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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 67 54 it is the complementary color RGB 161 188 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 67 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 94 67 54: RGB 99 67 49, RGB 116 85 68, RGB 133 103 87, RGB 150 121 106 and RGB 167 139 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 67 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 94 67 54: RGB 94 67 54, RGB 77 49 35, RGB 60 31 16, RGB 43 13 0 and RGB 26 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 43 / 63

HEX #5E4336

RGB 94 67 54

HSL 19.5, 0.27%, 0.29%

LAB 31.02, 9.75, 12.48

 

Complementary color

CMYK 20 / 6 / 0 / 21

HEX #A1BCC9

RGB 161 188 201

HSL 199.5, 0.27%, 0.71%

LAB 74.67, -6.33, -9.61

 

CMYK 0 / 32 / 51 / 61

HEX #634331

RGB 99 67 49

HSL 21.6, 0.34%, 0.29%

LAB 31.55, 11.45, 16.46

 

CMYK 0 / 27 / 41 / 55

HEX #745544

RGB 116 85 68

HSL 21.25, 0.26%, 0.36%

LAB 38.95, 10.42, 14.94

 

CMYK 0 / 23 / 35 / 48

HEX #856757

RGB 133 103 87

HSL 20.87, 0.21%, 0.43%

LAB 46.14, 9.61, 13.64

 

CMYK 0 / 19 / 29 / 41

HEX #96796A

RGB 150 121 106

HSL 20.45, 0.17%, 0.5%

LAB 53.17, 8.94, 12.48

 

CMYK 0 / 17 / 25 / 35

HEX #A78B7D

RGB 167 139 125

HSL 20, 0.19%, 0.57%

LAB 60.03, 8.37, 11.44

 

CMYK 0 / 29 / 43 / 63

HEX #5E4336

RGB 94 67 54

HSL 19.5, 0.27%, 0.29%

LAB 31.02, 9.75, 12.48

 

CMYK 0 / 36 / 55 / 70

HEX #4D3123

RGB 77 49 35

HSL 20, 0.38%, 0.22%

LAB 23.32, 10.88, 14.11

 

CMYK 0 / 48 / 73 / 76

HEX #3C1F10

RGB 60 31 16

HSL 20.45, 0.58%, 0.15%

LAB 15.37, 12.42, 15.87

 

CMYK 0 / 70 / 100 / 83

HEX #2B0D00

RGB 43 13 0

HSL 18.14, 1%, 0.08%

LAB 7.24, 14.29, 11.13

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 29 / 43 / 63

HEX #5E4336

RGB 94 67 54

HSL 19.5, 0.27%, 0.29%

LAB 31.02, 9.75, 12.48

 

CMYK 0 / 22 / 43 / 64

HEX #5D4935

RGB 93 73 53

HSL 30, 0.27%, 0.29%

LAB 32.59, 5.4, 15.2

 

CMYK 0 / 15 / 43 / 64

HEX #5D4F35

RGB 93 79 53

HSL 39, 0.27%, 0.29%

LAB 34.35, 1.68, 17.52

 

CMYK 0 / 8 / 43 / 64

HEX #5D5635

RGB 93 86 53

HSL 49.5, 0.27%, 0.29%

LAB 36.44, -2.58, 20.24

 

CMYK 0 / 0 / 43 / 64

HEX #5D5D35

RGB 93 93 53

HSL 60, 0.27%, 0.29%

LAB 38.57, -6.73, 22.95

 

CMYK 0 / 29 / 43 / 63

HEX #5E4336

RGB 94 67 54

HSL 19.5, 0.27%, 0.29%

LAB 31.02, 9.75, 12.48

 

CMYK 0 / 29 / 43 / 43

HEX #916753

RGB 145 103 83

HSL 19.35, 0.27%, 0.45%

LAB 47.42, 14.22, 17.97

 

CMYK 0 / 29 / 42 / 23

HEX #C48C71

RGB 196 140 113

HSL 19.52, 0.41%, 0.61%

LAB 63.08, 17.94, 22.87

 

CMYK 0 / 29 / 43 / 3

HEX #F7B08E

RGB 247 176 142

HSL 19.43, 0.87%, 0.76%

LAB 77.74, 21.89, 27.72

 

CMYK 0 / 28 / 42 / 83

HEX #2B1F19

RGB 43 31 25

HSL 20, 0.26%, 0.13%

LAB 13.01, 4.74, 6.34

 

CMYK 0 / 29 / 43 / 63

HEX #5E4336

RGB 94 67 54

HSL 19.5, 0.27%, 0.29%

LAB 31.02, 9.75, 12.48

 

CMYK 22 / 0 / 43 / 64

HEX #495D35

RGB 73 93 53

HSL 90, 0.27%, 0.29%

LAB 36.93, -15.58, 20.53

 

CMYK 43 / 39 / 0 / 64

HEX #35395D

RGB 53 57 93

HSL 234, 0.27%, 0.29%

LAB 25.18, 8.69, -22.04

 

CMYK 0 / 29 / 43 / 63

HEX #5E4336

RGB 94 67 54

HSL 19.5, 0.27%, 0.29%

LAB 31.02, 9.75, 12.48

 

CMYK 43 / 0 / 29 / 64

HEX #355D42

RGB 53 93 66

HSL 139.5, 0.27%, 0.29%

LAB 35.94, -20.84, 11.19

 

CMYK 29 / 43 / 0 / 64

HEX #42355D

RGB 66 53 93

HSL 259.5, 0.27%, 0.29%

LAB 25.24, 15.57, -21.85

 

CMYK 0 / 29 / 43 / 63

HEX #5E4336

RGB 94 67 54

HSL 19.5, 0.27%, 0.29%

LAB 31.02, 9.75, 12.48

 

CMYK 22 / 0 / 43 / 64

HEX #495D35

RGB 73 93 53

HSL 90, 0.27%, 0.29%

LAB 36.93, -15.58, 20.53

 

CMYK 43 / 13 / 0 / 64

HEX #35515D

RGB 53 81 93

HSL 198, 0.27%, 0.29%

LAB 32.77, -6.95, -10.32

 

CMYK 20 / 43 / 0 / 64

HEX #4A355D

RGB 74 53 93

HSL 271.5, 0.27%, 0.29%

LAB 26.13, 18.27, -20.39

 

CMYK 0 / 29 / 43 / 63

HEX #5E4336

RGB 94 67 54

HSL 19.5, 0.27%, 0.29%

LAB 31.02, 9.75, 12.48

 

CMYK 34 / 0 / 43 / 64

HEX #3D5D35

RGB 61 93 53

HSL 108, 0.27%, 0.29%

LAB 36.13, -20.44, 19.34

 

CMYK 43 / 13 / 0 / 64

HEX #35515D

RGB 53 81 93

HSL 198, 0.27%, 0.29%

LAB 32.77, -6.95, -10.32

 

CMYK 8 / 43 / 0 / 64

HEX #56355D

RGB 86 53 93

HSL 289.5, 0.27%, 0.29%

LAB 27.61, 22.45, -17.98

 

Description

Color code: RGB 94 67 54 | qconv.com Color code: RGB 94 67 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 67 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 67 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 43 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 43% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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