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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 189 90 it is the complementary color RGB 161 66 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 189 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 94 189 90: RGB 99 189 85, RGB 116 207 104, RGB 133 225 123, RGB 150 243 142 and RGB 167 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 189 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 94 189 90: RGB 94 189 90, RGB 77 171 71, RGB 60 153 52, RGB 43 135 33 and RGB 26 117 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 52 / 26

HEX #5EBD5A

RGB 94 189 90

HSL 117.58, 0.43%, 0.55%

LAB 69.12, -48.01, 41.22

 

Complementary color

CMYK 2 / 60 / 0 / 35

HEX #A142A5

RGB 161 66 165

HSL 297.58, 0.43%, 0.45%

LAB 44.5, 52.75, -35.37

 

CMYK 48 / 0 / 55 / 26

HEX #63BD55

RGB 99 189 85

HSL 111.92, 0.44%, 0.54%

LAB 69.26, -47.21, 43.84

 

CMYK 44 / 0 / 50 / 19

HEX #74CF68

RGB 116 207 104

HSL 113.01, 0.52%, 0.61%

LAB 75.66, -47.21, 42.61

 

CMYK 41 / 0 / 45 / 12

HEX #85E17B

RGB 133 225 123

HSL 114.12, 0.63%, 0.68%

LAB 81.98, -47.11, 41.37

 

CMYK 38 / 0 / 42 / 5

HEX #96F38E

RGB 150 243 142

HSL 115.25, 0.81%, 0.75%

LAB 88.23, -46.95, 40.16

 

CMYK 35 / 0 / 37 / 0

HEX #A7FFA1

RGB 167 255 161

HSL 116.17, 1%, 0.82%

LAB 92.71, -44.17, 36.78

 

CMYK 50 / 0 / 52 / 26

HEX #5EBD5A

RGB 94 189 90

HSL 117.58, 0.43%, 0.55%

LAB 69.12, -48.01, 41.22

 

CMYK 55 / 0 / 58 / 33

HEX #4DAB47

RGB 77 171 71

HSL 116.4, 0.41%, 0.47%

LAB 62.64, -47.85, 42.48

 

CMYK 61 / 0 / 66 / 40

HEX #3C9934

RGB 60 153 52

HSL 115.25, 0.49%, 0.4%

LAB 56.08, -47.42, 43.59

 

CMYK 68 / 0 / 76 / 47

HEX #2B8721

RGB 43 135 33

HSL 114.12, 0.61%, 0.33%

LAB 49.44, -46.53, 44.29

 

CMYK 78 / 0 / 88 / 54

HEX #1A750E

RGB 26 117 14

HSL 113.01, 0.79%, 0.26%

LAB 42.72, -44.88, 43.97

 

CMYK 50 / 0 / 52 / 26

HEX #5EBD5A

RGB 94 189 90

HSL 117.58, 0.43%, 0.55%

LAB 69.12, -48.01, 41.22

 

CMYK 52 / 0 / 46 / 26

HEX #5ABD66

RGB 90 189 102

HSL 127.27, 0.43%, 0.55%

LAB 69.13, -47.39, 35.23

 

CMYK 52 / 0 / 38 / 26

HEX #5ABD76

RGB 90 189 118

HSL 136.97, 0.43%, 0.55%

LAB 69.38, -44.77, 27.27

 

CMYK 52 / 0 / 29 / 26

HEX #5ABD87

RGB 90 189 135

HSL 147.27, 0.43%, 0.55%

LAB 69.7, -41.56, 18.64

 

CMYK 52 / 0 / 20 / 26

HEX #5ABD97

RGB 90 189 151

HSL 156.97, 0.43%, 0.55%

LAB 70.04, -38.16, 10.46

 

CMYK 50 / 0 / 52 / 26

HEX #5EBD5A

RGB 94 189 90

HSL 117.58, 0.43%, 0.55%

LAB 69.12, -48.01, 41.22

 

CMYK 50 / 0 / 53 / 6

HEX #77F072

RGB 119 240 114

HSL 117.62, 0.81%, 0.69%

LAB 85.73, -58.26, 50.16

 

CMYK 50 / 0 / 53 / 86

HEX #122411

RGB 18 36 17

HSL 116.84, 0.36%, 0.1%

LAB 12.16, -12.5, 10.17

 

CMYK 51 / 0 / 53 / 66

HEX #2B5729

RGB 43 87 41

HSL 117.39, 0.36%, 0.25%

LAB 32.9, -25.89, 22.01

 

CMYK 50 / 0 / 52 / 46

HEX #458A42

RGB 69 138 66

HSL 117.5, 0.35%, 0.4%

LAB 51.65, -37.15, 31.76

 

CMYK 50 / 0 / 52 / 26

HEX #5EBD5A

RGB 94 189 90

HSL 117.58, 0.43%, 0.55%

LAB 69.12, -48.01, 41.22

 

CMYK 52 / 8 / 0 / 26

HEX #5AAEBD

RGB 90 174 189

HSL 189.09, 0.43%, 0.55%

LAB 66.61, -21.27, -15.5

 

CMYK 0 / 52 / 29 / 26

HEX #BD5A87

RGB 189 90 135

HSL 332.73, 0.43%, 0.55%

LAB 51.7, 44.85, -6.11

 

CMYK 50 / 0 / 52 / 26

HEX #5EBD5A

RGB 94 189 90

HSL 117.58, 0.43%, 0.55%

LAB 69.12, -48.01, 41.22

 

CMYK 52 / 50 / 0 / 26

HEX #5A5FBD

RGB 90 95 189

HSL 236.97, 0.43%, 0.55%

LAB 44.28, 24.59, -50.3

 

CMYK 0 / 52 / 50 / 26

HEX #BD5A5F

RGB 189 90 95

HSL 356.97, 0.43%, 0.55%

LAB 50.64, 40.26, 16.21

 

CMYK 50 / 0 / 52 / 26

HEX #5EBD5A

RGB 94 189 90

HSL 117.58, 0.43%, 0.55%

LAB 69.12, -48.01, 41.22

 

CMYK 52 / 8 / 0 / 26

HEX #5AAEBD

RGB 90 174 189

HSL 189.09, 0.43%, 0.55%

LAB 66.61, -21.27, -15.5

 

CMYK 3 / 52 / 0 / 26

HEX #B85ABD

RGB 184 90 189

HSL 296.97, 0.43%, 0.55%

LAB 53.14, 52, -35.62

 

CMYK 0 / 44 / 52 / 26

HEX #BD695A

RGB 189 105 90

HSL 9.09, 0.43%, 0.55%

LAB 53.66, 31.95, 23.21

 

CMYK 50 / 0 / 52 / 26

HEX #5EBD5A

RGB 94 189 90

HSL 117.58, 0.43%, 0.55%

LAB 69.12, -48.01, 41.22

 

CMYK 52 / 23 / 0 / 26

HEX #5A91BD

RGB 90 145 189

HSL 206.67, 0.43%, 0.55%

LAB 58.13, -5.59, -28.46

 

CMYK 3 / 52 / 0 / 26

HEX #B85ABD

RGB 184 90 189

HSL 296.97, 0.43%, 0.55%

LAB 53.14, 52, -35.62

 

CMYK 0 / 29 / 52 / 26

HEX #BD875A

RGB 189 135 90

HSL 27.27, 0.43%, 0.55%

LAB 60.68, 15.48, 32.26

 

Description

Color code: RGB 94 189 90 | qconv.com Color code: RGB 94 189 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 189 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 189 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 52 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 52% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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