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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94.1 252.8 220 it is the complementary color RGB 160.9 2.2 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94.1 252.8 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94.1 252.8 220 shade: RGB 99.1 252.8 215, RGB 116.1 255 234, RGB 133.1 255 253, RGB 150.1 255 255 and RGB 167.1 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94.1 252.8 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94.1 252.8 220 shade: RGB 94.1 252.8 220, RGB 77.1 234.8 201, RGB 60.1 216.8 182, RGB 43.1 198.8 163 and RGB 26.1 180.8 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94.1 252.8 220 shade: RGB 94 253 220, RGB 94 253 177, RGB 94 253 134, RGB 97 253 94 and RGB 139 253 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94.1 252.8 220 shade: RGB 94 253 220, RGB 94 243 253, RGB 94 200 253, RGB 94 157 253 and RGB 94 115 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94.1 252.8 220 shade matches the following richer shades: RGB 94 253 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94.1 252.8 220 shade: RGB 94 253 220, RGB 107 239 212, RGB 121 226 204, RGB 134 213 197 and RGB 147 200 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94.1 252.8 220 shade: RGB 94 253 134, RGB 94 253 176, RGB 94 253 218, RGB 94 245 253 and RGB 94 202 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94.1 252.8 220 shade: RGB 13 251 202, RGB 54 252 211, RGB 94 253 220, RGB 135 253 229 and RGB 176 254 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94.1 252.8 220 shade: RGB 94.1 252.8 220, RGB 94 97 253 and RGB 253 155 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94.1 252.8 220 shade: RGB 94.1 252.8 220, RGB 218 94 253 and RGB 253 218 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94.1 252.8 220 shade: RGB 94.1 252.8 220, RGB 94 97 253, RGB 253 94 129 and RGB 253 250 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94.1 252.8 220 shade: RGB 94.1 252.8 220, RGB 139 94 253, RGB 253 94 129 and RGB 208 253 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 13 / 1

HEX #5EFCDC

RGB 94.1 252.8 220

HSL 167.6, 0.97%, 0.68%

LAB 90.63, -49.1, 3.43

 

Complementary color

CMYK 0 / 99 / 78 / 37

HEX #A00223

RGB 160.9 2.2 35

HSL 347.6, 0.97%, 0.32%

LAB 33.43, 57.19, 29.99

 

CMYK 61 / 0 / 15 / 1

HEX #63FCD7

RGB 99.1 252.8 215

HSL 165.24, 0.97%, 0.69%

LAB 90.64, -49.44, 6.04

 

CMYK 54 / 0 / 8 / 0

HEX #74FFEA

RGB 116.1 255 234

HSL 170.93, 1%, 0.73%

LAB 92.21, -42.75, -1.45

 

CMYK 48 / 0 / 1 / 0

HEX #85FFFD

RGB 133.1 255 253

HSL 179.02, 1%, 0.76%

LAB 93.28, -34.67, -9.64

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150.1 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.4, -9.56

 

CMYK 34 / 0 / 0 / 0

HEX #A7FFFF

RGB 167.1 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.23, -8.38

 

CMYK 63 / 0 / 13 / 1

HEX #5EFCDC

RGB 94.1 252.8 220

HSL 167.6, 0.97%, 0.68%

LAB 90.63, -49.1, 3.43

 

CMYK 67 / 0 / 14 / 8

HEX #4DEAC9

RGB 77.1 234.8 201

HSL 167.14, 0.8%, 0.61%

LAB 84.54, -48.73, 4.47

 

CMYK 72 / 0 / 16 / 15

HEX #3CD8B6

RGB 60.1 216.8 182

HSL 166.68, 0.67%, 0.54%

LAB 78.38, -48.18, 5.6

 

CMYK 78 / 0 / 18 / 22

HEX #2BC6A3

RGB 43.1 198.8 163

HSL 166.2, 0.64%, 0.47%

LAB 72.17, -47.4, 6.84

 

CMYK 86 / 0 / 20 / 29

HEX #1AB490

RGB 26.1 180.8 144

HSL 165.73, 0.75%, 0.41%

LAB 65.9, -46.3, 8.21

 

CMYK 63 / 0 / 13 / 1

HEX #5EFDDC

RGB 94 253 220

HSL 167.55, 0.98%, 0.68%

LAB 90.69, -49.2, 3.51

 

CMYK 63 / 0 / 30 / 1

HEX #5EFDB1

RGB 94 253 177

HSL 151.32, 0.98%, 0.68%

LAB 89.77, -58.62, 24.33

 

CMYK 63 / 0 / 47 / 1

HEX #5EFD86

RGB 94 253 134

HSL 135.09, 0.98%, 0.68%

LAB 89.09, -66.05, 44.73

 

CMYK 62 / 0 / 63 / 1

HEX #61FD5E

RGB 97 253 94

HSL 118.87, 0.98%, 0.68%

LAB 88.73, -70.37, 62.2

 

CMYK 45 / 0 / 63 / 1

HEX #8BFD5E

RGB 139 253 94

HSL 103.02, 0.98%, 0.68%

LAB 90.11, -59.78, 64.11

 

CMYK 63 / 0 / 13 / 1

HEX #5EFDDC

RGB 94 253 220

HSL 167.55, 0.98%, 0.68%

LAB 90.69, -49.2, 3.51

 

CMYK 63 / 4 / 0 / 1

HEX #5EF3FD

RGB 94 243 253

HSL 183.77, 0.98%, 0.68%

LAB 88.72, -36.25, -16.58

 

CMYK 63 / 21 / 0 / 1

HEX #5EC8FD

RGB 94 200 253

HSL 200, 0.98%, 0.68%

LAB 76.55, -15.07, -35.14

 

CMYK 63 / 38 / 0 / 1

HEX #5E9DFD

RGB 94 157 253

HSL 216.23, 0.98%, 0.68%

LAB 64.63, 8.78, -53.82

 

CMYK 63 / 55 / 0 / 1

HEX #5E73FD

RGB 94 115 253

HSL 232.08, 0.98%, 0.68%

LAB 53.74, 33.95, -71.28

 

CMYK 63 / 0 / 13 / 1

HEX #5EFDDC

RGB 94 253 220

HSL 167.55, 0.98%, 0.68%

LAB 90.69, -49.2, 3.51

 

CMYK 63 / 0 / 13 / 1

HEX #5EFDDC

RGB 94 253 220

HSL 167.55, 0.98%, 0.68%

LAB 90.69, -49.2, 3.51

 

CMYK 55 / 0 / 11 / 6

HEX #6BEFD4

RGB 107 239 212

HSL 167.73, 0.8%, 0.68%

LAB 86.81, -42.72, 2.09

 

CMYK 46 / 0 / 10 / 11

HEX #79E2CC

RGB 121 226 204

HSL 167.43, 0.64%, 0.68%

LAB 83.35, -35.71, 1.32

 

CMYK 37 / 0 / 8 / 16

HEX #86D5C5

RGB 134 213 197

HSL 167.85, 0.48%, 0.68%

LAB 80, -27.89, 0.23

 

CMYK 27 / 0 / 5 / 22

HEX #93C8BD

RGB 147 200 189

HSL 167.55, 0.33%, 0.68%

LAB 76.79, -19.51, -0.08

 

CMYK 63 / 0 / 47 / 1

HEX #5EFD86

RGB 94 253 134

HSL 135.09, 0.98%, 0.68%

LAB 89.09, -66.05, 44.73

 

CMYK 63 / 0 / 30 / 1

HEX #5EFDB0

RGB 94 253 176

HSL 150.94, 0.98%, 0.68%

LAB 89.75, -58.82, 24.81

 

CMYK 63 / 0 / 14 / 1

HEX #5EFDDA

RGB 94 253 218

HSL 166.79, 0.98%, 0.68%

LAB 90.64, -49.68, 4.48

 

CMYK 63 / 3 / 0 / 1

HEX #5EF5FD

RGB 94 245 253

HSL 183.02, 0.98%, 0.68%

LAB 89.29, -37.18, -15.73

 

CMYK 63 / 20 / 0 / 1

HEX #5ECAFD

RGB 94 202 253

HSL 199.25, 0.98%, 0.68%

LAB 77.11, -16.11, -34.27

 

CMYK 95 / 0 / 20 / 2

HEX #0DFBCA

RGB 13 251 202

HSL 167.65, 0.97%, 0.52%

LAB 88.61, -60.28, 9.71

 

CMYK 79 / 0 / 16 / 1

HEX #36FCD3

RGB 54 252 211

HSL 167.58, 0.97%, 0.6%

LAB 89.44, -56.08, 6.28

 

CMYK 63 / 0 / 13 / 1

HEX #5EFDDC

RGB 94 253 220

HSL 167.55, 0.98%, 0.68%

LAB 90.69, -49.2, 3.51

 

CMYK 47 / 0 / 9 / 1

HEX #87FDE5

RGB 135 253 229

HSL 167.8, 0.97%, 0.76%

LAB 92.16, -39.05, 1.14

 

CMYK 31 / 0 / 6 / 0

HEX #B0FEEE

RGB 176 254 238

HSL 167.69, 0.98%, 0.84%

LAB 94.43, -27.12, 0.02

 

CMYK 63 / 0 / 13 / 1

HEX #5EFCDC

RGB 94.1 252.8 220

HSL 167.6, 0.97%, 0.68%

LAB 90.63, -49.1, 3.43

 

CMYK 63 / 62 / 0 / 1

HEX #5E61FD

RGB 94 97 253

HSL 238.87, 0.98%, 0.68%

LAB 49.52, 44.72, -78.15

 

CMYK 0 / 39 / 63 / 1

HEX #FD9B5E

RGB 253 155 94

HSL 23.02, 0.98%, 0.68%

LAB 72.98, 31.22, 46.91

 

CMYK 63 / 0 / 13 / 1

HEX #5EFCDC

RGB 94.1 252.8 220

HSL 167.6, 0.97%, 0.68%

LAB 90.63, -49.1, 3.43

 

CMYK 14 / 63 / 0 / 1

HEX #DA5EFD

RGB 218 94 253

HSL 286.79, 0.98%, 0.68%

LAB 61.66, 70.63, -57.92

 

CMYK 0 / 14 / 63 / 1

HEX #FDDA5E

RGB 253 218 94

HSL 46.79, 0.98%, 0.68%

LAB 87.89, -1.48, 63.76

 

CMYK 63 / 0 / 13 / 1

HEX #5EFCDC

RGB 94.1 252.8 220

HSL 167.6, 0.97%, 0.68%

LAB 90.63, -49.1, 3.43

 

CMYK 63 / 62 / 0 / 1

HEX #5E61FD

RGB 94 97 253

HSL 238.87, 0.98%, 0.68%

LAB 49.52, 44.72, -78.15

 

CMYK 0 / 63 / 49 / 1

HEX #FD5E81

RGB 253 94 129

HSL 346.79, 0.98%, 0.68%

LAB 62.06, 63.01, 13.61

 

CMYK 0 / 1 / 63 / 1

HEX #FDFA5E

RGB 253 250 94

HSL 58.87, 0.98%, 0.68%

LAB 96.02, -17.32, 72.45

 

CMYK 63 / 0 / 13 / 1

HEX #5EFCDC

RGB 94.1 252.8 220

HSL 167.6, 0.97%, 0.68%

LAB 90.63, -49.1, 3.43

 

CMYK 45 / 63 / 0 / 1

HEX #8B5EFD

RGB 139 94 253

HSL 256.98, 0.98%, 0.68%

LAB 52.49, 53.97, -73.15

 

CMYK 0 / 63 / 49 / 1

HEX #FD5E81

RGB 253 94 129

HSL 346.79, 0.98%, 0.68%

LAB 62.06, 63.01, 13.61

 

CMYK 18 / 0 / 63 / 1

HEX #D0FD5E

RGB 208 253 94

HSL 76.98, 0.98%, 0.68%

LAB 93.65, -36.33, 68.98

 

Description

Color code: RGB 94.1 252.8 220 | qconv.com Color code: RGB 94.1 252.8 220 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94.1 red, 252.8 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94.1 252.8 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 13 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 13% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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