 38

HEX #815F9F

RGB 129 95 159

HSL 271.88, 0.25%, 0.5%

LAB 46.12, 26.67, -29.57

 

CMYK 0 / 3 / 40 / 38

HEX #9F9B5F

RGB 159 155 95

HSL 56.25, 0.25%, 0.5%

LAB 63.04, -7.68, 31.96

 

CMYK 41 / 14 / 0 / 37

HEX #5F8AA0

RGB 95 138 160

HSL 200.31, 0.25%, 0.5%

LAB 55.22, -8.85, -16.34

 

CMYK 0 / 40 / 13 / 38

HEX #9F5F8A

RGB 159 95 138

HSL 319.69, 0.25%, 0.5%

LAB 48.75, 32.39, -12.75

 

CMYK 13 / 0 / 40 / 38

HEX #8A9F5F

RGB 138 159 95

HSL 79.69, 0.25%, 0.5%

LAB 62.53, -18.36, 30.97

 

CMYK 41 / 14 / 0 / 37

HEX #5F8AA0

RGB 95 138 160

HSL 200.31, 0.25%, 0.5%

LAB 55.22, -8.85, -16.34

 

CMYK 19 / 40 / 0 / 38

HEX #815F9F

RGB 129 95 159

HSL 271.88, 0.25%, 0.5%

LAB 46.12, 26.67, -29.57

 

CMYK 0 / 27 / 40 / 38

HEX #9F745F

RGB 159 116 95

HSL 19.69, 0.25%, 0.5%

LAB 52.61, 14.09, 18.24

 

CMYK 21 / 0 / 40 / 38

HEX #7D9F5F

RGB 125 159 95

HSL 91.88, 0.25%, 0.5%

LAB 61.64, -23.43, 29.64

 

CMYK 41 / 14 / 0 / 37

HEX #5F8AA0

RGB 95 138 160

HSL 200.31, 0.25%, 0.5%

LAB 55.22, -8.85, -16.34

 

CMYK 7 / 40 / 0 / 38

HEX #945F9F

RGB 148 95 159

HSL 289.69, 0.25%, 0.5%

LAB 48.24, 32.7, -26.1

 

CMYK 0 / 27 / 40 / 38

HEX #9F745F

RGB 159 116 95

HSL 19.69, 0.25%, 0.5%

LAB 52.61, 14.09, 18.24

 

CMYK 33 / 0 / 40 / 38

HEX #6A9F5F

RGB 106 159 95

HSL 109.69, 0.25%, 0.5%

LAB 60.5, -30.36, 27.95

 

Description

Color code: RGB 95 138 160 | qconv.com Color code: RGB 95 138 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 138 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 138 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 14 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 14% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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