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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 135 243 it is the complementary color RGB 160 120 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 135 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 95 135 243: RGB 100 135 238, RGB 117 153 255, RGB 134 171 255, RGB 151 189 255 and RGB 168 207 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 135 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 95 135 243: RGB 95 135 243, RGB 78 117 224, RGB 61 99 205, RGB 44 81 186 and RGB 27 63 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 44 / 0 / 5

HEX #5F87F3

RGB 95 135 243

HSL 223.78, 0.86%, 0.66%

LAB 58.26, 18.69, -58.48

 

Complementary color

CMYK 0 / 25 / 93 / 37

HEX #A0780C

RGB 160 120 12

HSL 43.78, 0.86%, 0.34%

LAB 52.88, 6.73, 56.61

 

CMYK 58 / 43 / 0 / 7

HEX #6487EE

RGB 100 135 238

HSL 224.78, 0.8%, 0.66%

LAB 58.24, 17.98, -55.73

 

CMYK 54 / 40 / 0 / 0

HEX #7599FF

RGB 117 153 255

HSL 224.35, 1%, 0.73%

LAB 64.79, 16.11, -54.59

 

CMYK 47 / 33 / 0 / 0

HEX #86ABFF

RGB 134 171 255

HSL 221.65, 1%, 0.76%

LAB 70.47, 9.48, -45.56

 

CMYK 41 / 26 / 0 / 0

HEX #97BDFF

RGB 151 189 255

HSL 218.08, 1%, 0.8%

LAB 76.19, 3.58, -36.56

 

CMYK 34 / 19 / 0 / 0

HEX #A8CFFF

RGB 168 207 255

HSL 213.1, 1%, 0.83%

LAB 81.93, -1.68, -27.64

 

CMYK 61 / 44 / 0 / 5

HEX #5F87F3

RGB 95 135 243

HSL 223.78, 0.86%, 0.66%

LAB 58.26, 18.69, -58.48

 

CMYK 65 / 48 / 0 / 12

HEX #4E75E0

RGB 78 117 224

HSL 223.97, 0.7%, 0.59%

LAB 51.52, 20.34, -58.72

 

CMYK 70 / 52 / 0 / 20

HEX #3D63CD

RGB 61 99 205

HSL 224.17, 0.59%, 0.52%

LAB 44.69, 22.33, -58.96

 

CMYK 76 / 56 / 0 / 27

HEX #2C51BA

RGB 44 81 186

HSL 224.37, 0.62%, 0.45%

LAB 37.78, 24.77, -59.17

 

CMYK 84 / 62 / 0 / 35

HEX #1B3FA7

RGB 27 63 167

HSL 224.57, 0.72%, 0.38%

LAB 30.83, 27.77, -59.26

 

CMYK 61 / 44 / 0 / 5

HEX #5F87F3

RGB 95 135 243

HSL 223.78, 0.86%, 0.66%

LAB 58.26, 18.69, -58.48

 

CMYK 62 / 54 / 0 / 5

HEX #5D6FF2

RGB 93 111 242

HSL 232.75, 0.85%, 0.66%

LAB 51.96, 32.59, -68.07

 

CMYK 58 / 62 / 0 / 5

HEX #655DF2

RGB 101 93 242

HSL 243.22, 0.85%, 0.66%

LAB 48.27, 44.65, -74.03

 

CMYK 48 / 62 / 0 / 5

HEX #7E5DF2

RGB 126 93 242

HSL 253.29, 0.85%, 0.66%

LAB 50.3, 49.04, -70.63

 

CMYK 38 / 62 / 0 / 5

HEX #965DF2

RGB 150 93 242

HSL 262.95, 0.85%, 0.66%

LAB 52.65, 53.82, -66.73

 

CMYK 61 / 44 / 0 / 5

HEX #5F87F3

RGB 95 135 243

HSL 223.78, 0.86%, 0.66%

LAB 58.26, 18.69, -58.48

 

CMYK 62 / 44 / 0 / 85

HEX #0F1627

RGB 15 22 39

HSL 222.5, 0.44%, 0.11%

LAB 7.42, 2.82, -12.68

 

CMYK 61 / 44 / 0 / 65

HEX #23325A

RGB 35 50 90

HSL 223.64, 0.44%, 0.25%

LAB 21.49, 7.53, -25.98

 

CMYK 61 / 45 / 0 / 45

HEX #374E8D

RGB 55 78 141

HSL 223.95, 0.44%, 0.38%

LAB 34.36, 11.72, -37.72

 

CMYK 61 / 44 / 0 / 25

HEX #4B6BC0

RGB 75 107 192

HSL 223.59, 0.48%, 0.52%

LAB 46.73, 14.98, -48.16

 

CMYK 61 / 44 / 0 / 5

HEX #5F87F3

RGB 95 135 243

HSL 223.78, 0.86%, 0.66%

LAB 58.26, 18.69, -58.48

 

CMYK 5 / 62 / 0 / 5

HEX #E65DF2

RGB 230 93 242

HSL 295.17, 0.85%, 0.66%

LAB 62.56, 71.82, -50.3

 

CMYK 19 / 0 / 62 / 5

HEX #C3F25D

RGB 195 242 93

HSL 78.93, 0.85%, 0.66%

LAB 89.81, -36.33, 65

 

CMYK 61 / 44 / 0 / 5

HEX #5F87F3

RGB 95 135 243

HSL 223.78, 0.86%, 0.66%

LAB 58.26, 18.69, -58.48

 

CMYK 0 / 62 / 44 / 5

HEX #F25D87

RGB 242 93 135

HSL 343.09, 0.85%, 0.66%

LAB 60.3, 60.56, 7.39

 

CMYK 44 / 0 / 62 / 5

HEX #87F25D

RGB 135 242 93

HSL 103.09, 0.85%, 0.66%

LAB 86.72, -56.81, 60.73

 

CMYK 61 / 44 / 0 / 5

HEX #5F87F3

RGB 95 135 243

HSL 223.78, 0.86%, 0.66%

LAB 58.26, 18.69, -58.48

 

CMYK 5 / 62 / 0 / 5

HEX #E65DF2

RGB 230 93 242

HSL 295.17, 0.85%, 0.66%

LAB 62.56, 71.82, -50.3

 

CMYK 0 / 17 / 62 / 5

HEX #F2C85D

RGB 242 200 93

HSL 43.09, 0.85%, 0.66%

LAB 82.37, 3.13, 57.83

 

CMYK 56 / 0 / 62 / 5

HEX #6AF25D

RGB 106 242 93

HSL 114.77, 0.85%, 0.66%

LAB 85.68, -64.63, 59.28

 

CMYK 61 / 44 / 0 / 5

HEX #5F87F3

RGB 95 135 243

HSL 223.78, 0.86%, 0.66%

LAB 58.26, 18.69, -58.48

 

CMYK 0 / 62 / 13 / 5

HEX #F25DD2

RGB 242 93 210

HSL 312.89, 0.85%, 0.66%

LAB 62.81, 69.67, -31.9

 

CMYK 0 / 17 / 62 / 5

HEX #F2C85D

RGB 242 200 93

HSL 43.09, 0.85%, 0.66%

LAB 82.37, 3.13, 57.83

 

CMYK 62 / 0 / 48 / 5

HEX #5DF27E

RGB 93 242 126

HSL 133.29, 0.85%, 0.66%

LAB 85.67, -63.46, 44.26

 

Description

Color code: RGB 95 135 243 | qconv.com Color code: RGB 95 135 243 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 135 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 135 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 44 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 44% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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