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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 93 145 230 it is the complementary color RGB 162 110 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 93 145 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 93 145 230: RGB 98 145 225, RGB 115 163 244, RGB 132 181 255, RGB 149 199 255 and RGB 166 217 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 93 145 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 93 145 230: RGB 93 145 230, RGB 76 127 211, RGB 59 109 192, RGB 42 91 173 and RGB 25 73 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 37 / 0 / 10

HEX #5D91E6

RGB 93 145 230

HSL 217.23, 0.73%, 0.63%

LAB 60.15, 8.07, -48.27

 

Complementary color

CMYK 0 / 32 / 85 / 36

HEX #A26E19

RGB 162 110 25

HSL 37.23, 0.73%, 0.37%

LAB 50.57, 13.63, 51.31

 

CMYK 56 / 36 / 0 / 12

HEX #6291E1

RGB 98 145 225

HSL 217.8, 0.68%, 0.63%

LAB 60.14, 7.44, -45.49

 

CMYK 53 / 33 / 0 / 4

HEX #73A3F4

RGB 115 163 244

HSL 217.67, 0.85%, 0.7%

LAB 66.8, 6.51, -45.41

 

CMYK 48 / 29 / 0 / 0

HEX #84B5FF

RGB 132 181 255

HSL 216.1, 1%, 0.76%

LAB 73.01, 3.41, -41.6

 

CMYK 42 / 22 / 0 / 0

HEX #95C7FF

RGB 149 199 255

HSL 211.7, 1%, 0.79%

LAB 78.73, -2.36, -32.65

 

CMYK 35 / 15 / 0 / 0

HEX #A6D9FF

RGB 166 217 255

HSL 205.62, 1%, 0.83%

LAB 84.46, -7.49, -23.79

 

CMYK 60 / 37 / 0 / 10

HEX #5D91E6

RGB 93 145 230

HSL 217.23, 0.73%, 0.63%

LAB 60.15, 8.07, -48.27

 

CMYK 64 / 40 / 0 / 17

HEX #4C7FD3

RGB 76 127 211

HSL 217.33, 0.61%, 0.56%

LAB 53.4, 9.36, -48.38

 

CMYK 69 / 43 / 0 / 25

HEX #3B6DC0

RGB 59 109 192

HSL 217.44, 0.53%, 0.49%

LAB 46.54, 10.95, -48.51

 

CMYK 76 / 47 / 0 / 32

HEX #2A5BAD

RGB 42 91 173

HSL 217.56, 0.61%, 0.42%

LAB 39.57, 12.98, -48.63

 

CMYK 84 / 53 / 0 / 40

HEX #19499A

RGB 25 73 154

HSL 217.67, 0.72%, 0.35%

LAB 32.49, 15.6, -48.71

 

CMYK 60 / 37 / 0 / 10

HEX #5D91E6

RGB 93 145 230

HSL 217.23, 0.73%, 0.63%

LAB 60.15, 8.07, -48.27

 

CMYK 60 / 47 / 0 / 10

HEX #5B79E5

RGB 91 121 229

HSL 226.96, 0.73%, 0.63%

LAB 53.55, 21.82, -58.23

 

CMYK 60 / 57 / 0 / 10

HEX #5B62E5

RGB 91 98 229

HSL 236.96, 0.73%, 0.63%

LAB 47.77, 35.9, -67.56

 

CMYK 53 / 60 / 0 / 10

HEX #6B5BE5

RGB 107 91 229

HSL 246.96, 0.73%, 0.63%

LAB 47.32, 42.87, -68.24

 

CMYK 43 / 60 / 0 / 10

HEX #825BE5

RGB 130 91 229

HSL 256.96, 0.73%, 0.63%

LAB 49.36, 47.34, -64.85

 

CMYK 60 / 37 / 0 / 10

HEX #5D91E6

RGB 93 145 230

HSL 217.23, 0.73%, 0.63%

LAB 60.15, 8.07, -48.27

 

CMYK 58 / 38 / 0 / 90

HEX #0B101A

RGB 11 16 26

HSL 220, 0.41%, 0.07%

LAB 4.66, 0.78, -6.94

 

CMYK 60 / 36 / 0 / 70

HEX #1F314D

RGB 31 49 77

HSL 216.52, 0.43%, 0.21%

LAB 20.14, 2.3, -19.48

 

CMYK 59 / 37 / 0 / 50

HEX #345180

RGB 52 81 128

HSL 217.11, 0.42%, 0.35%

LAB 34.34, 4.44, -29.78

 

CMYK 60 / 37 / 0 / 30

HEX #4871B3

RGB 72 113 179

HSL 217.01, 0.43%, 0.49%

LAB 47.55, 6.2, -39.34

 

CMYK 60 / 37 / 0 / 10

HEX #5D91E6

RGB 93 145 230

HSL 217.23, 0.73%, 0.63%

LAB 60.15, 8.07, -48.27

 

CMYK 11 / 60 / 0 / 10

HEX #CC5BE5

RGB 204 91 229

HSL 289.13, 0.73%, 0.63%

LAB 58.01, 64.17, -50.49

 

CMYK 13 / 0 / 60 / 10

HEX #C7E55B

RGB 199 229 91

HSL 73.04, 0.73%, 0.63%

LAB 86.47, -28.96, 62.26

 

CMYK 60 / 37 / 0 / 10

HEX #5D91E6

RGB 93 145 230

HSL 217.23, 0.73%, 0.63%

LAB 60.15, 8.07, -48.27

 

CMYK 0 / 60 / 37 / 10

HEX #E55B90

RGB 229 91 144

HSL 336.96, 0.73%, 0.63%

LAB 58.18, 58.31, -1.17

 

CMYK 37 / 0 / 60 / 10

HEX #90E55B

RGB 144 229 91

HSL 96.96, 0.73%, 0.63%

LAB 83.3, -48.96, 57.85

 

CMYK 60 / 37 / 0 / 10

HEX #5D91E6

RGB 93 145 230

HSL 217.23, 0.73%, 0.63%

LAB 60.15, 8.07, -48.27

 

CMYK 11 / 60 / 0 / 10

HEX #CC5BE5

RGB 204 91 229

HSL 289.13, 0.73%, 0.63%

LAB 58.01, 64.17, -50.49

 

CMYK 0 / 23 / 60 / 10

HEX #E5B05B

RGB 229 176 91

HSL 36.96, 0.73%, 0.63%

LAB 75.12, 10.15, 50.19

 

CMYK 49 / 0 / 60 / 10

HEX #75E55B

RGB 117 229 91

HSL 108.7, 0.73%, 0.63%

LAB 82.15, -57.18, 56.25

 

CMYK 60 / 37 / 0 / 10

HEX #5D91E6

RGB 93 145 230

HSL 217.23, 0.73%, 0.63%

LAB 60.15, 8.07, -48.27

 

CMYK 0 / 60 / 7 / 10

HEX #E55BD5

RGB 229 91 213

HSL 306.96, 0.73%, 0.63%

LAB 60.73, 67.61, -36.97

 

CMYK 0 / 23 / 60 / 10

HEX #E5B05B

RGB 229 176 91

HSL 36.96, 0.73%, 0.63%

LAB 75.12, 10.15, 50.19

 

CMYK 60 / 0 / 53 / 10

HEX #5BE56B

RGB 91 229 107

HSL 126.96, 0.73%, 0.63%

LAB 81.47, -61.79, 48.05

 

Description

Color code: RGB 93 145 230 | qconv.com Color code: RGB 93 145 230 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 145 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 145 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 37 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 37% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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