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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 162 76 it is the complementary color RGB 162 93 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 162 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 93 162 76: RGB 98 162 71, RGB 115 180 90, RGB 132 198 109, RGB 149 216 128 and RGB 166 234 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 162 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 93 162 76: RGB 93 162 76, RGB 76 144 57, RGB 59 126 38, RGB 42 108 19 and RGB 25 90 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 53 / 36

HEX #5DA24C

RGB 93 162 76

HSL 108.14, 0.36%, 0.47%

LAB 60.51, -38.76, 37.68

 

Complementary color

CMYK 9 / 48 / 0 / 30

HEX #A25DB3

RGB 162 93 179

HSL 288.14, 0.36%, 0.53%

LAB 50.41, 42.23, -34.31

 

CMYK 40 / 0 / 56 / 36

HEX #62A247

RGB 98 162 71

HSL 102.2, 0.39%, 0.46%

LAB 60.69, -37.71, 40.41

 

CMYK 36 / 0 / 50 / 29

HEX #73B45A

RGB 115 180 90

HSL 103.33, 0.38%, 0.53%

LAB 67.3, -37.67, 39.21

 

CMYK 33 / 0 / 45 / 22

HEX #84C66D

RGB 132 198 109

HSL 104.49, 0.44%, 0.6%

LAB 73.8, -37.55, 37.99

 

CMYK 31 / 0 / 41 / 15

HEX #95D880

RGB 149 216 128

HSL 105.68, 0.53%, 0.67%

LAB 80.21, -37.39, 36.79

 

CMYK 29 / 0 / 37 / 8

HEX #A6EA93

RGB 166 234 147

HSL 106.9, 0.67%, 0.75%

LAB 86.53, -37.21, 35.63

 

CMYK 43 / 0 / 53 / 36

HEX #5DA24C

RGB 93 162 76

HSL 108.14, 0.36%, 0.47%

LAB 60.51, -38.76, 37.68

 

CMYK 47 / 0 / 60 / 44

HEX #4C9039

RGB 76 144 57

HSL 106.9, 0.43%, 0.39%

LAB 53.79, -38.71, 38.88

 

CMYK 53 / 0 / 70 / 51

HEX #3B7E26

RGB 59 126 38

HSL 105.68, 0.54%, 0.32%

LAB 46.96, -38.43, 39.85

 

CMYK 61 / 0 / 82 / 58

HEX #2A6C13

RGB 42 108 19

HSL 104.49, 0.7%, 0.25%

LAB 40.02, -37.69, 40.12

 

CMYK 72 / 0 / 100 / 65

HEX #195A00

RGB 25 90 0

HSL 103.33, 1%, 0.18%

LAB 32.96, -36.3, 39.45

 

CMYK 43 / 0 / 53 / 36

HEX #5DA24C

RGB 93 162 76

HSL 108.14, 0.36%, 0.47%

LAB 60.51, -38.76, 37.68

 

CMYK 51 / 0 / 53 / 36

HEX #4FA24C

RGB 79 162 76

HSL 117.91, 0.36%, 0.47%

LAB 59.91, -43.03, 36.82

 

CMYK 53 / 0 / 46 / 36

HEX #4CA258

RGB 76 162 88

HSL 128.37, 0.36%, 0.47%

LAB 59.96, -42.1, 30.7

 

CMYK 53 / 0 / 37 / 36

HEX #4CA266

RGB 76 162 102

HSL 138.14, 0.36%, 0.47%

LAB 60.19, -39.7, 23.51

 

CMYK 53 / 0 / 28 / 36

HEX #4CA274

RGB 76 162 116

HSL 147.91, 0.36%, 0.47%

LAB 60.46, -36.95, 16.19

 

CMYK 43 / 0 / 53 / 36

HEX #5DA24C

RGB 93 162 76

HSL 108.14, 0.36%, 0.47%

LAB 60.51, -38.76, 37.68

 

CMYK 43 / 0 / 53 / 16

HEX #7AD564

RGB 122 213 100

HSL 108.32, 0.57%, 0.61%

LAB 77.67, -48.38, 47.01

 

CMYK 44 / 0 / 56 / 96

HEX #050904

RGB 5 9 4

HSL 108, 0.38%, 0.03%

LAB 2.14, -1.74, 1.52

 

CMYK 43 / 0 / 53 / 76

HEX #223C1C

RGB 34 60 28

HSL 108.75, 0.36%, 0.17%

LAB 22.5, -17.54, 16.65

 

CMYK 42 / 0 / 53 / 56

HEX #406F34

RGB 64 111 52

HSL 107.8, 0.36%, 0.32%

LAB 42.32, -28.49, 27.72

 

CMYK 43 / 0 / 53 / 36

HEX #5DA24C

RGB 93 162 76

HSL 108.14, 0.36%, 0.47%

LAB 60.51, -38.76, 37.68

 

CMYK 53 / 0 / 0 / 36

HEX #4CA2A2

RGB 76 162 162

HSL 180, 0.36%, 0.47%

LAB 61.64, -25.72, -7.91

 

CMYK 0 / 53 / 21 / 36

HEX #A24C80

RGB 162 76 128

HSL 323.72, 0.36%, 0.47%

LAB 44.81, 41.96, -12.64

 

CMYK 43 / 0 / 53 / 36

HEX #5DA24C

RGB 93 162 76

HSL 108.14, 0.36%, 0.47%

LAB 60.51, -38.76, 37.68

 

CMYK 53 / 43 / 0 / 36

HEX #4C5DA2

RGB 76 93 162

HSL 228.14, 0.36%, 0.47%

LAB 41.17, 13.9, -39.45

 

CMYK 0 / 53 / 43 / 36

HEX #A24C5D

RGB 162 76 93

HSL 348.14, 0.36%, 0.47%

LAB 43.71, 37.31, 7.16

 

CMYK 43 / 0 / 53 / 36

HEX #5DA24C

RGB 93 162 76

HSL 108.14, 0.36%, 0.47%

LAB 60.51, -38.76, 37.68

 

CMYK 53 / 0 / 0 / 36

HEX #4CA2A2

RGB 76 162 162

HSL 180, 0.36%, 0.47%

LAB 61.64, -25.72, -7.91

 

CMYK 10 / 53 / 0 / 36

HEX #914CA2

RGB 145 76 162

HSL 288.14, 0.36%, 0.47%

LAB 43.94, 42.86, -34.63

 

CMYK 0 / 53 / 53 / 36

HEX #A24C4C

RGB 162 76 76

HSL 0, 0.36%, 0.47%

LAB 43.32, 35.58, 17.04

 

CMYK 43 / 0 / 53 / 36

HEX #5DA24C

RGB 93 162 76

HSL 108.14, 0.36%, 0.47%

LAB 60.51, -38.76, 37.68

 

CMYK 53 / 15 / 0 / 36

HEX #4C89A2

RGB 76 137 162

HSL 197.44, 0.36%, 0.47%

LAB 54.07, -12.51, -19.34

 

CMYK 10 / 53 / 0 / 36

HEX #914CA2

RGB 145 76 162

HSL 288.14, 0.36%, 0.47%

LAB 43.94, 42.86, -34.63

 

CMYK 0 / 37 / 53 / 36

HEX #A2664C

RGB 162 102 76

HSL 18.14, 0.36%, 0.47%

LAB 49.14, 21.3, 24.7

 

Description

Color code: RGB 93 162 76 | qconv.com Color code: RGB 93 162 76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 162 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 162 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 53 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 53% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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