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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 174 234 it is the complementary color RGB 162 81 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 174 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 93 174 234: RGB 98 174 229, RGB 115 192 248, RGB 132 210 255, RGB 149 228 255 and RGB 166 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 174 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 93 174 234: RGB 93 174 234, RGB 76 156 215, RGB 59 138 196, RGB 42 120 177 and RGB 25 102 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 26 / 0 / 8

HEX #5DAEEA

RGB 93 174 234

HSL 205.53, 0.77%, 0.64%

LAB 68.42, -7.19, -37.49

 

Complementary color

CMYK 0 / 50 / 87 / 36

HEX #A25115

RGB 162 81 21

HSL 25.53, 0.77%, 0.36%

LAB 43.68, 29.76, 46.9

 

CMYK 57 / 24 / 0 / 10

HEX #62AEE5

RGB 98 174 229

HSL 205.19, 0.72%, 0.64%

LAB 68.41, -7.79, -34.76

 

CMYK 54 / 23 / 0 / 3

HEX #73C0F8

RGB 115 192 248

HSL 205.26, 0.9%, 0.71%

LAB 74.9, -8.39, -34.94

 

CMYK 48 / 18 / 0 / 0

HEX #84D2FF

RGB 132 210 255

HSL 201.95, 1%, 0.76%

LAB 80.86, -12.23, -29.44

 

CMYK 42 / 11 / 0 / 0

HEX #95E4FF

RGB 149 228 255

HSL 195.28, 1%, 0.79%

LAB 86.55, -17.48, -20.7

 

CMYK 35 / 4 / 0 / 0

HEX #A6F6FF

RGB 166 246 255

HSL 186.07, 1%, 0.83%

LAB 92.24, -22.15, -12.08

 

CMYK 60 / 26 / 0 / 8

HEX #5DAEEA

RGB 93 174 234

HSL 205.53, 0.77%, 0.64%

LAB 68.42, -7.19, -37.49

NCS® S1050-R90B

CMYK 65 / 27 / 0 / 16

HEX #4C9CD7

RGB 76 156 215

HSL 205.47, 0.63%, 0.57%

LAB 61.84, -6.3, -37.32

 

CMYK 70 / 30 / 0 / 23

HEX #3B8AC4

RGB 59 138 196

HSL 205.4, 0.54%, 0.5%

LAB 55.17, -5.18, -37.14

 

CMYK 76 / 32 / 0 / 31

HEX #2A78B1

RGB 42 120 177

HSL 205.33, 0.62%, 0.43%

LAB 48.39, -3.72, -36.94

 

CMYK 84 / 35 / 0 / 38

HEX #19669E

RGB 25 102 158

HSL 205.26, 0.73%, 0.36%

LAB 41.5, -1.8, -36.69

 

CMYK 60 / 26 / 0 / 8

HEX #5DAEEA

RGB 93 174 234

HSL 205.53, 0.77%, 0.64%

LAB 68.42, -7.19, -37.49

NCS® S1050-R90B

CMYK 61 / 35 / 0 / 9

HEX #5C97E9

RGB 92 151 233

HSL 214.89, 0.76%, 0.64%

LAB 61.91, 5.35, -47.16

 

CMYK 61 / 45 / 0 / 9

HEX #5C7FE9

RGB 92 127 233

HSL 225.11, 0.76%, 0.64%

LAB 55.42, 19.67, -57.48

 

CMYK 61 / 55 / 0 / 9

HEX #5C68E9

RGB 92 104 233

HSL 234.89, 0.76%, 0.64%

LAB 49.57, 33.73, -66.9

 

CMYK 55 / 61 / 0 / 9

HEX #685CE9

RGB 104 92 233

HSL 245.11, 0.76%, 0.64%

LAB 47.6, 42.96, -70.06

 

CMYK 60 / 26 / 0 / 8

HEX #5DAEEA

RGB 93 174 234

HSL 205.53, 0.77%, 0.64%

LAB 68.42, -7.19, -37.49

NCS® S1050-R90B

CMYK 60 / 27 / 0 / 88

HEX #0C161E

RGB 12 22 30

HSL 206.67, 0.43%, 0.08%

LAB 6.74, -1.47, -6.94

 

CMYK 60 / 26 / 0 / 68

HEX #203C51

RGB 32 60 81

HSL 205.71, 0.43%, 0.22%

LAB 24.11, -3.46, -15.95

 

CMYK 61 / 26 / 0 / 48

HEX #346284

RGB 52 98 132

HSL 205.5, 0.43%, 0.36%

LAB 39.8, -4.88, -23.68

 

CMYK 60 / 26 / 0 / 28

HEX #4988B7

RGB 73 136 183

HSL 205.64, 0.43%, 0.5%

LAB 54.49, -5.97, -30.75

 

CMYK 60 / 26 / 0 / 8

HEX #5DAEEA

RGB 93 174 234

HSL 205.53, 0.77%, 0.64%

LAB 68.42, -7.19, -37.49

NCS® S1050-R90B

CMYK 23 / 61 / 0 / 9

HEX #B35CE9

RGB 179 92 233

HSL 277.02, 0.76%, 0.64%

LAB 55.2, 58.61, -57.41

 

CMYK 1 / 0 / 61 / 9

HEX #E7E95C

RGB 231 233 92

HSL 60.85, 0.76%, 0.64%

LAB 89.88, -18.07, 66.21

 

CMYK 60 / 26 / 0 / 8

HEX #5DAEEA

RGB 93 174 234

HSL 205.53, 0.77%, 0.64%

LAB 68.42, -7.19, -37.49

NCS® S1050-R90B

CMYK 0 / 61 / 25 / 9

HEX #E95CAE

RGB 233 92 174

HSL 325.11, 0.76%, 0.64%

LAB 59.92, 62.67, -15.93

 

CMYK 25 / 0 / 61 / 9

HEX #AEE95C

RGB 174 233 92

HSL 85.11, 0.76%, 0.64%

LAB 86.03, -40.17, 60.91

 

CMYK 60 / 26 / 0 / 8

HEX #5DAEEA

RGB 93 174 234

HSL 205.53, 0.77%, 0.64%

LAB 68.42, -7.19, -37.49

NCS® S1050-R90B

CMYK 23 / 61 / 0 / 9

HEX #B35CE9

RGB 179 92 233

HSL 277.02, 0.76%, 0.64%

LAB 55.2, 58.61, -57.41

 

CMYK 0 / 35 / 61 / 9

HEX #E9975C

RGB 233 151 92

HSL 25.11, 0.76%, 0.64%

LAB 69.63, 25.16, 43.36

 

CMYK 37 / 0 / 61 / 9

HEX #92E95C

RGB 146 233 92

HSL 97.02, 0.76%, 0.64%

LAB 84.57, -49.87, 58.87

 

CMYK 60 / 26 / 0 / 8

HEX #5DAEEA

RGB 93 174 234

HSL 205.53, 0.77%, 0.64%

LAB 68.42, -7.19, -37.49

NCS® S1050-R90B

CMYK 5 / 61 / 0 / 9

HEX #DE5CE9

RGB 222 92 233

HSL 295.32, 0.76%, 0.64%

LAB 60.84, 68.78, -48.09

 

CMYK 0 / 35 / 61 / 9

HEX #E9975C

RGB 233 151 92

HSL 25.11, 0.76%, 0.64%

LAB 69.63, 25.16, 43.36

 

CMYK 55 / 0 / 61 / 9

HEX #68E95C

RGB 104 233 92

HSL 114.89, 0.76%, 0.64%

LAB 82.91, -61.98, 56.56

 

Description

Color code: RGB 93 174 234 | qconv.com Color code: RGB 93 174 234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 174 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 174 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 26 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 26% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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