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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 132 187 it is the complementary color RGB 160 123 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 132 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 95 132 187: RGB 100 132 182, RGB 117 150 201, RGB 134 168 220, RGB 151 186 239 and RGB 168 204 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 132 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 95 132 187: RGB 95 132 187, RGB 78 114 168, RGB 61 96 149, RGB 44 78 130 and RGB 27 60 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 29 / 0 / 27

HEX #5F84BB

RGB 95 132 187

HSL 215.87, 0.4%, 0.55%

LAB 54.58, 2.5, -32.82

 

Complementary color

CMYK 0 / 23 / 58 / 37

HEX #A07B44

RGB 160 123 68

HSL 35.87, 0.4%, 0.45%

LAB 54.09, 7.77, 35.25

 

CMYK 45 / 27 / 0 / 29

HEX #6484B6

RGB 100 132 182

HSL 216.59, 0.36%, 0.55%

LAB 54.65, 2.25, -29.84

 

CMYK 42 / 25 / 0 / 21

HEX #7596C9

RGB 117 150 201

HSL 216.43, 0.44%, 0.62%

LAB 61.49, 1.76, -29.9

 

CMYK 39 / 24 / 0 / 14

HEX #86A8DC

RGB 134 168 220

HSL 216.28, 0.55%, 0.69%

LAB 68.2, 1.34, -30

 

CMYK 37 / 22 / 0 / 6

HEX #97BAEF

RGB 151 186 239

HSL 216.14, 0.73%, 0.76%

LAB 74.78, 0.99, -30.13

 

CMYK 34 / 20 / 0 / 0

HEX #A8CCFF

RGB 168 204 255

HSL 215.17, 1%, 0.83%

LAB 81.14, -0.08, -28.84

 

CMYK 49 / 29 / 0 / 27

HEX #5F84BB

RGB 95 132 187

HSL 215.87, 0.4%, 0.55%

LAB 54.58, 2.5, -32.82

 

CMYK 54 / 32 / 0 / 34

HEX #4E72A8

RGB 78 114 168

HSL 216, 0.37%, 0.48%

LAB 47.6, 3.24, -32.83

 

CMYK 59 / 36 / 0 / 42

HEX #3D6095

RGB 61 96 149

HSL 216.14, 0.42%, 0.41%

LAB 40.46, 4.19, -32.88

 

CMYK 66 / 40 / 0 / 49

HEX #2C4E82

RGB 44 78 130

HSL 216.28, 0.49%, 0.34%

LAB 33.13, 5.46, -32.97

 

CMYK 76 / 46 / 0 / 56

HEX #1B3C6F

RGB 27 60 111

HSL 216.43, 0.61%, 0.27%

LAB 25.6, 7.24, -33.08

 

CMYK 49 / 29 / 0 / 27

HEX #5F84BB

RGB 95 132 187

HSL 215.87, 0.4%, 0.55%

LAB 54.58, 2.5, -32.82

 

CMYK 49 / 37 / 0 / 27

HEX #5E75BA

RGB 94 117 186

HSL 225, 0.4%, 0.55%

LAB 50.27, 10.95, -39.01

 

CMYK 49 / 45 / 0 / 27

HEX #5E66BA

RGB 94 102 186

HSL 234.78, 0.4%, 0.55%

LAB 46.21, 20.19, -45.45

 

CMYK 46 / 49 / 0 / 27

HEX #655EBA

RGB 101 94 186

HSL 244.57, 0.4%, 0.55%

LAB 44.68, 26.79, -47.86

 

CMYK 37 / 49 / 0 / 27

HEX #755EBA

RGB 117 94 186

HSL 255, 0.4%, 0.55%

LAB 46.09, 30.78, -45.54

 

CMYK 49 / 29 / 0 / 27

HEX #5F84BB

RGB 95 132 187

HSL 215.87, 0.4%, 0.55%

LAB 54.58, 2.5, -32.82

 

CMYK 49 / 29 / 0 / 7

HEX #79A8EE

RGB 121 168 238

HSL 215.9, 0.77%, 0.7%

LAB 68.2, 3.2, -39.92

 

CMYK 50 / 29 / 0 / 87

HEX #111822

RGB 17 24 34

HSL 215.29, 0.33%, 0.1%

LAB 8.02, 0.11, -7.98

 

CMYK 49 / 29 / 0 / 67

HEX #2B3C55

RGB 43 60 85

HSL 215.71, 0.33%, 0.25%

LAB 24.96, 0.96, -17.21

 

CMYK 49 / 29 / 0 / 47

HEX #456088

RGB 69 96 136

HSL 215.82, 0.33%, 0.4%

LAB 40.26, 1.76, -25.32

 

CMYK 49 / 29 / 0 / 27

HEX #5F84BB

RGB 95 132 187

HSL 215.87, 0.4%, 0.55%

LAB 54.58, 2.5, -32.82

 

CMYK 11 / 49 / 0 / 27

HEX #A65EBA

RGB 166 94 186

HSL 286.96, 0.4%, 0.55%

LAB 51.45, 44.3, -36.71

 

CMYK 9 / 0 / 49 / 27

HEX #A9BA5E

RGB 169 186 94

HSL 71.09, 0.4%, 0.55%

LAB 72.47, -19.77, 44.3

 

CMYK 49 / 29 / 0 / 27

HEX #5F84BB

RGB 95 132 187

HSL 215.87, 0.4%, 0.55%

LAB 54.58, 2.5, -32.82

 

CMYK 0 / 49 / 29 / 27

HEX #BA5E84

RGB 186 94 132

HSL 335.22, 0.4%, 0.55%

LAB 51.96, 41.4, -3.99

 

CMYK 29 / 0 / 49 / 27

HEX #84BA5E

RGB 132 186 94

HSL 95.22, 0.4%, 0.55%

LAB 70.06, -33.96, 40.81

 

CMYK 49 / 29 / 0 / 27

HEX #5F84BB

RGB 95 132 187

HSL 215.87, 0.4%, 0.55%

LAB 54.58, 2.5, -32.82

 

CMYK 11 / 49 / 0 / 27

HEX #A65EBA

RGB 166 94 186

HSL 286.96, 0.4%, 0.55%

LAB 51.45, 44.3, -36.71

 

CMYK 0 / 21 / 49 / 27

HEX #BA935E

RGB 186 147 94

HSL 34.57, 0.4%, 0.55%

LAB 63.44, 7.96, 33.52

 

CMYK 39 / 0 / 49 / 27

HEX #72BA5E

RGB 114 186 94

HSL 106.96, 0.4%, 0.55%

LAB 69.11, -40.15, 39.44

 

CMYK 49 / 29 / 0 / 27

HEX #5F84BB

RGB 95 132 187

HSL 215.87, 0.4%, 0.55%

LAB 54.58, 2.5, -32.82

 

CMYK 0 / 49 / 4 / 27

HEX #BA5EB2

RGB 186 94 178

HSL 305.22, 0.4%, 0.55%

LAB 53.66, 48.6, -28.42

 

CMYK 0 / 21 / 49 / 27

HEX #BA935E

RGB 186 147 94

HSL 34.57, 0.4%, 0.55%

LAB 63.44, 7.96, 33.52

 

CMYK 49 / 0 / 45 / 27

HEX #5EBA66

RGB 94 186 102

HSL 125.22, 0.4%, 0.55%

LAB 68.36, -45.08, 34.27

 

Description

Color code: RGB 95 132 187 | qconv.com Color code: RGB 95 132 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 132 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 132 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 29 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 29% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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