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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 84 103 it is the complementary color RGB 161 171 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 84 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 94 84 103: RGB 99 84 98, RGB 116 102 117, RGB 133 120 136, RGB 150 138 155 and RGB 167 156 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 84 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 94 84 103: RGB 94 84 103, RGB 77 66 84, RGB 60 48 65, RGB 43 30 46 and RGB 26 12 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 18 / 0 / 60

HEX #5E5467

RGB 94 84 103

HSL 271.58, 0.1%, 0.37%

LAB 37.3, 8.14, -9.45

 

Complementary color

CMYK 6 / 0 / 11 / 33

HEX #A1AB98

RGB 161 171 152

HSL 91.58, 0.1%, 0.63%

LAB 68.73, -7.08, 8.58

 

CMYK 0 / 15 / 1 / 61

HEX #635462

RGB 99 84 98

HSL 304, 0.08%, 0.36%

LAB 37.62, 8.96, -5.8

 

CMYK 1 / 13 / 0 / 54

HEX #746675

RGB 116 102 117

HSL 296, 0.07%, 0.43%

LAB 44.94, 8.51, -6.35

 

CMYK 2 / 12 / 0 / 47

HEX #857888

RGB 133 120 136

HSL 288.75, 0.06%, 0.5%

LAB 52.06, 8.11, -6.88

 

CMYK 3 / 11 / 0 / 39

HEX #968A9B

RGB 150 138 155

HSL 282.35, 0.08%, 0.57%

LAB 59, 7.76, -7.4

 

CMYK 4 / 10 / 0 / 32

HEX #A79CAE

RGB 167 156 174

HSL 276.67, 0.1%, 0.65%

LAB 65.79, 7.43, -7.9

 

CMYK 9 / 18 / 0 / 60

HEX #5E5467

RGB 94 84 103

HSL 271.58, 0.1%, 0.37%

LAB 37.3, 8.14, -9.45

 

CMYK 8 / 21 / 0 / 67

HEX #4D4254

RGB 77 66 84

HSL 276.67, 0.12%, 0.29%

LAB 29.7, 8.63, -9.03

 

CMYK 8 / 26 / 0 / 75

HEX #3C3041

RGB 60 48 65

HSL 282.35, 0.15%, 0.22%

LAB 21.79, 9.21, -8.62

 

CMYK 7 / 35 / 0 / 82

HEX #2B1E2E

RGB 43 30 46

HSL 288.75, 0.21%, 0.15%

LAB 13.47, 9.95, -8.21

 

CMYK 4 / 56 / 0 / 89

HEX #1A0C1B

RGB 26 12 27

HSL 296, 0.38%, 0.08%

LAB 5.07, 9.07, -6.97

 

CMYK 9 / 18 / 0 / 60

HEX #5E5467

RGB 94 84 103

HSL 271.58, 0.1%, 0.37%

LAB 37.3, 8.14, -9.45

 

CMYK 6 / 18 / 0 / 60

HEX #615467

RGB 97 84 103

HSL 281.05, 0.1%, 0.37%

LAB 37.59, 9.28, -8.97

 

CMYK 3 / 18 / 0 / 60

HEX #645467

RGB 100 84 103

HSL 290.53, 0.1%, 0.37%

LAB 37.89, 10.42, -8.49

 

CMYK 0 / 18 / 0 / 60

HEX #675467

RGB 103 84 103

HSL 300, 0.1%, 0.37%

LAB 38.21, 11.57, -7.99

 

CMYK 0 / 18 / 3 / 60

HEX #675464

RGB 103 84 100

HSL 309.47, 0.1%, 0.37%

LAB 38.1, 10.94, -6.28

 

CMYK 9 / 18 / 0 / 60

HEX #5E5467

RGB 94 84 103

HSL 271.58, 0.1%, 0.37%

LAB 37.3, 8.14, -9.45

 

CMYK 8 / 18 / 0 / 40

HEX #8D7E9A

RGB 141 126 154

HSL 272.14, 0.12%, 0.55%

LAB 54.99, 11.27, -12.92

 

CMYK 9 / 19 / 0 / 20

HEX #BBA7CD

RGB 187 167 205

HSL 271.58, 0.28%, 0.73%

LAB 71.29, 14.41, -16.68

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 10 / 19 / 0 / 80

HEX #2F2A34

RGB 47 42 52

HSL 270, 0.11%, 0.18%

LAB 17.96, 4.68, -5.62

 

CMYK 9 / 18 / 0 / 60

HEX #5E5467

RGB 94 84 103

HSL 271.58, 0.1%, 0.37%

LAB 37.3, 8.14, -9.45

 

CMYK 0 / 18 / 13 / 60

HEX #67545A

RGB 103 84 90

HSL 341.05, 0.1%, 0.37%

LAB 37.77, 8.95, -0.54

 

CMYK 18 / 0 / 16 / 60

HEX #546757

RGB 84 103 87

HSL 129.47, 0.1%, 0.37%

LAB 41.65, -10.67, 6.68

 

CMYK 9 / 18 / 0 / 60

HEX #5E5467

RGB 94 84 103

HSL 271.58, 0.1%, 0.37%

LAB 37.3, 8.14, -9.45

 

CMYK 0 / 9 / 18 / 60

HEX #675E54

RGB 103 94 84

HSL 31.58, 0.1%, 0.37%

LAB 40.46, 1.75, 7.04

 

CMYK 18 / 0 / 9 / 60

HEX #54675E

RGB 84 103 94

HSL 151.58, 0.1%, 0.37%

LAB 41.83, -9.17, 2.7

 

CMYK 9 / 18 / 0 / 60

HEX #5E5467

RGB 94 84 103

HSL 271.58, 0.1%, 0.37%

LAB 37.3, 8.14, -9.45

 

CMYK 0 / 18 / 13 / 60

HEX #67545A

RGB 103 84 90

HSL 341.05, 0.1%, 0.37%

LAB 37.77, 8.95, -0.54

 

CMYK 9 / 0 / 18 / 60

HEX #5E6754

RGB 94 103 84

HSL 88.42, 0.1%, 0.37%

LAB 42.34, -7.31, 9.57

 

CMYK 18 / 0 / 5 / 60

HEX #546762

RGB 84 103 98

HSL 164.21, 0.1%, 0.37%

LAB 41.95, -8.27, 0.44

 

CMYK 9 / 18 / 0 / 60

HEX #5E5467

RGB 94 84 103

HSL 271.58, 0.1%, 0.37%

LAB 37.3, 8.14, -9.45

 

CMYK 0 / 17 / 18 / 60

HEX #675554

RGB 103 85 84

HSL 3.16, 0.1%, 0.37%

LAB 37.88, 7.23, 3.35

 

CMYK 9 / 0 / 18 / 60

HEX #5E6754

RGB 94 103 84

HSL 88.42, 0.1%, 0.37%

LAB 42.34, -7.31, 9.57

 

CMYK 18 / 0 / 0 / 60

HEX #546767

RGB 84 103 103

HSL 180, 0.1%, 0.37%

LAB 42.1, -7.1, -2.38

 

Description

Color code: RGB 94 84 103 | qconv.com Color code: RGB 94 84 103 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 84 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 84 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 18 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 18% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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