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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 95 119 153 it is the complementary color RGB 160 136 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 95 119 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 95 119 153: RGB 100 119 148, RGB 117 137 167, RGB 134 155 186, RGB 151 173 205 and RGB 168 191 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 95 119 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 95 119 153: RGB 95 119 153, RGB 78 101 134, RGB 61 83 115, RGB 44 65 96 and RGB 27 47 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 22 / 0 / 40

HEX #5F7799

RGB 95 119 153

HSL 215.17, 0.23%, 0.49%

LAB 49.41, 0.15, -21.16

 

Complementary color

CMYK 0 / 15 / 36 / 37

HEX #A08866

RGB 160 136 102

HSL 35.17, 0.23%, 0.51%

LAB 58.08, 4.03, 21.65

 

CMYK 32 / 20 / 0 / 42

HEX #647794

RGB 100 119 148

HSL 216.25, 0.19%, 0.49%

LAB 49.55, 0.28, -17.98

 

CMYK 30 / 18 / 0 / 35

HEX #7589A7

RGB 117 137 167

HSL 216, 0.22%, 0.56%

LAB 56.55, 0.02, -18.22

 

CMYK 28 / 17 / 0 / 27

HEX #869BBA

RGB 134 155 186

HSL 215.77, 0.27%, 0.63%

LAB 63.39, -0.2, -18.48

 

CMYK 26 / 16 / 0 / 20

HEX #97ADCD

RGB 151 173 205

HSL 215.56, 0.35%, 0.7%

LAB 70.09, -0.4, -18.76

 

CMYK 25 / 15 / 0 / 12

HEX #A8BFE0

RGB 168 191 224

HSL 215.36, 0.47%, 0.77%

LAB 76.66, -0.58, -19.06

 

CMYK 38 / 22 / 0 / 40

HEX #5F7799

RGB 95 119 153

HSL 215.17, 0.23%, 0.49%

LAB 49.41, 0.15, -21.16

 

CMYK 42 / 25 / 0 / 47

HEX #4E6586

RGB 78 101 134

HSL 215.36, 0.26%, 0.42%

LAB 42.23, 0.53, -21.02

 

CMYK 47 / 28 / 0 / 55

HEX #3D5373

RGB 61 83 115

HSL 215.56, 0.31%, 0.35%

LAB 34.84, 1.02, -20.92

 

CMYK 54 / 32 / 0 / 62

HEX #2C4160

RGB 44 65 96

HSL 215.77, 0.37%, 0.27%

LAB 27.19, 1.7, -20.88

 

CMYK 65 / 39 / 0 / 70

HEX #1B2F4D

RGB 27 47 77

HSL 216, 0.48%, 0.2%

LAB 19.23, 2.71, -20.92

 

CMYK 38 / 22 / 0 / 40

HEX #5F7799

RGB 95 119 153

HSL 215.17, 0.23%, 0.49%

LAB 49.41, 0.15, -21.16

 

CMYK 37 / 28 / 0 / 40

HEX #606E99

RGB 96 110 153

HSL 225.26, 0.23%, 0.49%

LAB 46.89, 5.84, -25.03

 

CMYK 37 / 34 / 0 / 40

HEX #606599

RGB 96 101 153

HSL 234.74, 0.23%, 0.49%

LAB 44.37, 11.35, -28.97

 

CMYK 34 / 37 / 0 / 40

HEX #656099

RGB 101 96 153

HSL 245.26, 0.23%, 0.49%

LAB 43.41, 15.92, -30.44

 

CMYK 28 / 37 / 0 / 40

HEX #6E6099

RGB 110 96 153

HSL 254.74, 0.23%, 0.49%

LAB 44.21, 18.64, -29.13

 

CMYK 38 / 22 / 0 / 40

HEX #5F7799

RGB 95 119 153

HSL 215.17, 0.23%, 0.49%

LAB 49.41, 0.15, -21.16

 

CMYK 38 / 22 / 0 / 20

HEX #7F9FCC

RGB 127 159 204

HSL 215.06, 0.43%, 0.65%

LAB 64.7, 0.18, -26.58

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 37 / 22 / 0 / 80

HEX #202833

RGB 32 40 51

HSL 214.74, 0.23%, 0.16%

LAB 15.82, -0.22, -8.29

 

CMYK 38 / 23 / 0 / 60

HEX #3F4F66

RGB 63 79 102

HSL 215.38, 0.24%, 0.32%

LAB 33.15, 0.13, -15.37

 

CMYK 38 / 22 / 0 / 40

HEX #5F7799

RGB 95 119 153

HSL 215.17, 0.23%, 0.49%

LAB 49.41, 0.15, -21.16

 

CMYK 8 / 37 / 0 / 40

HEX #8D6099

RGB 141 96 153

HSL 287.37, 0.23%, 0.49%

LAB 47.4, 28.59, -23.91

 

CMYK 7 / 0 / 37 / 40

HEX #8F9960

RGB 143 153 96

HSL 70.53, 0.23%, 0.49%

LAB 61.19, -13.09, 28.78

 

CMYK 38 / 22 / 0 / 40

HEX #5F7799

RGB 95 119 153

HSL 215.17, 0.23%, 0.49%

LAB 49.41, 0.15, -21.16

 

CMYK 0 / 37 / 22 / 40

HEX #996078

RGB 153 96 120

HSL 334.74, 0.23%, 0.49%

LAB 47.62, 26.67, -3.74

 

CMYK 22 / 0 / 37 / 40

HEX #789960

RGB 120 153 96

HSL 94.74, 0.23%, 0.49%

LAB 59.54, -22.16, 26.32

 

CMYK 38 / 22 / 0 / 40

HEX #5F7799

RGB 95 119 153

HSL 215.17, 0.23%, 0.49%

LAB 49.41, 0.15, -21.16

 

CMYK 8 / 37 / 0 / 40

HEX #8D6099

RGB 141 96 153

HSL 287.37, 0.23%, 0.49%

LAB 47.4, 28.59, -23.91

 

CMYK 0 / 16 / 37 / 40

HEX #998160

RGB 153 129 96

HSL 34.74, 0.23%, 0.49%

LAB 55.4, 4.27, 21.32

 

CMYK 29 / 0 / 37 / 40

HEX #6C9960

RGB 108 153 96

HSL 107.37, 0.23%, 0.49%

LAB 58.8, -26.59, 25.21

 

CMYK 38 / 22 / 0 / 40

HEX #5F7799

RGB 95 119 153

HSL 215.17, 0.23%, 0.49%

LAB 49.41, 0.15, -21.16

 

CMYK 0 / 37 / 3 / 40

HEX #996094

RGB 153 96 148

HSL 305.26, 0.23%, 0.49%

LAB 48.61, 31.58, -18.98

 

CMYK 0 / 16 / 37 / 40

HEX #998160

RGB 153 129 96

HSL 34.74, 0.23%, 0.49%

LAB 55.4, 4.27, 21.32

 

CMYK 37 / 0 / 34 / 40

HEX #609965

RGB 96 153 101

HSL 125.26, 0.23%, 0.49%

LAB 58.23, -29.88, 21.6

 

Description

Color code: RGB 95 119 153 | qconv.com Color code: RGB 95 119 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 119 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 119 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 22 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 22% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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