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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 63 46 it is the complementary color RGB 162 192 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 63 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 93 63 46: RGB 98 63 41, RGB 115 81 60, RGB 132 99 79, RGB 149 117 98 and RGB 166 135 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 63 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 93 63 46: RGB 93 63 46, RGB 76 45 27, RGB 59 27 8, RGB 42 9 0 and RGB 25 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 51 / 64

HEX #5D3F2E

RGB 93 63 46

HSL 21.7, 0.34%, 0.27%

LAB 29.61, 10.81, 15.66

 

Complementary color

CMYK 22 / 8 / 0 / 18

HEX #A2C0D1

RGB 162 192 209

HSL 201.7, 0.34%, 0.73%

LAB 76.06, -6.37, -11.88

 

CMYK 0 / 36 / 58 / 62

HEX #623F29

RGB 98 63 41

HSL 23.16, 0.41%, 0.27%

LAB 30.19, 12.63, 19.66

 

CMYK 0 / 30 / 48 / 55

HEX #73513C

RGB 115 81 60

HSL 22.91, 0.31%, 0.34%

LAB 37.58, 11.43, 17.98

 

CMYK 0 / 25 / 40 / 48

HEX #84634F

RGB 132 99 79

HSL 22.64, 0.25%, 0.41%

LAB 44.79, 10.48, 16.53

 

CMYK 0 / 21 / 34 / 42

HEX #957562

RGB 149 117 98

HSL 22.35, 0.21%, 0.48%

LAB 51.83, 9.71, 15.26

 

CMYK 0 / 19 / 30 / 35

HEX #A68775

RGB 166 135 117

HSL 22.04, 0.22%, 0.55%

LAB 58.71, 9.06, 14.13

 

CMYK 0 / 32 / 51 / 64

HEX #5D3F2E

RGB 93 63 46

HSL 21.7, 0.34%, 0.27%

LAB 29.61, 10.81, 15.66

 

CMYK 0 / 41 / 64 / 70

HEX #4C2D1B

RGB 76 45 27

HSL 22.04, 0.48%, 0.2%

LAB 21.92, 12.16, 17.49

 

CMYK 0 / 54 / 86 / 77

HEX #3B1B08

RGB 59 27 8

HSL 22.35, 0.76%, 0.13%

LAB 14.01, 13.99, 17.77

 

CMYK 0 / 79 / 100 / 84

HEX #2A0900

RGB 42 9 0

HSL 12.86, 1%, 0.08%

LAB 6.21, 15.71, 9.6

 

CMYK 0 / 100 / 100 / 90

HEX #190000

RGB 25 0 0

HSL 0, 1%, 0.05%

LAB 1.87, 8.38, 2.95

 

CMYK 0 / 32 / 51 / 64

HEX #5D3F2E

RGB 93 63 46

HSL 21.7, 0.34%, 0.27%

LAB 29.61, 10.81, 15.66

 

CMYK 0 / 25 / 51 / 64

HEX #5C452D

RGB 92 69 45

HSL 30.64, 0.34%, 0.27%

LAB 31.16, 6.45, 18.27

 

CMYK 0 / 16 / 51 / 64

HEX #5C4D2D

RGB 92 77 45

HSL 40.85, 0.34%, 0.27%

LAB 33.5, 1.47, 21.25

 

CMYK 0 / 8 / 51 / 64

HEX #5C552D

RGB 92 85 45

HSL 51.06, 0.34%, 0.27%

LAB 35.91, -3.4, 24.24

 

CMYK 1 / 0 / 51 / 64

HEX #5B5C2D

RGB 91 92 45

HSL 61.28, 0.34%, 0.27%

LAB 37.96, -8, 26.71

 

CMYK 0 / 32 / 51 / 64

HEX #5D3F2E

RGB 93 63 46

HSL 21.7, 0.34%, 0.27%

LAB 29.61, 10.81, 15.66

 

CMYK 0 / 32 / 51 / 44

HEX #906247

RGB 144 98 71

HSL 22.19, 0.34%, 0.42%

LAB 45.8, 15.38, 22.84

 

CMYK 0 / 32 / 51 / 24

HEX #C38460

RGB 195 132 96

HSL 21.82, 0.45%, 0.57%

LAB 60.74, 20.19, 29.19

 

CMYK 0 / 32 / 50 / 4

HEX #F6A77A

RGB 246 167 122

HSL 21.77, 0.87%, 0.72%

LAB 75.22, 24.3, 35.01

 

CMYK 0 / 33 / 50 / 84

HEX #2A1C15

RGB 42 28 21

HSL 20, 0.33%, 0.12%

LAB 11.8, 5.73, 7.54

 

CMYK 0 / 32 / 51 / 64

HEX #5D3F2E

RGB 93 63 46

HSL 21.7, 0.34%, 0.27%

LAB 29.61, 10.81, 15.66

 

CMYK 28 / 0 / 51 / 64

HEX #425C2D

RGB 66 92 45

HSL 93.19, 0.34%, 0.27%

LAB 35.99, -19.12, 23.85

 

CMYK 51 / 49 / 0 / 64

HEX #2D2F5C

RGB 45 47 92

HSL 237.45, 0.34%, 0.27%

LAB 21.45, 12.96, -27.33

 

CMYK 0 / 32 / 51 / 64

HEX #5D3F2E

RGB 93 63 46

HSL 21.7, 0.34%, 0.27%

LAB 29.61, 10.81, 15.66

 

CMYK 51 / 0 / 34 / 64

HEX #2D5C3D

RGB 45 92 61

HSL 140.43, 0.34%, 0.27%

LAB 35.1, -23.96, 13.02

 

CMYK 34 / 51 / 0 / 64

HEX #3D2D5C

RGB 61 45 92

HSL 260.43, 0.34%, 0.27%

LAB 22.45, 19.02, -25.64

 

CMYK 0 / 32 / 51 / 64

HEX #5D3F2E

RGB 93 63 46

HSL 21.7, 0.34%, 0.27%

LAB 29.61, 10.81, 15.66

 

CMYK 28 / 0 / 51 / 64

HEX #425C2D

RGB 66 92 45

HSL 93.19, 0.34%, 0.27%

LAB 35.99, -19.12, 23.85

 

CMYK 51 / 18 / 0 / 64

HEX #2D4B5C

RGB 45 75 92

HSL 201.7, 0.34%, 0.27%

LAB 30.31, -5.87, -13.48

 

CMYK 23 / 51 / 0 / 64

HEX #472D5C

RGB 71 45 92

HSL 273.19, 0.34%, 0.27%

LAB 23.64, 22.19, -23.69

 

CMYK 0 / 32 / 51 / 64

HEX #5D3F2E

RGB 93 63 46

HSL 21.7, 0.34%, 0.27%

LAB 29.61, 10.81, 15.66

 

CMYK 43 / 0 / 51 / 64

HEX #345C2D

RGB 52 92 45

HSL 111.06, 0.34%, 0.27%

LAB 35.15, -24.57, 22.62

 

CMYK 51 / 18 / 0 / 64

HEX #2D4B5C

RGB 45 75 92

HSL 201.7, 0.34%, 0.27%

LAB 30.31, -5.87, -13.48

 

CMYK 8 / 51 / 0 / 64

HEX #552D5C

RGB 85 45 92

HSL 291.06, 0.34%, 0.27%

LAB 25.51, 26.78, -20.62

 

Description

Color code: RGB 93 63 46 | qconv.com Color code: RGB 93 63 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 63 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 63 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 51 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 51% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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