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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 50 31 it is the complementary color RGB 162 205 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 50 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 93 50 31: RGB 98 50 26, RGB 115 68 45, RGB 132 86 64, RGB 149 104 83 and RGB 166 122 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 50 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 93 50 31: RGB 93 50 31, RGB 76 32 12, RGB 59 14 0, RGB 42 0 0 and RGB 25 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 67 / 64

HEX #5D321F

RGB 93 50 31

HSL 18.39, 0.5%, 0.24%

LAB 25.88, 17.46, 20.39

 

Complementary color

CMYK 28 / 8 / 0 / 12

HEX #A2CDE0

RGB 162 205 224

HSL 198.39, 0.5%, 0.76%

LAB 80.03, -9.77, -14.02

 

CMYK 0 / 49 / 73 / 62

HEX #62321A

RGB 98 50 26

HSL 20, 0.58%, 0.24%

LAB 26.6, 19.42, 24.48

 

CMYK 0 / 41 / 61 / 55

HEX #73442D

RGB 115 68 45

HSL 19.71, 0.44%, 0.31%

LAB 33.92, 17.78, 22.39

 

CMYK 0 / 35 / 52 / 48

HEX #845640

RGB 132 86 64

HSL 19.41, 0.35%, 0.38%

LAB 41.11, 16.45, 20.59

 

CMYK 0 / 30 / 44 / 42

HEX #956853

RGB 149 104 83

HSL 19.09, 0.28%, 0.45%

LAB 48.15, 15.35, 19.03

 

CMYK 0 / 27 / 39 / 35

HEX #A67A66

RGB 166 122 102

HSL 18.75, 0.26%, 0.53%

LAB 55.06, 14.43, 17.67

 

CMYK 0 / 46 / 67 / 64

HEX #5D321F

RGB 93 50 31

HSL 18.39, 0.5%, 0.24%

LAB 25.88, 17.46, 20.39

 

CMYK 0 / 58 / 84 / 70

HEX #4C200C

RGB 76 32 12

HSL 18.75, 0.73%, 0.17%

LAB 18.35, 19.29, 22.18

 

CMYK 0 / 76 / 100 / 77

HEX #3B0E00

RGB 59 14 0

HSL 14.24, 1%, 0.12%

LAB 10.88, 21.28, 16.8

 

CMYK 0 / 100 / 100 / 84

HEX #2A0000

RGB 42 0 0

HSL 0, 1%, 0.08%

LAB 4.45, 19.76, 7.03

 

CMYK 0 / 100 / 100 / 90

HEX #190000

RGB 25 0 0

HSL 0, 1%, 0.05%

LAB 1.87, 8.38, 2.95

 

CMYK 0 / 46 / 67 / 64

HEX #5D321F

RGB 93 50 31

HSL 18.39, 0.5%, 0.24%

LAB 25.88, 17.46, 20.39

 

CMYK 0 / 35 / 67 / 64

HEX #5B3B1E

RGB 91 59 30

HSL 28.52, 0.5%, 0.24%

LAB 27.97, 10.8, 23.42

 

CMYK 0 / 24 / 67 / 64

HEX #5B451E

RGB 91 69 30

HSL 38.36, 0.5%, 0.24%

LAB 30.82, 4.51, 26.7

 

CMYK 0 / 13 / 67 / 64

HEX #5B4F1E

RGB 91 79 30

HSL 48.2, 0.5%, 0.24%

LAB 33.79, -1.66, 30.03

 

CMYK 0 / 2 / 67 / 64

HEX #5B591E

RGB 91 89 30

HSL 58.03, 0.5%, 0.24%

LAB 36.86, -7.62, 33.35

 

CMYK 0 / 46 / 67 / 64

HEX #5D321F

RGB 93 50 31

HSL 18.39, 0.5%, 0.24%

LAB 25.88, 17.46, 20.39

 

CMYK 0 / 47 / 67 / 44

HEX #904D30

RGB 144 77 48

HSL 18.13, 0.5%, 0.38%

LAB 40.33, 25.52, 29.37

 

CMYK 0 / 46 / 67 / 24

HEX #C36941

RGB 195 105 65

HSL 18.46, 0.52%, 0.51%

LAB 54.12, 32.47, 37.97

 

CMYK 0 / 46 / 67 / 4

HEX #F68452

RGB 246 132 82

HSL 18.29, 0.9%, 0.64%

LAB 67.05, 39.57, 45.87

 

CMYK 0 / 45 / 67 / 84

HEX #2A170E

RGB 42 23 14

HSL 19.29, 0.5%, 0.11%

LAB 10.08, 8.38, 9.31

 

CMYK 0 / 46 / 67 / 64

HEX #5D321F

RGB 93 50 31

HSL 18.39, 0.5%, 0.24%

LAB 25.88, 17.46, 20.39

 

CMYK 33 / 0 / 67 / 64

HEX #3D5B1E

RGB 61 91 30

HSL 89.51, 0.5%, 0.24%

LAB 35.14, -22.45, 30.79

 

CMYK 67 / 60 / 0 / 64

HEX #1E245B

RGB 30 36 91

HSL 234.1, 0.5%, 0.24%

LAB 16.96, 16.92, -33.95

 

CMYK 0 / 46 / 67 / 64

HEX #5D321F

RGB 93 50 31

HSL 18.39, 0.5%, 0.24%

LAB 25.88, 17.46, 20.39

 

CMYK 67 / 0 / 47 / 64

HEX #1E5B30

RGB 30 91 48

HSL 137.7, 0.5%, 0.24%

LAB 33.92, -30.24, 19.14

 

CMYK 47 / 67 / 0 / 64

HEX #301E5B

RGB 48 30 91

HSL 257.7, 0.5%, 0.24%

LAB 17.05, 25.03, -33.72

 

CMYK 0 / 46 / 67 / 64

HEX #5D321F

RGB 93 50 31

HSL 18.39, 0.5%, 0.24%

LAB 25.88, 17.46, 20.39

 

CMYK 33 / 0 / 67 / 64

HEX #3D5B1E

RGB 61 91 30

HSL 89.51, 0.5%, 0.24%

LAB 35.14, -22.45, 30.79

 

CMYK 67 / 20 / 0 / 64

HEX #1E495B

RGB 30 73 91

HSL 197.7, 0.5%, 0.24%

LAB 28.89, -8.61, -15.07

 

CMYK 33 / 67 / 0 / 64

HEX #3D1E5B

RGB 61 30 91

HSL 270.49, 0.5%, 0.24%

LAB 18.7, 28.29, -30.98

 

CMYK 0 / 46 / 67 / 64

HEX #5D321F

RGB 93 50 31

HSL 18.39, 0.5%, 0.24%

LAB 25.88, 17.46, 20.39

 

CMYK 54 / 0 / 67 / 64

HEX #2A5B1E

RGB 42 91 30

HSL 108.2, 0.5%, 0.24%

LAB 34.12, -29.58, 29.38

 

CMYK 67 / 20 / 0 / 64

HEX #1E495B

RGB 30 73 91

HSL 197.7, 0.5%, 0.24%

LAB 28.89, -8.61, -15.07

 

CMYK 13 / 67 / 0 / 64

HEX #4F1E5B

RGB 79 30 91

HSL 288.2, 0.5%, 0.24%

LAB 21.38, 33.17, -26.53

 

Description

Color code: RGB 93 50 31 | qconv.com Color code: RGB 93 50 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 50 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 50 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 67 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 67% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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