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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 87 177 it is the complementary color RGB 163 168 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 87 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 92 87 177: RGB 97 87 172, RGB 114 105 191, RGB 131 123 210, RGB 148 141 229 and RGB 165 159 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 87 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 92 87 177: RGB 92 87 177, RGB 75 69 158, RGB 58 51 139, RGB 41 33 120 and RGB 24 15 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 51 / 0 / 31

HEX #5C57B1

RGB 92 87 177

HSL 243.33, 0.37%, 0.52%

LAB 41.64, 26.25, -47.51

 

Complementary color

CMYK 3 / 0 / 54 / 34

HEX #A3A84E

RGB 163 168 78

HSL 63.33, 0.37%, 0.48%

LAB 66.78, -14.57, 45.22

 

CMYK 44 / 49 / 0 / 33

HEX #6157AC

RGB 97 87 172

HSL 247.06, 0.34%, 0.51%

LAB 41.75, 25.93, -44.37

 

CMYK 40 / 45 / 0 / 25

HEX #7269BF

RGB 114 105 191

HSL 246.28, 0.4%, 0.58%

LAB 48.81, 24.79, -44.11

 

CMYK 38 / 41 / 0 / 18

HEX #837BD2

RGB 131 123 210

HSL 245.52, 0.49%, 0.65%

LAB 55.73, 23.81, -43.91

 

CMYK 35 / 38 / 0 / 10

HEX #948DE5

RGB 148 141 229

HSL 244.77, 0.63%, 0.73%

LAB 62.51, 22.96, -43.76

 

CMYK 33 / 36 / 0 / 3

HEX #A59FF8

RGB 165 159 248

HSL 244.04, 0.86%, 0.8%

LAB 69.16, 22.2, -43.66

 

CMYK 48 / 51 / 0 / 31

HEX #5C57B1

RGB 92 87 177

HSL 243.33, 0.37%, 0.52%

LAB 41.64, 26.25, -47.51

 

CMYK 53 / 56 / 0 / 38

HEX #4B459E

RGB 75 69 158

HSL 244.04, 0.39%, 0.45%

LAB 34.44, 27.73, -47.85

 

CMYK 58 / 63 / 0 / 45

HEX #3A338B

RGB 58 51 139

HSL 244.77, 0.46%, 0.37%

LAB 27.11, 29.5, -48.18

 

CMYK 66 / 73 / 0 / 53

HEX #292178

RGB 41 33 120

HSL 245.52, 0.57%, 0.3%

LAB 19.7, 31.55, -48.37

 

CMYK 76 / 85 / 0 / 60

HEX #180F65

RGB 24 15 101

HSL 246.28, 0.74%, 0.23%

LAB 12.45, 33.54, -48

 

CMYK 48 / 51 / 0 / 31

HEX #5C57B1

RGB 92 87 177

HSL 243.33, 0.37%, 0.52%

LAB 41.64, 26.25, -47.51

 

CMYK 40 / 51 / 0 / 31

HEX #6A57B1

RGB 106 87 177

HSL 252.67, 0.37%, 0.52%

LAB 42.85, 29.65, -45.51

 

CMYK 31 / 51 / 0 / 31

HEX #7A57B1

RGB 122 87 177

HSL 263.33, 0.37%, 0.52%

LAB 44.42, 33.82, -42.91

 

CMYK 23 / 51 / 0 / 31

HEX #8957B1

RGB 137 87 177

HSL 273.33, 0.37%, 0.52%

LAB 46.05, 37.93, -40.21

 

CMYK 14 / 51 / 0 / 31

HEX #9857B1

RGB 152 87 177

HSL 283.33, 0.37%, 0.52%

LAB 47.84, 42.15, -37.27

 

CMYK 48 / 51 / 0 / 31

HEX #5C57B1

RGB 92 87 177

HSL 243.33, 0.37%, 0.52%

LAB 41.64, 26.25, -47.51

 

CMYK 48 / 51 / 0 / 11

HEX #7770E4

RGB 119 112 228

HSL 243.62, 0.68%, 0.67%

LAB 53.07, 32.6, -58.35

 

CMYK 50 / 50 / 0 / 91

HEX #0C0C18

RGB 12 12 24

HSL 240, 0.33%, 0.07%

LAB 3.68, 2.5, -6.81

 

CMYK 48 / 51 / 0 / 71

HEX #27254B

RGB 39 37 75

HSL 243.16, 0.34%, 0.22%

LAB 16.81, 12.42, -23.35

 

CMYK 48 / 51 / 0 / 51

HEX #413E7E

RGB 65 62 126

HSL 242.81, 0.34%, 0.37%

LAB 29.6, 19.49, -36.02

 

CMYK 48 / 51 / 0 / 31

HEX #5C57B1

RGB 92 87 177

HSL 243.33, 0.37%, 0.52%

LAB 41.64, 26.25, -47.51

 

CMYK 0 / 51 / 12 / 31

HEX #B1579B

RGB 177 87 155

HSL 314.67, 0.37%, 0.52%

LAB 50.13, 45.47, -20.51

 

CMYK 33 / 0 / 51 / 31

HEX #77B157

RGB 119 177 87

HSL 98.67, 0.37%, 0.52%

LAB 66.56, -35.29, 39.85

 

CMYK 48 / 51 / 0 / 31

HEX #5C57B1

RGB 92 87 177

HSL 243.33, 0.37%, 0.52%

LAB 41.64, 26.25, -47.51

 

CMYK 0 / 49 / 51 / 31

HEX #B15B57

RGB 177 91 87

HSL 2.67, 0.37%, 0.52%

LAB 48.91, 34.47, 18.32

 

CMYK 51 / 0 / 49 / 31

HEX #57B15B

RGB 87 177 91

HSL 122.67, 0.37%, 0.52%

LAB 65.14, -44.9, 35.77

 

CMYK 48 / 51 / 0 / 31

HEX #5C57B1

RGB 92 87 177

HSL 243.33, 0.37%, 0.52%

LAB 41.64, 26.25, -47.51

 

CMYK 0 / 51 / 12 / 31

HEX #B1579B

RGB 177 87 155

HSL 314.67, 0.37%, 0.52%

LAB 50.13, 45.47, -20.51

 

CMYK 2 / 0 / 51 / 31

HEX #ADB157

RGB 173 177 87

HSL 62.67, 0.37%, 0.52%

LAB 70.19, -14.23, 45.06

 

CMYK 51 / 0 / 38 / 31

HEX #57B16D

RGB 87 177 109

HSL 134.67, 0.37%, 0.52%

LAB 65.42, -42.03, 26.76

 

CMYK 48 / 51 / 0 / 31

HEX #5C57B1

RGB 92 87 177

HSL 243.33, 0.37%, 0.52%

LAB 41.64, 26.25, -47.51

 

CMYK 0 / 51 / 28 / 31

HEX #B15780

RGB 177 87 128

HSL 332.67, 0.37%, 0.52%

LAB 49.16, 41.36, -5.91

 

CMYK 2 / 0 / 51 / 31

HEX #ADB157

RGB 173 177 87

HSL 62.67, 0.37%, 0.52%

LAB 70.19, -14.23, 45.06

 

CMYK 51 / 0 / 23 / 31

HEX #57B189

RGB 87 177 137

HSL 153.33, 0.37%, 0.52%

LAB 65.96, -36.53, 12.34

 

Description

Color code: RGB 92 87 177 | qconv.com Color code: RGB 92 87 177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 87 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 87 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 51 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 51% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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