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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61FD5E it is the complementary color #9E02A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61FD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61FD5E shade: #66FD59, #77FF6C, #88FF7F, #99FF92 and #AAFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61FD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61FD5E shade: #61FD5E, #50EB4B, #3FD938, #2EC725 and #1DB512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61FD5E shade: #60FD5D, #8CFD5D, #B7FD5D, #E2FD5D and #FDEE5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61FD5E shade: #60FD5D, #5DFD86, #5DFDB1, #5DFDDC and #5DF4FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61FD5E shade matches the following richer shades: #60FD5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61FD5E shade: #60FD5D, #6DF06B, #7AE378, #87D685 and #93C992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61FD5E shade: #B8FD5D, #8DFD5D, #63FD5D, #5DFD83 and #5DFDAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61FD5E shade: #10FD0C, #38FD35, #60FD5D, #89FE86 and #B1FEAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61FD5E shade: #61FD5E, #5DE3FD and #FD5DA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61FD5E shade: #61FD5E, #5D63FD and #FD5D63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61FD5E shade: #61FD5E, #5DE3FD, #F85DFD and #FD785D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61FD5E shade: #61FD5E, #5DB3FD, #F85DFD and #FDA85D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 63 / 1

HEX #61FD5E

RGB 97 253 94

HSL 118.87, 0.98%, 0.68%

LAB 88.73, -70.37, 62.2

 

Complementary color

CMYK 2 / 99 / 0 / 37

HEX #9E02A1

RGB 158 2 161

HSL 298.87, 0.98%, 0.32%

LAB 37.64, 68.93, -43.93

 

CMYK 60 / 0 / 65 / 1

HEX #66FD59

RGB 102 253 89

HSL 115.24, 0.98%, 0.67%

LAB 88.83, -69.77, 64.34

 

CMYK 53 / 0 / 58 / 0

HEX #77FF6C

RGB 119 255 108

HSL 115.51, 1%, 0.71%

LAB 90.1, -64.56, 58.02

 

CMYK 47 / 0 / 50 / 0

HEX #88FF7F

RGB 136 255 127

HSL 115.78, 1%, 0.75%

LAB 90.91, -57.88, 50.57

 

CMYK 40 / 0 / 43 / 0

HEX #99FF92

RGB 153 255 146

HSL 116.15, 1%, 0.79%

LAB 91.85, -50.54, 42.88

 

CMYK 33 / 0 / 35 / 0

HEX #AAFFA5

RGB 170 255 165

HSL 116.67, 1%, 0.82%

LAB 92.92, -42.65, 35.09

 

CMYK 62 / 0 / 63 / 1

HEX #61FD5E

RGB 97 253 94

HSL 118.87, 0.98%, 0.68%

LAB 88.73, -70.37, 62.2

 

CMYK 66 / 0 / 68 / 8

HEX #50EB4B

RGB 80 235 75

HSL 118.13, 0.8%, 0.61%

LAB 82.72, -69.57, 63.05

 

CMYK 71 / 0 / 74 / 15

HEX #3FD938

RGB 63 217 56

HSL 117.39, 0.68%, 0.54%

LAB 76.66, -68.39, 63.53

 

CMYK 77 / 0 / 81 / 22

HEX #2EC725

RGB 46 199 37

HSL 116.67, 0.69%, 0.46%

LAB 70.57, -66.68, 63.38

 

CMYK 84 / 0 / 90 / 29

HEX #1DB512

RGB 29 181 18

HSL 115.95, 0.82%, 0.39%

LAB 64.45, -64.26, 62.14

 

CMYK 62 / 0 / 63 / 1

HEX #60FD5D

RGB 96 253 93

HSL 118.88, 0.98%, 0.68%

LAB 88.7, -70.68, 62.56

 

CMYK 45 / 0 / 63 / 1

HEX #8CFD5D

RGB 140 253 93

HSL 102.38, 0.98%, 0.68%

LAB 90.14, -59.58, 64.56

 

CMYK 28 / 0 / 63 / 1

HEX #B7FD5D

RGB 183 253 93

HSL 86.25, 0.98%, 0.68%

LAB 92.18, -45.56, 67.36

 

CMYK 11 / 0 / 63 / 1

HEX #E2FD5D

RGB 226 253 93

HSL 70.13, 0.98%, 0.68%

LAB 94.83, -29.49, 70.98

 

CMYK 0 / 6 / 63 / 1

HEX #FDEE5D

RGB 253 238 93

HSL 54.38, 0.98%, 0.68%

LAB 92.94, -11.54, 69.59

 

CMYK 62 / 0 / 63 / 1

HEX #60FD5D

RGB 96 253 93

HSL 118.88, 0.98%, 0.68%

LAB 88.7, -70.68, 62.56

 

CMYK 63 / 0 / 47 / 1

HEX #5DFD86

RGB 93 253 134

HSL 135.38, 0.98%, 0.68%

LAB 89.06, -66.24, 44.69

 

CMYK 63 / 0 / 30 / 1

HEX #5DFDB1

RGB 93 253 177

HSL 151.5, 0.98%, 0.68%

LAB 89.74, -58.8, 24.29

 

CMYK 63 / 0 / 13 / 1

HEX #5DFDDC

RGB 93 253 220

HSL 167.63, 0.98%, 0.68%

LAB 90.66, -49.36, 3.47

 

CMYK 63 / 4 / 0 / 1

HEX #5DF4FD

RGB 93 244 253

HSL 183.38, 0.98%, 0.68%

LAB 88.98, -36.87, -16.19

 

CMYK 62 / 0 / 63 / 1

HEX #60FD5D

RGB 96 253 93

HSL 118.88, 0.98%, 0.68%

LAB 88.7, -70.68, 62.56

 

CMYK 62 / 0 / 63 / 1

HEX #60FD5D

RGB 96 253 93

HSL 118.88, 0.98%, 0.68%

LAB 88.7, -70.68, 62.56

 

CMYK 55 / 0 / 55 / 6

HEX #6DF06B

RGB 109 240 107

HSL 119.1, 0.82%, 0.68%

LAB 85.32, -61.65, 52.78

 

CMYK 46 / 0 / 47 / 11

HEX #7AE378

RGB 122 227 120

HSL 118.88, 0.66%, 0.68%

LAB 82.07, -51.54, 42.85

 

CMYK 37 / 0 / 38 / 16

HEX #87D685

RGB 135 214 133

HSL 118.52, 0.5%, 0.68%

LAB 79.01, -40.29, 32.55

 

CMYK 27 / 0 / 27 / 21

HEX #93C992

RGB 147 201 146

HSL 118.91, 0.34%, 0.68%

LAB 76.1, -28.3, 21.99

 

CMYK 27 / 0 / 63 / 1

HEX #B8FD5D

RGB 184 253 93

HSL 85.88, 0.98%, 0.68%

LAB 92.23, -45.21, 67.43

 

CMYK 44 / 0 / 63 / 1

HEX #8DFD5D

RGB 141 253 93

HSL 102, 0.98%, 0.68%

LAB 90.19, -59.29, 64.61

 

CMYK 61 / 0 / 63 / 1

HEX #63FD5D

RGB 99 253 93

HSL 117.75, 0.98%, 0.68%

LAB 88.78, -70.04, 62.67

 

CMYK 63 / 0 / 48 / 1

HEX #5DFD83

RGB 93 253 131

HSL 134.25, 0.98%, 0.68%

LAB 89.02, -66.68, 46.07

 

CMYK 63 / 0 / 32 / 1

HEX #5DFDAD

RGB 93 253 173

HSL 150, 0.98%, 0.68%

LAB 89.67, -59.58, 26.22

 

CMYK 94 / 0 / 95 / 1

HEX #10FD0C

RGB 16 253 12

HSL 119, 0.98%, 0.52%

LAB 87.19, -85.01, 81.84

 

CMYK 78 / 0 / 79 / 1

HEX #38FD35

RGB 56 253 53

HSL 119.1, 0.98%, 0.6%

LAB 87.65, -80.39, 75.03

 

CMYK 62 / 0 / 63 / 1

HEX #60FD5D

RGB 96 253 93

HSL 118.88, 0.98%, 0.68%

LAB 88.7, -70.68, 62.56

 

CMYK 46 / 0 / 47 / 0

HEX #89FE86

RGB 137 254 134

HSL 118.5, 0.98%, 0.76%

LAB 90.74, -56.31, 47.1

 

CMYK 30 / 0 / 31 / 0

HEX #B1FEAF

RGB 177 254 175

HSL 118.48, 0.98%, 0.84%

LAB 93.16, -38.48, 30.47

 

CMYK 62 / 0 / 63 / 1

HEX #61FD5E

RGB 97 253 94

HSL 118.87, 0.98%, 0.68%

LAB 88.73, -70.37, 62.2

 

CMYK 63 / 10 / 0 / 1

HEX #5DE3FD

RGB 93 227 253

HSL 189.75, 0.98%, 0.68%

LAB 84.15, -28.83, -23.48

 

CMYK 0 / 63 / 36 / 1

HEX #FD5DA3

RGB 253 93 163

HSL 333.75, 0.98%, 0.68%

LAB 62.81, 66.7, -4.95

 

CMYK 62 / 0 / 63 / 1

HEX #61FD5E

RGB 97 253 94

HSL 118.87, 0.98%, 0.68%

LAB 88.73, -70.37, 62.2

 

CMYK 63 / 61 / 0 / 1

HEX #5D63FD

RGB 93 99 253

HSL 237.75, 0.98%, 0.68%

LAB 49.91, 43.39, -77.52

 

CMYK 0 / 63 / 61 / 1

HEX #FD5D63

RGB 253 93 99

HSL 357.75, 0.98%, 0.68%

LAB 61.32, 61.2, 29.88

 

CMYK 62 / 0 / 63 / 1

HEX #61FD5E

RGB 97 253 94

HSL 118.87, 0.98%, 0.68%

LAB 88.73, -70.37, 62.2

 

CMYK 63 / 10 / 0 / 1

HEX #5DE3FD

RGB 93 227 253

HSL 189.75, 0.98%, 0.68%

LAB 84.15, -28.83, -23.48

 

CMYK 2 / 63 / 0 / 1

HEX #F85DFD

RGB 248 93 253

HSL 298.13, 0.98%, 0.68%

LAB 65.65, 77.81, -51.32

 

CMYK 0 / 53 / 63 / 1

HEX #FD785D

RGB 253 120 93

HSL 10.13, 0.98%, 0.68%

LAB 65.83, 48.74, 38.86

 

CMYK 62 / 0 / 63 / 1

HEX #61FD5E

RGB 97 253 94

HSL 118.87, 0.98%, 0.68%

LAB 88.73, -70.37, 62.2

 

CMYK 63 / 29 / 0 / 1

HEX #5DB3FD

RGB 93 179 253

HSL 207.75, 0.98%, 0.68%

LAB 70.64, -3.91, -44.35

 

CMYK 2 / 63 / 0 / 1

HEX #F85DFD

RGB 248 93 253

HSL 298.13, 0.98%, 0.68%

LAB 65.65, 77.81, -51.32

 

CMYK 0 / 34 / 63 / 1

HEX #FDA85D

RGB 253 168 93

HSL 28.13, 0.98%, 0.68%

LAB 75.87, 24.38, 50.77

 

Description

Color code: HEX #61FD5E | qconv.com Color code: HEX #61FD5E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 253 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 253 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 63 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 63% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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