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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 41 188 it is the complementary color RGB 161 214 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 41 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 94 41 188: RGB 99 41 183, RGB 116 59 202, RGB 133 77 221, RGB 150 95 240 and RGB 167 113 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 41 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 94 41 188: RGB 94 41 188, RGB 77 23 169, RGB 60 5 150, RGB 43 0 131 and RGB 26 0 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 78 / 0 / 26

HEX #5E29BC

RGB 94 41 188

HSL 261.63, 0.64%, 0.45%

LAB 33.13, 55.32, -67.81

 

Complementary color

CMYK 25 / 0 / 69 / 16

HEX #A1D643

RGB 161 214 67

HSL 81.63, 0.64%, 0.55%

LAB 79.66, -38.38, 63.89

 

CMYK 46 / 78 / 0 / 28

HEX #6329B7

RGB 99 41 183

HSL 264.51, 0.63%, 0.44%

LAB 33.26, 54.75, -64.61

 

CMYK 43 / 71 / 0 / 21

HEX #743BCA

RGB 116 59 202

HSL 263.92, 0.57%, 0.51%

LAB 39.76, 54.2, -65.05

 

CMYK 40 / 65 / 0 / 13

HEX #854DDD

RGB 133 77 221

HSL 263.33, 0.68%, 0.58%

LAB 46.33, 53.3, -65.2

 

CMYK 38 / 60 / 0 / 6

HEX #965FF0

RGB 150 95 240

HSL 262.76, 0.83%, 0.66%

LAB 52.91, 52.27, -65.19

 

CMYK 35 / 56 / 0 / 0

HEX #A771FF

RGB 167 113 255

HSL 262.82, 1%, 0.72%

LAB 59.2, 50.21, -63.29

 

CMYK 50 / 78 / 0 / 26

HEX #5E29BC

RGB 94 41 188

HSL 261.63, 0.64%, 0.45%

LAB 33.13, 55.32, -67.81

 

CMYK 54 / 86 / 0 / 34

HEX #4D17A9

RGB 77 23 169

HSL 262.19, 0.76%, 0.38%

LAB 26.89, 55.25, -66.81

 

CMYK 60 / 97 / 0 / 41

HEX #3C0596

RGB 60 5 150

HSL 262.76, 0.94%, 0.3%

LAB 21.1, 53.81, -64.86

 

CMYK 67 / 100 / 0 / 49

HEX #2B0083

RGB 43 0 131

HSL 259.69, 1%, 0.26%

LAB 16.27, 49.42, -61.05

 

CMYK 77 / 100 / 0 / 56

HEX #1A0070

RGB 26 0 112

HSL 253.93, 1%, 0.22%

LAB 11.89, 43.74, -56.17

 

CMYK 50 / 78 / 0 / 26

HEX #5E29BC

RGB 94 41 188

HSL 261.63, 0.64%, 0.45%

LAB 33.13, 55.32, -67.81

 

CMYK 38 / 78 / 0 / 26

HEX #7529BC

RGB 117 41 188

HSL 271.02, 0.64%, 0.45%

LAB 35.98, 58.79, -63.02

 

CMYK 25 / 78 / 0 / 26

HEX #8D29BC

RGB 141 41 188

HSL 280.82, 0.64%, 0.45%

LAB 39.38, 62.88, -57.35

 

CMYK 12 / 78 / 0 / 26

HEX #A629BC

RGB 166 41 188

HSL 291.02, 0.64%, 0.45%

LAB 43.25, 67.51, -50.91

 

CMYK 0 / 78 / 2 / 26

HEX #BC29B9

RGB 188 41 185

HSL 301.22, 0.64%, 0.45%

LAB 46.68, 71.33, -43.45

 

CMYK 50 / 78 / 0 / 26

HEX #5E29BC

RGB 94 41 188

HSL 261.63, 0.64%, 0.45%

LAB 33.13, 55.32, -67.81

 

CMYK 50 / 78 / 0 / 6

HEX #7834EF

RGB 120 52 239

HSL 261.82, 0.85%, 0.57%

LAB 42.28, 67.24, -82.08

 

CMYK 49 / 77 / 0 / 86

HEX #120823

RGB 18 8 35

HSL 262.22, 0.63%, 0.08%

LAB 3.83, 9.71, -15.19

 

CMYK 50 / 78 / 0 / 66

HEX #2B1356

RGB 43 19 86

HSL 261.49, 0.64%, 0.21%

LAB 13.54, 29.08, -36.09

 

CMYK 50 / 78 / 0 / 46

HEX #451E89

RGB 69 30 137

HSL 261.87, 0.64%, 0.33%

LAB 23.67, 42.83, -52.49

 

CMYK 50 / 78 / 0 / 26

HEX #5E29BC

RGB 94 41 188

HSL 261.63, 0.64%, 0.45%

LAB 33.13, 55.32, -67.81

 

CMYK 0 / 78 / 43 / 26

HEX #BC296B

RGB 188 41 107

HSL 333.06, 0.64%, 0.45%

LAB 43.27, 61.37, -1.58

 

CMYK 74 / 0 / 78 / 26

HEX #30BC29

RGB 48 188 41

HSL 117.14, 0.64%, 0.45%

LAB 67.09, -62.75, 58.94

 

CMYK 50 / 78 / 0 / 26

HEX #5E29BC

RGB 94 41 188

HSL 261.63, 0.64%, 0.45%

LAB 33.13, 55.32, -67.81

 

CMYK 0 / 51 / 78 / 26

HEX #BC5C29

RGB 188 92 41

HSL 20.82, 0.64%, 0.45%

LAB 50.1, 35.29, 45.58

 

CMYK 78 / 0 / 51 / 26

HEX #29BC5C

RGB 41 188 92

HSL 140.82, 0.64%, 0.45%

LAB 67.43, -58.18, 37.85

 

CMYK 50 / 78 / 0 / 26

HEX #5E29BC

RGB 94 41 188

HSL 261.63, 0.64%, 0.45%

LAB 33.13, 55.32, -67.81

 

CMYK 0 / 78 / 43 / 26

HEX #BC296B

RGB 188 41 107

HSL 333.06, 0.64%, 0.45%

LAB 43.27, 61.37, -1.58

 

CMYK 28 / 0 / 78 / 26

HEX #88BC29

RGB 136 188 41

HSL 81.22, 0.64%, 0.45%

LAB 70.43, -37.73, 63.28

 

CMYK 78 / 0 / 35 / 26

HEX #29BC7A

RGB 41 188 122

HSL 153.06, 0.64%, 0.45%

LAB 67.9, -52.77, 22.96

 

CMYK 50 / 78 / 0 / 26

HEX #5E29BC

RGB 94 41 188

HSL 261.63, 0.64%, 0.45%

LAB 33.13, 55.32, -67.81

 

CMYK 0 / 78 / 66 / 26

HEX #BC293F

RGB 188 41 63

HSL 351.02, 0.64%, 0.45%

LAB 42.21, 58.07, 24.43

 

CMYK 28 / 0 / 78 / 26

HEX #88BC29

RGB 136 188 41

HSL 81.22, 0.64%, 0.45%

LAB 70.43, -37.73, 63.28

 

CMYK 78 / 0 / 12 / 26

HEX #29BCA6

RGB 41 188 166

HSL 171.02, 0.64%, 0.45%

LAB 68.89, -42.24, 0.45

 

Description

Color code: RGB 94 41 188 | qconv.com Color code: RGB 94 41 188 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 41 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 41 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 78 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 78% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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