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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 63 133 it is the complementary color RGB 161 192 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 63 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 94 63 133: RGB 99 63 128, RGB 116 81 147, RGB 133 99 166, RGB 150 117 185 and RGB 167 135 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 63 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 94 63 133: RGB 94 63 133, RGB 77 45 114, RGB 60 27 95, RGB 43 9 76 and RGB 26 0 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 53 / 0 / 48

HEX #5E3F85

RGB 94 63 133

HSL 266.57, 0.36%, 0.38%

LAB 33.2, 28.83, -34.47

 

Complementary color

CMYK 16 / 0 / 36 / 25

HEX #A1C07A

RGB 161 192 122

HSL 86.57, 0.36%, 0.62%

LAB 73.99, -22.59, 31.92

 

CMYK 23 / 51 / 0 / 50

HEX #633F80

RGB 99 63 128

HSL 273.23, 0.34%, 0.37%

LAB 33.49, 29, -30.86

 

CMYK 21 / 45 / 0 / 42

HEX #745193

RGB 116 81 147

HSL 271.82, 0.29%, 0.45%

LAB 40.74, 28.07, -30.92

 

CMYK 20 / 40 / 0 / 35

HEX #8563A6

RGB 133 99 166

HSL 270.45, 0.27%, 0.52%

LAB 47.83, 27.21, -30.98

 

CMYK 19 / 37 / 0 / 27

HEX #9675B9

RGB 150 117 185

HSL 269.12, 0.33%, 0.59%

LAB 54.77, 26.43, -31.06

 

CMYK 18 / 34 / 0 / 20

HEX #A787CC

RGB 167 135 204

HSL 267.83, 0.4%, 0.66%

LAB 61.57, 25.72, -31.16

 

CMYK 29 / 53 / 0 / 48

HEX #5E3F85

RGB 94 63 133

HSL 266.57, 0.36%, 0.38%

LAB 33.2, 28.83, -34.47

 

CMYK 32 / 61 / 0 / 55

HEX #4D2D72

RGB 77 45 114

HSL 267.83, 0.43%, 0.31%

LAB 25.77, 29.89, -34.5

 

CMYK 37 / 72 / 0 / 63

HEX #3C1B5F

RGB 60 27 95

HSL 269.12, 0.56%, 0.24%

LAB 18.24, 30.88, -34.39

 

CMYK 43 / 88 / 0 / 70

HEX #2B094C

RGB 43 9 76

HSL 270.45, 0.79%, 0.17%

LAB 10.78, 31.21, -33.75

 

CMYK 54 / 100 / 0 / 78

HEX #1A0039

RGB 26 0 57

HSL 267.37, 1%, 0.11%

LAB 4.65, 26.25, -30.37

 

CMYK 29 / 53 / 0 / 48

HEX #5E3F85

RGB 94 63 133

HSL 266.57, 0.36%, 0.38%

LAB 33.2, 28.83, -34.47

 

CMYK 21 / 53 / 0 / 49

HEX #673E83

RGB 103 62 131

HSL 275.65, 0.36%, 0.38%

LAB 33.92, 31.52, -32.02

 

CMYK 12 / 53 / 0 / 49

HEX #733E83

RGB 115 62 131

HSL 286.09, 0.36%, 0.38%

LAB 35.46, 35.09, -29.48

 

CMYK 3 / 53 / 0 / 49

HEX #7F3E83

RGB 127 62 131

HSL 296.52, 0.36%, 0.38%

LAB 37.11, 38.69, -26.78

 

CMYK 0 / 53 / 5 / 49

HEX #833E7C

RGB 131 62 124

HSL 306.09, 0.36%, 0.38%

LAB 37.35, 38.58, -22.04

 

CMYK 29 / 53 / 0 / 48

HEX #5E3F85

RGB 94 63 133

HSL 266.57, 0.36%, 0.38%

LAB 33.2, 28.83, -34.47

 

CMYK 29 / 53 / 0 / 28

HEX #8257B8

RGB 130 87 184

HSL 266.6, 0.41%, 0.53%

LAB 45.67, 37.74, -44.97

 

CMYK 29 / 53 / 0 / 8

HEX #A66FEB

RGB 166 111 235

HSL 266.61, 0.76%, 0.68%

LAB 57.53, 46.16, -54.88

 

CMYK 29 / 52 / 0 / 88

HEX #160F1F

RGB 22 15 31

HSL 266.25, 0.35%, 0.09%

LAB 5.52, 6.89, -9.47

 

CMYK 29 / 52 / 0 / 68

HEX #3A2752

RGB 58 39 82

HSL 266.51, 0.36%, 0.24%

LAB 19.88, 19.16, -23.08

 

CMYK 29 / 53 / 0 / 48

HEX #5E3F85

RGB 94 63 133

HSL 266.57, 0.36%, 0.38%

LAB 33.2, 28.83, -34.47

 

CMYK 0 / 53 / 34 / 49

HEX #833E57

RGB 131 62 87

HSL 338.26, 0.36%, 0.38%

LAB 35.9, 32.58, -0.96

 

CMYK 53 / 0 / 51 / 49

HEX #3E8340

RGB 62 131 64

HSL 121.74, 0.36%, 0.38%

LAB 49.04, -36.48, 29.53

 

CMYK 29 / 53 / 0 / 48

HEX #5E3F85

RGB 94 63 133

HSL 266.57, 0.36%, 0.38%

LAB 33.2, 28.83, -34.47

 

CMYK 0 / 30 / 53 / 49

HEX #835C3E

RGB 131 92 62

HSL 26.09, 0.36%, 0.38%

LAB 42.5, 12.25, 23.54

 

CMYK 53 / 0 / 30 / 49

HEX #3E835C

RGB 62 131 92

HSL 146.09, 0.36%, 0.38%

LAB 49.53, -31.39, 14.58

 

CMYK 29 / 53 / 0 / 48

HEX #5E3F85

RGB 94 63 133

HSL 266.57, 0.36%, 0.38%

LAB 33.2, 28.83, -34.47

 

CMYK 0 / 53 / 34 / 49

HEX #833E57

RGB 131 62 87

HSL 338.26, 0.36%, 0.38%

LAB 35.9, 32.58, -0.96

 

CMYK 23 / 0 / 53 / 49

HEX #65833E

RGB 101 131 62

HSL 86.09, 0.36%, 0.38%

LAB 51.09, -22.93, 33.56

 

CMYK 53 / 0 / 19 / 49

HEX #3E836A

RGB 62 131 106

HSL 158.26, 0.36%, 0.38%

LAB 49.85, -28.21, 6.92

 

CMYK 29 / 53 / 0 / 48

HEX #5E3F85

RGB 94 63 133

HSL 266.57, 0.36%, 0.38%

LAB 33.2, 28.83, -34.47

 

CMYK 0 / 53 / 50 / 49

HEX #833E42

RGB 131 62 66

HSL 356.52, 0.36%, 0.38%

LAB 35.33, 30.05, 11.59

 

CMYK 23 / 0 / 53 / 49

HEX #65833E

RGB 101 131 62

HSL 86.09, 0.36%, 0.38%

LAB 51.09, -22.93, 33.56

 

CMYK 53 / 0 / 3 / 49

HEX #3E837F

RGB 62 131 127

HSL 176.52, 0.36%, 0.38%

LAB 50.44, -22.74, -4.51

 

Description

Color code: RGB 94 63 133 | qconv.com Color code: RGB 94 63 133 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 63 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 63 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 53 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 53% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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