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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 129 143 it is the complementary color RGB 161 126 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 129 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 94 129 143: RGB 99 129 138, RGB 116 147 157, RGB 133 165 176, RGB 150 183 195 and RGB 167 201 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 129 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 94 129 143: RGB 94 129 143, RGB 77 111 124, RGB 60 93 105, RGB 43 75 86 and RGB 26 57 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 10 / 0 / 44

HEX #5E818F

RGB 94 129 143

HSL 197.14, 0.21%, 0.46%

LAB 51.91, -8.67, -11.51

 

Complementary color

CMYK 0 / 22 / 30 / 37

HEX #A17E70

RGB 161 126 112

HSL 17.14, 0.21%, 0.54%

LAB 55.75, 11.43, 12.79

 

CMYK 28 / 7 / 0 / 46

HEX #63818A

RGB 99 129 138

HSL 193.85, 0.16%, 0.46%

LAB 52.05, -8.42, -8.35

 

CMYK 26 / 6 / 0 / 38

HEX #74939D

RGB 116 147 157

HSL 194.63, 0.17%, 0.54%

LAB 58.99, -8.42, -8.83

 

CMYK 24 / 6 / 0 / 31

HEX #85A5B0

RGB 133 165 176

HSL 195.35, 0.21%, 0.61%

LAB 65.77, -8.43, -9.3

 

CMYK 23 / 6 / 0 / 24

HEX #96B7C3

RGB 150 183 195

HSL 196, 0.27%, 0.68%

LAB 72.42, -8.44, -9.77

 

CMYK 22 / 6 / 0 / 16

HEX #A7C9D6

RGB 167 201 214

HSL 196.6, 0.36%, 0.75%

LAB 78.95, -8.46, -10.23

 

CMYK 34 / 10 / 0 / 44

HEX #5E818F

RGB 94 129 143

HSL 197.14, 0.21%, 0.46%

LAB 51.91, -8.67, -11.51

 

CMYK 38 / 10 / 0 / 51

HEX #4D6F7C

RGB 77 111 124

HSL 196.6, 0.23%, 0.39%

LAB 44.8, -8.61, -11.08

 

CMYK 43 / 11 / 0 / 59

HEX #3C5D69

RGB 60 93 105

HSL 196, 0.27%, 0.32%

LAB 37.5, -8.52, -10.64

 

CMYK 50 / 13 / 0 / 66

HEX #2B4B56

RGB 43 75 86

HSL 195.35, 0.33%, 0.25%

LAB 29.96, -8.37, -10.18

 

CMYK 61 / 15 / 0 / 74

HEX #1A3943

RGB 26 57 67

HSL 194.63, 0.44%, 0.18%

LAB 22.13, -8.07, -9.7

 

CMYK 34 / 10 / 0 / 44

HEX #5E818F

RGB 94 129 143

HSL 197.14, 0.21%, 0.46%

LAB 51.91, -8.67, -11.51

 

CMYK 35 / 16 / 0 / 45

HEX #5C778D

RGB 92 119 141

HSL 206.94, 0.21%, 0.46%

LAB 48.75, -4.07, -15.12

 

CMYK 35 / 21 / 0 / 45

HEX #5C6F8D

RGB 92 111 141

HSL 216.73, 0.21%, 0.46%

LAB 46.4, 0.66, -18.71

 

CMYK 35 / 27 / 0 / 45

HEX #5C678D

RGB 92 103 141

HSL 226.53, 0.21%, 0.46%

LAB 44.09, 5.51, -22.27

 

CMYK 35 / 33 / 0 / 45

HEX #5C5F8D

RGB 92 95 141

HSL 236.33, 0.21%, 0.46%

LAB 41.82, 10.45, -25.79

 

CMYK 34 / 10 / 0 / 44

HEX #5E818F

RGB 94 129 143

HSL 197.14, 0.21%, 0.46%

LAB 51.91, -8.67, -11.51

 

CMYK 34 / 10 / 0 / 24

HEX #80AFC2

RGB 128 175 194

HSL 197.27, 0.35%, 0.63%

LAB 68.86, -10.93, -14.7

 

CMYK 34 / 10 / 0 / 4

HEX #A1DDF5

RGB 161 221 245

HSL 197.14, 0.81%, 0.8%

LAB 84.94, -13.34, -17.81

 

CMYK 34 / 10 / 0 / 84

HEX #1B2529

RGB 27 37 41

HSL 197.14, 0.21%, 0.13%

LAB 13.92, -3.17, -4.09

 

CMYK 35 / 10 / 0 / 64

HEX #3C535C

RGB 60 83 92

HSL 196.88, 0.21%, 0.3%

LAB 33.82, -6.26, -8.07

 

CMYK 34 / 10 / 0 / 44

HEX #5E818F

RGB 94 129 143

HSL 197.14, 0.21%, 0.46%

LAB 51.91, -8.67, -11.51

 

CMYK 18 / 35 / 0 / 45

HEX #745C8D

RGB 116 92 141

HSL 269.39, 0.21%, 0.46%

LAB 43.2, 19.98, -23.48

 

CMYK 0 / 4 / 35 / 45

HEX #8D885C

RGB 141 136 92

HSL 53.88, 0.21%, 0.46%

LAB 56.13, -5.22, 24.34

 

CMYK 34 / 10 / 0 / 44

HEX #5E818F

RGB 94 129 143

HSL 197.14, 0.21%, 0.46%

LAB 51.91, -8.67, -11.51

 

CMYK 0 / 35 / 10 / 45

HEX #8D5C7F

RGB 141 92 127

HSL 317.14, 0.21%, 0.46%

LAB 45.43, 25.74, -11.38

 

CMYK 10 / 0 / 35 / 45

HEX #7F8D5C

RGB 127 141 92

HSL 77.14, 0.21%, 0.46%

LAB 56.42, -13.73, 24.51

 

CMYK 34 / 10 / 0 / 44

HEX #5E818F

RGB 94 129 143

HSL 197.14, 0.21%, 0.46%

LAB 51.91, -8.67, -11.51

 

CMYK 18 / 35 / 0 / 45

HEX #745C8D

RGB 116 92 141

HSL 269.39, 0.21%, 0.46%

LAB 43.2, 19.98, -23.48

 

CMYK 0 / 25 / 35 / 45

HEX #8D6A5C

RGB 141 106 92

HSL 17.14, 0.21%, 0.46%

LAB 47.94, 11.92, 13.28

 

CMYK 16 / 0 / 35 / 45

HEX #768D5C

RGB 118 141 92

HSL 88.16, 0.21%, 0.46%

LAB 55.76, -17.33, 23.51

 

CMYK 34 / 10 / 0 / 44

HEX #5E818F

RGB 94 129 143

HSL 197.14, 0.21%, 0.46%

LAB 51.91, -8.67, -11.51

 

CMYK 7 / 35 / 0 / 45

HEX #835C8D

RGB 131 92 141

HSL 287.76, 0.21%, 0.46%

LAB 44.8, 25.01, -20.86

 

CMYK 0 / 25 / 35 / 45

HEX #8D6A5C

RGB 141 106 92

HSL 17.14, 0.21%, 0.46%

LAB 47.94, 11.92, 13.28

 

CMYK 27 / 0 / 35 / 45

HEX #678D5C

RGB 103 141 92

HSL 106.53, 0.21%, 0.46%

LAB 54.77, -23.05, 22.02

 

Description

Color code: RGB 94 129 143 | qconv.com Color code: RGB 94 129 143 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 129 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 129 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 10 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 10% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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