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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 40 116 it is the complementary color RGB 161 215 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 40 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 94 40 116: RGB 99 40 111, RGB 116 58 130, RGB 133 76 149, RGB 150 94 168 and RGB 167 112 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 40 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 94 40 116: RGB 94 40 116, RGB 77 22 97, RGB 60 4 78, RGB 43 0 59 and RGB 26 0 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 66 / 0 / 55

HEX #5E2874

RGB 94 40 116

HSL 282.63, 0.49%, 0.31%

LAB 27.18, 37.71, -33.39

 

Complementary color

CMYK 25 / 0 / 35 / 16

HEX #A1D78B

RGB 161 215 139

HSL 102.63, 0.49%, 0.69%

LAB 80.76, -31.29, 32.04

 

CMYK 11 / 64 / 0 / 56

HEX #63286F

RGB 99 40 111

HSL 289.86, 0.47%, 0.3%

LAB 27.62, 37.94, -29.45

 

CMYK 11 / 55 / 0 / 49

HEX #743A82

RGB 116 58 130

HSL 288.33, 0.38%, 0.37%

LAB 34.7, 37.37, -30.05

 

CMYK 11 / 49 / 0 / 42

HEX #854C95

RGB 133 76 149

HSL 286.85, 0.32%, 0.44%

LAB 41.73, 36.6, -30.44

 

CMYK 11 / 44 / 0 / 34

HEX #965EA8

RGB 150 94 168

HSL 285.41, 0.3%, 0.51%

LAB 48.66, 35.79, -30.73

 

CMYK 11 / 40 / 0 / 27

HEX #A770BB

RGB 167 112 187

HSL 284, 0.36%, 0.59%

LAB 55.47, 34.99, -30.98

 

CMYK 19 / 66 / 0 / 55

HEX #5E2874

RGB 94 40 116

HSL 282.63, 0.49%, 0.31%

LAB 27.18, 37.71, -33.39

 

CMYK 21 / 77 / 0 / 62

HEX #4D1661

RGB 77 22 97

HSL 284, 0.63%, 0.23%

LAB 20.1, 37.84, -32.57

 

CMYK 23 / 95 / 0 / 69

HEX #3C044E

RGB 60 4 78

HSL 285.41, 0.9%, 0.16%

LAB 13.22, 36.89, -31.04

 

CMYK 27 / 100 / 0 / 77

HEX #2B003B

RGB 43 0 59

HSL 283.73, 1%, 0.12%

LAB 7.49, 31.66, -27.09

 

CMYK 35 / 100 / 0 / 84

HEX #1A0028

RGB 26 0 40

HSL 279, 1%, 0.08%

LAB 3.37, 18.62, -19.7

 

CMYK 19 / 66 / 0 / 55

HEX #5E2874

RGB 94 40 116

HSL 282.63, 0.49%, 0.31%

LAB 27.18, 37.71, -33.39

 

CMYK 9 / 66 / 0 / 54

HEX #6B2875

RGB 107 40 117

HSL 292.21, 0.49%, 0.31%

LAB 29.23, 41.35, -30.64

 

CMYK 0 / 66 / 2 / 54

HEX #752873

RGB 117 40 115

HSL 301.56, 0.49%, 0.31%

LAB 30.73, 43.63, -26.9

 

CMYK 0 / 66 / 13 / 54

HEX #752866

RGB 117 40 102

HSL 311.69, 0.49%, 0.31%

LAB 30.06, 41.34, -19.64

 

CMYK 0 / 66 / 24 / 54

HEX #752859

RGB 117 40 89

HSL 321.82, 0.49%, 0.31%

LAB 29.46, 39.27, -12.12

 

CMYK 19 / 66 / 0 / 55

HEX #5E2874

RGB 94 40 116

HSL 282.63, 0.49%, 0.31%

LAB 27.18, 37.71, -33.39

 

CMYK 19 / 65 / 0 / 35

HEX #873AA7

RGB 135 58 167

HSL 282.39, 0.48%, 0.44%

LAB 39.52, 50.33, -44.71

 

CMYK 19 / 66 / 0 / 15

HEX #B14BDA

RGB 177 75 218

HSL 282.8, 0.66%, 0.57%

LAB 51.2, 62.84, -55.37

 

CMYK 21 / 64 / 0 / 95

HEX #0B050E

RGB 11 5 14

HSL 280, 0.47%, 0.04%

LAB 1.91, 2.89, -3.03

 

CMYK 18 / 66 / 0 / 75

HEX #351641

RGB 53 22 65

HSL 283.26, 0.49%, 0.17%

LAB 13.9, 23.86, -20.96

 

CMYK 19 / 66 / 0 / 55

HEX #5E2874

RGB 94 40 116

HSL 282.63, 0.49%, 0.31%

LAB 27.18, 37.71, -33.39

 

CMYK 0 / 66 / 59 / 54

HEX #752830

RGB 117 40 48

HSL 353.77, 0.49%, 0.31%

LAB 28.15, 34.42, 13.1

 

CMYK 66 / 0 / 46 / 54

HEX #28753F

RGB 40 117 63

HSL 137.92, 0.49%, 0.31%

LAB 43.55, -36.37, 23

 

CMYK 19 / 66 / 0 / 55

HEX #5E2874

RGB 94 40 116

HSL 282.63, 0.49%, 0.31%

LAB 27.18, 37.71, -33.39

 

CMYK 0 / 20 / 66 / 54

HEX #755E28

RGB 117 94 40

HSL 42.08, 0.49%, 0.31%

LAB 41.12, 2.67, 33.74

 

CMYK 66 / 0 / 20 / 54

HEX #28755E

RGB 40 117 94

HSL 162.08, 0.49%, 0.31%

LAB 44.21, -29.47, 5.83

 

CMYK 19 / 66 / 0 / 55

HEX #5E2874

RGB 94 40 116

HSL 282.63, 0.49%, 0.31%

LAB 27.18, 37.71, -33.39

 

CMYK 0 / 66 / 59 / 54

HEX #752830

RGB 117 40 48

HSL 353.77, 0.49%, 0.31%

LAB 28.15, 34.42, 13.1

 

CMYK 46 / 0 / 66 / 54

HEX #3F7528

RGB 63 117 40

HSL 102.08, 0.49%, 0.31%

LAB 44.14, -33.06, 35.93

 

CMYK 66 / 0 / 6 / 54

HEX #28756E

RGB 40 117 110

HSL 174.55, 0.49%, 0.31%

LAB 44.66, -25.02, -3.07

 

CMYK 19 / 66 / 0 / 55

HEX #5E2874

RGB 94 40 116

HSL 282.63, 0.49%, 0.31%

LAB 27.18, 37.71, -33.39

 

CMYK 0 / 53 / 66 / 54

HEX #753728

RGB 117 55 40

HSL 11.69, 0.49%, 0.31%

LAB 31.04, 25.87, 21.96

 

CMYK 46 / 0 / 66 / 54

HEX #3F7528

RGB 63 117 40

HSL 102.08, 0.49%, 0.31%

LAB 44.14, -33.06, 35.93

 

CMYK 66 / 13 / 0 / 54

HEX #286675

RGB 40 102 117

HSL 191.69, 0.49%, 0.31%

LAB 39.98, -14.77, -14.32

 

Description

Color code: RGB 94 40 116 | qconv.com Color code: RGB 94 40 116 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 40 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 40 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 66 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 66% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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